I’ve been really enjoying the ongoing Flash series despite the frustration and disappointment of Flash: Rebirth. It’s as if “The Dastardly Death of the Rogues” is being written by Geoff Johns, and Flash: Rebirth was written by the mirror Geoff. Or in a multiverse context, the Geoff Johns of Earth-3.
Also surprising: Johns seems to have remembered an old saying about writing comic books: Every issue is somebody’s first. A few deftly placed lines of dialogue spell out the key details of the story so far: Boomerang’s status and new abilities, who the Renegades are, what file is missing and why, etc. Considering this is part 4 of a 6-part story, I suspect most writers today wouldn’t have bothered.
Francis Manapul’s artwork continues to be the highlight of this book. The Flash stands or falls (runs or stumbles?) on pacing and the reader’s perception of speed, and Manapul delivers. This time around, the stand-out panels are splash pages in an effort to rescue pilots from a damaged helicopter. (One nice easter egg: in the background of that double-page spread, we see the bridge that Wally West rebuilt back in “Crossfire.”)
I’m neutral on the “Flash Facts” pages, though if they’re going to keep using them to spotlight the villains, I like the way they link the real tech with the comic-book tech. Last month it was “How Boomerangs Work” and “How Captain Boomerang’s Boomerangs Work.” This month it’s mirrors and Mirror Master’s mirrors.
Some of the luster is beginning to fade, though. The structure is starting to feel formulaic: Barry Allen keeps fighting the Renegades, and every battle gets cut short one way or another. Every issue has a major super-speed feat, which individually manages to be extremely cool, but gets repetitive four issues on.
I think the main thing that disappointed me about this issue was the revelation behind the murder mystery. Sure, it’s one of the few explanations that fits Barry Allen’s character, but it also violates the expectations set up in the first half of the story. To say any more, I’ll have to break into….
I’m still working on my review of The Flash #4, and hope to have it ready by tonight. In the meantime, you may want to check out this Flickr gallery of Flash costumes at Comic-Con (photos taken by other people), or my Thursday Con Report.
After the madness of Comic-Con International, it’s time to get back to what that convention is all about: comics! And this Wednesday, we’ve got a new comic about that super-fast guy in a red suit.
The Flash #4
The original Captain Boomerang returns as BRIGHTEST DAY continues. Meanwhile, Barry must prove his innocence to the Renegades, cops from the 25th century. Discover what connection they have to the Rogues and what travesties have occurred in the future.
Written by GEOFF JOHNS · Art and cover by FRANCIS MANAPUL · 1:10 variant cover by SCOTT KOLINS
32 pg, FC, $2.99 US
DC has posted a 4-page preview at The Source, plus final cover art.
It’s been a crazy week here at Speed Force. To help you keep track of it, here’s an index to all of our Comic-Con coverage, between me covering the show onsite and Devin covering the online news.
Events
DC Nation Kickoff (Thursday) live blog. (Dan Didio, Jim Lee, James Robinson, JT Krul, Nicola Scott, Jeff Lamire, Bill Willingham, Bob Wayne)
I’m going through my Comic-Con photos looking for Flash-related pictures I may have missed, and found this pair from the DC display including Blue Lantern Flash and Black Lantern Reverse-Flash…
…along with Orange Lantern Lex Luthor, Indigo Lantern Atom, Black Lanterns Batman, Hawk, Hawkman & Hawkgirl, and Green Lantern Hal Jordan. And I think that might be Star Sapphire Wonder Woman behind Hal.
One of the downsides to attending a convention is that you miss all the announcements at panels you didn’t attend — like an Astro City movie deal! *ahem* Anyway, on to speedster news.
At DC Universe Event Horizon, James Robinson stated that the Justice League would be battling the Crime Syndicate at some point, with Jesse Quick battling Johnny Quick , Batman vs. Owlman, Supergirl vs. Ultraman etc.
At DC Focus: Teams, incoming Teen Titans writer J.T. Krul said that Bart Allen “is past the Impulse stage but he still has that innocent, light-heartedness about him.” (Quote from Newsarama, may be paraphrasing him.)
At the Superman panel they announced that Superboy #3 will feature the first-ever Superboy/Kid Flash race.
Somehow, at San Diego I hardly spent any time on the convention floor at all from Thursday through Saturday. I was always running from one event to another, and spent maybe half an hour in the main hall at a time. So on Sunday, I made a point of walking the entire hall until I couldn’t stand it anymore.*
Among the things I’d been meaning to do at the con was to get my copies of The Flash #1-3 signed by Geoff Johns and Francis Manapul, and if possible to get a sketch by the artist. I never managed to make it to a Geoff Johns signing this time around, but I did catch up with Francis Manapul at his Artists’ Alley table.
There were five or six fans ahead of me in line who asked for sketches of various characters including Sinestro, Hal Jordan, Batman and the Flash. After a while I was beginning to wonder whether I’d make it to the front before he had to leave for a signing at the DC Comics booth, but I made it to the head of the line with plenty of time to spare.
In a revelation that I’m sure will surprise no one, I asked him to draw the Flash.
While he sketched, I asked him about the TV series he was on, Beast Legends, in which a team traces the origins of various mythical creatures. It’s airing in Canada now on History Television, and will hit the US on SyFy in September. It sounds like fun, and in some cases they actually traced legends to surprising sources — like tracking griffins to Mongolia!
*This was a real issue, since with no events in the gigantic Hall H to warehouse 6,000 people plus more waiting in line, the main floor was actually more crowded on Sunday.
For those who haven’t been able to check out the SDCC 2010 DC Universe Online Trailer here are some captures of The Flash in an alternate reality sporting an armored look.
Now for those who haven’t seen the trailer and care to know why The Flash is wearing those armored duds, this takes place in an alternate future in which Braniac quietly abducted superhumans and then finally launched an all out invasion force that wiped out humanity leaving only that world’s alternate version of Lex Luthor intact. He traveled through time to warn the Justice League of the past of what may be coming to them in the future. The story reminds me a little of the recent DC animated release, Justice League: Crisis on Two Earths or JLA: Earth 2, the book the movie was loosely based on. Right down to the alternate version of Luthor trying to change things and the involvement of Braniac in the main plot. It’s not too similar though, where I feel like we’ve already seen this before. I can’t wait to see how the story ends up unfolding.
I’m digging the armored look overall. I know it’s probably not going to be present in the main part of the game but it’s still cool to see heroes armored up for super threats or super battles. It also reminds me a little bit of the Kid Flash design for the upcoming Young Justice animated series. Would be kind of cool to see it as an action figure and I wouldn’t be surprised to see an action figure line released with this game.
I caught this video on Sunday at the DC Comics booth. It’s an incredible battle between DC’s heroes and villains, really showing off some of their powers and skills (particularly Wonder Woman, Deathstroke, Superman and Lex Luthor). Spoilers for the DCUO storyline, so don’t play it if you want to be surprised.
The look, at least for the cut-scenes, is fantastic…though I’m not too big on the image of the Flash in armor.
Welcome to SpeedForce.org, a blog focusing on DC Comics' super-hero, The Flash. It's a companion site to Flash: Those Who Ride the Lightning, a fan reference site for the Fastest Man Alive.
Francis Manapul’s artwork continues to be the highlight of this book. The Flash stands or falls (runs or stumbles?) on pacing and the reader’s perception of speed, and Manapul delivers. This time around, the stand-out panels are splash pages in an effort to rescue pilots from a damaged helicopter. (One nice easter egg: in the background of that double-page spread, we see the bridge that Wally West rebuilt back in “Crossfire.”)
The original 
