Val-Zod finally joins in the fight, and Jay Garrick plays a major role as new aspects of his power are revealed in the battle to save Earth 2 from the Bedlam-controlled, “Brutaal” former-Superman. But, are the best efforts of the Wonders too late? That, and much more are found in this action-packed issue of EARTH 2!
LIGHTS SPOILERS ONLY
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The current Weekend Hashtag Project on Instagram is #WHPtakebackflash. The idea is to use the flash on your phone camera…but the double meaning was too good to pass up.
Originally posted on Instagram
IGN reveals 5 of Mike Allred’s 19 variant covers honoring the 1966 Batman TV show in May, including this wonderfully recursive image for The Flash #31.
It’s a week without any new Flash comics, but DC is adding another classic to their back catalog. This one’s Flash #161 (2000). With Wally and Linda off on their honeymoon, Jay Garrick tells the story of the hijinks on his and Joan’s honeymoon in what was then a little-known out of the way town called Las Vegas…and what happened when his JSA pals tagged along to throw a reception, and the Fiddler, Thinker and Shade show up to rob the casino. There’s also a side plot revealing the fate of the Three Dimwits — a Stooges-style trio of buffoons from the Golden Age supporting cast who had largely been ignored by later flashback tales.
It’s a fun story by Pat McGreal, Paul Pelletier and Doug Hazlewood, with a cover by Steve Lightle.
DC Comics has released a preview of Earth 2 #19, including the Scribblenauts variant cover…one which should look very familiar to Flash fans:
It’s an homage to the classic Flash #123 cover, featuring Barry Allen and Jay Garrick…but this time it’s their New 52 versions as seen through the Scribblenauts style.
A character is more than his or her code name, costume, and power set. He’s more than his civilian job, or external circumstances. A compelling character must have a personality, and similar characters must have different personalities.
I’ve tried to distill a core personality set for each of the major Flashes at DC Comics, in a way would set them apart from each other even if you put them all in the same outfit.
Jay Garrick: The Gentleman Adventurer. In his younger days as the Flash, Jay Garrick was a bit of a practical joker, toying with the criminals whose plans he foiled. He never lost his humor, but it evolved into more of a dry wit as he began to face more challenging villains and superheroics became a lifelong career. Eventually he grew into the role of elder statesman, mentoring younger heroes and serving as an example to a new generation.
Barry Allen: The Methodical Scientist. Long before he became the Flash, Barry Allen trained as a forensic scientist. His police training means he approaches super-crime as an investigator, not just a fighter, and his scientific approach allows him to come up with new and creative ways to use his speed. He discovered time travel, vibrating through objects, creating whirlwinds, and more in his time as the Flash. Barry is also a lifelong comic book fan, who maintains his collection with the same meticulous care that he uses in the crime lab.
Wally West: Living the Dream. All his life, Wally West wanted to be a super-hero like the Flash, and once he gained super-speed, he reveled in it. Barry might have felt embarrassed by things like the Flash Museum, but Wally welcomed the attention and fame.* (Exception: When Wally’s speed was killing him, he avoided everything related to it when he could.) This lends him a bit of a temper when things don’t go his way. While he doesn’t take Barry’s experimental approach to his powers, he’s quite willing to seek out experts when he needs to, incorporating knowledge and techniques from such varied sources as Max Mercury’s zen philosophy, Johnny Quick’s speed formula, and Savitar’s knowledge of the speed force.
Bart Allen: The Impulsive One. To Bart, super-speed is normal. He’s never known anything else. Growing up in a virtual reality left him with no sense of danger. Combine the two, and you have someone acts at the speed of thought without considering consequences. When consequences do hit (Carol’s disappearance, or the death of one of his scouts), they hit him hard. He struggles to keep himself from tearing off at the speed of light, but most of the time, he just doesn’t worry about it.
How Does it Track?
It fits quite well for all the comics and cartoons up through Flashpoint. Looking at animation: For Justice League Unlimited you drop Wally’s specific fandom for the Flash, but everything else fits. For Young Justice, you actually enhance it (he deliberately recreated Barry’s origin), and you drop the VR/danger non-sense from Bart. Jay, especially, in the Flash episodes of Batman: The Brave and the Bold.
Live action shows have changed things a bit more. The Flash TV Series from 1990 offloaded a lot of the scientific approach to Tina McGee in favor of just having Barry punch people really fast, though he did retain the detective mindset. Smallville’s version of Bart Allen was a bit more mopey, and of course skipped the origin entirely, but he still had the careless attitude more typical of Bart than the other speedsters.
As for the New 52: Barry Allen is more like his old self now than he was under Geoff Johns’ pen, but Jay Garrick and Bart Allen are different enough that I gave up trying to reconcile them and just stayed with the pre-Flashpoint versions. Bart has incorporated the haunted-past element from Smallville, though it’ll be interesting to see how much that lasts after his history is explored over the next few months. And, well, there is no New 52 Wally West yet to worry about working in.
*Nightwing once speculated that Wally West deliberately draws villains’ attention to keep them focused on himself instead of the general public.
Image: Cover of The Flash Companion.