But you look at what the theme of Flash’s book has been for the last 200-something issues with Wally West and it’s been about a man trying to fill someone else’s boots. It doesn’t really have anything to do with speed. I mean, it has something to do with speed, but it was not totally what the book was about. The new Flash that I’m doing is all about speed.
At the time, I found it disingenuous because Geoff Johns wrote six years of that run himself, and he could have focused more heavily on speed with Wally West if he’d wanted to. And I found it worrying because he felt Wally’s defining characteristic was wanting to be like Barry Allen. Not the journey of becoming a hero, not learning to be an adult, but specifically trying to be someone he’s not.
But now I find the quote even more annoying, and here’s why:
Geoff Johns’ Flash, from Rebirth through Flashpoint, is not all about speed. It’s not even about hope, as suggested in Blackest Night.
It’s about a man so driven by grief that he nearly destroyed the world. Not even through speed, but through time travel.
The great over-arching Flash story from 2009-2011 might have been more appropriate for Booster Gold or Rip Hunter. (Or maybe Green Lantern/Hal Jordan, considering that it sounds a little like Emerald Twilight and Zero Hour when you break it down that far.)
This is the intro for the Flash segments that ran during the Superman/Aquaman Hour of Adventure (1967-1968). Filmation produced three Flash cartoons in which the Flash and Kid Flash battled original evildoers including a giant mutated bug (The Chemo Creature, seen here), a mad scientist in a robot suit (Professor Crag), and an alien speedster (The Blue Bolt). Sadly, he didn’t actually “conquer the barriers of time and space” in any of the segments they produced.
Warner Bros. released all the non-Superman/Aquaman sequences on DVD a few years back, and I reviewed the set a couple of months after this blog went online.
Even setting aside the image quality, you can see that it’s a very different style from modern shows like Justice League Unlimited and Young Justice, or even Super-Friends. Read the rest of this entry »
Classic comic book artist Sheldon Moldoff passed away last Wednesday at 91. He was the last surviving artist to have worked on Action Comics #1, and drew the covers of Flash Comics #1 and All-American Comics #16, the first cover appearances of the Flash and Green Lantern. Moldoff drew the Golden-Age Hawkman for several years, and was Bob Kane’s main ghost artist on many of the Batman features credited to Kane.
The fastest superhero to ever grace the pages of comics wears one of the most recognizable costumes, but as the role of the Flash has changed hands from Barry Allen to Wally West, the costumes over the years have incorporated some subtle changes. Of course, no one would be talking about DC Comics’ Flash at all without the original inspiration behind the modern day Flash if Golden Age Jay Garrick had not inspired the superhero’s more popular incarnations.
I hope today’s release of Flash vol.2 #2-6 on ComiXology signals the beginning of a complete digital release of the Wally West Flash series. This brings the total to 63 issues scattered around the 249-issue series (including #0 and #1,000,000, both already available), mostly from the Waid and Johns runs, but there are still a lot of gaps…and most of the material is out of print.
The Mike Baron (#1-14) and William Messner-Loebs (#15-61) runs on The Flash have never been reprinted in trade paperback, and only the highlights of the extensive Mark Waid/Brian Augustyn run (#62-162, minus a year off for Morrison/Millar) have been collected. A lot of that is due to the changing market during the 1990s. When Waid started, collected editions were rare. Vertigo was seeing some success, but the idea that people would shell out for a whole series in graphic novel form hadn’t yet sunk in. (These were the days when studios weren’t sure there was a market for complete TV seasons on home video, either.) By the time Geoff Johns took over the title, DC was collecting full runs of a few high-profile series, but not all, or even most of their books.
Now, of course, everyone expects most comic books will be collected, and waiting for the trade is actually a workable strategy. But it’s not often that DC Comics goes back to fill in the gaps in their library — at least, not in print.
Gold and Bronze
With any luck, digital releases will also be the way we’ll finally get the Bronze Age and the Golden Age re-released. I’ve grumbled on a number of occasions that DC seems to keep reprinting the same early years of the Silver Age every time they come up with a new format, and never seem to get past the early/mid-1960s on Barry Allen’s series. (Even the upcoming Flash Archives vol.6 brings that series up to…1964.)
I’d really like to see more Golden Age Flash Archives. DC has only gotten as far as issue #24 out of 104, and the first super-villain (The Shade, as it turns out) doesn’t appear until #33…but these volumes seem to come out so rarely that I expect to die of old age before DC finishes collecting the series. In print, anyway. This is one of the reasons I went forward with my effort to hunt down the original comics, or at least as many of the key issues as I could find in my price range. Read the rest of this entry »
Most comic book character indexes aren’t really interested in the supporting cast, or even one-off villains. If I want to find a major villain like the Fiddler, chances are I can find a complete list somewhere online. But if I want to know which issues featured Jay’s old college buddies, I’m on my own.
Speaking of Jay’s old college buddies, he runs into five of them during the issues featured in The Golden Age Flash Archives, Vol. 1….and four of them are named Jim. There’s Jimmie Dolan, Jim Evans, Jim Carter, and Jim Dane. (Interestingly, the fifth friend is named Wally.) Jim Carter and Jim Dane are both in silver mining. Jimmie Dolan and Jim Evans both know that Jay is the Flash, but Jim Carter and Jim Dane don’t. I suspect that Carter and Dane are the same guy, but the writer didn’t remember the name he used before and didn’t feel like looking it up. (Comics were episodic back then, and you didn’t have continuity police among the readers ready to pounce on every coloring error.)
Also interesting: In the 17 issues collected in that book, no super-villains appear. The villains are all gangsters, kidnappers, corrupt politicians, crime bosses, etc. Even the story with the giant lizards has gangsters creating them. Skimming one list, the first recognizable villain to show up is the Shade—in issue #33! For the first three years (or at least the first year and a half), most of the Flash’s enemies wore ordinary business suits!
Note: Since I originally wrote this, I have tracked down a number of Golden Age stories. You can read a follow-up in Completing the Set: Tracing the Origins of the Shade.
One of many pieces of Flash news from Comic-Con that just didn’t sit right with me was the news that Barry Allen and Iris West were being retroactively split up for the New 52, and that Barry would be “playing the field.”
Really? This is the guy who, after Iris’ untimely death, when he finally forced himself to move out of the house where he lived with his late wife and try to get on with his life, promptly fell for the new girl next door. The idea of him dating someone else isn’t preposterous, but a player? That seems a little far-fe—
Oh, wait. Never mind.
(Seriously, though, this is one of the things that bugs me, because in my opinion, the Barry/Iris relationship should be central to the character(s). It might bother me less if DC wasn’t undoing the Lois/Clark marriage at the same time. I still haven’t decided whether to actually put together a post listing all the announced elements I do and don’t like and why.)
Today’s guest post is by Shaun Rosado of Shauncastic!
A Sound of Thunder
The sound of thunder, a crack of lightning and in a flash everything is different. No, I’m not talking about Flashpoint; DC Comics’ current take on a “Flash-centric” Event. I’m talking about the Flash as a character and the profound difference he’s made in comics. Ever since I was a child, I always felt a deep connection to the Flash. Perhaps it was the sense of the character’s long history, reaching all the way back to World War 2 with Jay Garrick as the original Flash. Perhaps it was the idea that when I was at my most impressionable the Flash TV show had just begun and would capture my imagination. Or perhaps it’s because the Flash is the most important character of the DC Universe.
Yeah. You read that right. I typed it. The Flash is the THE most important character of the DC Universe.
Of course, I don’t expect to get away with saying something like this without a little backup.
So let’s take a moment and just go over the finer points of my argument. When the Flash began way back in the 40s, he was a character that was given his own book nearly as soon as he was established. In January 1940, Flash Comics began as a variety comic that would feature new characters and give them a chance to flourish. Some of the most famous of these characters would be Johnny Thunder, Hawkman, Hawkgirl and Black Canary. This began an eerie precedence of the Flash establishing ideas and characters that would last and break out of his book time and time again. The book ran nearly the entire span of the Golden age, ending just a few months shy of the “official” end date.
But this is not a sprint and the above argument certainly does not win the Flash the title of Greatest Character Ever. This is a marathon…and as we all know, the Flash is the Fastest Man Alive. Read the rest of this entry »
Astute readers have no doubt noticed that Showcase Presents: The Trial of the Flash, in stores today, does not cover a continuous string of issues from #323 through #350. It starts with the desperate race around the world in which the Flash kills Professor Zoom, and it ends with fallout from the Flash’s trial, but along the way it skips Flash #328 and #337-339.
What’s in those issues?
The Flash #328 is a reprint issue, with a couple of pages of framing sequence added. The reprint in question is Flash #163, the wedding of Barry Allen and Iris West, which was also interrupted by Professor Zoom. In the original run, it served as a reminder of just how long the rivalry had run between Barry Allen and Eobard Thawne, and how personal it was. It’s an obvious choice to cut.
In The Flash #337-339, the Pied Piper has a nervous breakdown, and the Rogues, blaming the Flash, trick a super-strong but mentally deficient man (who becomes Big Sir) into attacking the Flash in hopes that he’ll kill him. It’s an odd choice considering that the ongoing subplots continue throughout the three issues, including:
Preparations for the trial.
The missing persons case for Barry Allen.
The mystery of why the Flash’s lawyer hates him.
One of the jurors has a strange encounter, which becomes a major plot point near the end of the storyline, and #339 ends in the middle of a battle, which picks right up in #340, and leads into another key plot point: Big Sir beats Barry so badly that he needs facial reconstruction surgery.
Presumably the issues were cut for page count, but I do have to wonder why DC chose these three issues.
I understand DC’s decision to pick a single Flash. They want to make a fresh start (sort of — more about that in part 2). They don’t want incoming readers to be intimidated by 70 years of history. And they want a world in which super-heroes have only been around for a few years. But there’s value in the legacy concept, and I’d argue that it’s helped The Flash and its readership.
Crisis Management
We Flash fans have been extremely lucky. From 1940 to 2005 we’ve had three great versions of the character. We’ve had solid, long-running creative teams. Gardner Fox wrote most of the Golden Age and half the Silver Age. John Broome wrote the rest of it, with Robert Kanigher straddling the two eras. Cary Bates authored the entire Bronze Age, and I’d wager that nearly everyone reading this has experienced the incredible Flash runs by Mark Waid and Geoff Johns in the 1990s and early 2000s. We’ve had amazing artists like Joe Kubert, Carmine Infantino, and Mike Wieringo, and more recently Francis Manapul.
And unlike fans of Superman or Wonder Woman, we’ve never had to deal with DC outright erasing the stories we know and love. Because Barry Allen and Jay Garrick were different characters, DC was able to build a shared history in Crisis on Infinite Earths, and because they had promoted Wally West to the lead spot, they could start at the beginning of a hero’s (solo) career, again without wiping out what had gone before. Read the rest of this entry »
Welcome to SpeedForce.org, a blog focusing on DC Comics' super-hero, The Flash. It's a companion site to Flash: Those Who Ride the Lightning, a fan reference site for the Fastest Man Alive.
Monday’s post about how Wally West’s dynamic character makes him harder to reboot than Barry Allen got me thinking about something Geoff Johns said to Hero Complex when he took over the book back in 2009:
I hope today’s 
With any luck, digital releases will also be the way we’ll finally get the Bronze Age and the Golden Age re-released. I’ve 
So let’s take a moment and just go over the finer points of my argument. When the Flash began way back in the 40s, he was a character that was given his own book nearly as soon as he was established. In January 1940, Flash Comics began as a variety comic that would feature new characters and give them a chance to flourish. Some of the most famous of these characters would be Johnny Thunder, Hawkman, Hawkgirl and Black Canary. This began an eerie precedence of the Flash establishing ideas and characters that would last and break out of his book time and time again. The book ran nearly the entire span of the Golden age, ending just a few months shy of the “official” end date. 
And unlike fans of Superman or Wonder Woman, we’ve never had to deal with DC outright erasing the stories we know and love. Because Barry Allen and Jay Garrick were different characters, DC was able to build a shared history in Crisis on Infinite Earths, and because they had promoted Wally West to the lead spot, they could start at the beginning of a hero’s (solo) career, again without wiping out what had gone before. 
