Category Archives: Reviews

Review: Velocity #1 – “Decoys”

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The first issue of Ron Marz and Kenneth Rocafort’s Velocity miniseries delivers an effective blend of action and exposition. Appropriately for a book about a speedster, it hits the ground running, and while the main conflict doesn’t really begin until the end of the issue, there’s plenty going on in the opening chapter.

The setup for “Decoys” is simple: A mad scientist infects Velocity and her teammates with a virus that will kill them within an hour, and she’s the only one who might be able to stop it.

Wait, Who?

A bit of background for those not familiar with Top Cow’s resident speedster: Carin Taylor is a member of Cyberforce, a team made up of former (unwilling) test subjects of Cyberdata. Cybernetic implants give her super-speed, and a layer of Kevlar under her skin gives her some degree of invulnerability.

The comic is actually quite new-reader friendly. You get a good sense of Velocity’s personality (snarky, tends to get ahead of herself), powers (runs fast, jumps fast, dismantles killer cyborgs fast…but vibrating through walls and into other dimensions is right out), and the basics of her origin. The villain’s motives are established clearly. There’s even a page in the back with short profiles of Velocity and her teammates.

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Review — Flash: The Human Race

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Flash Week continues at Collected Editions with my guest review of Flash: The Human Race. The trade covers the second half of the year-long Grant Morrison/Mark Millar run: The Flash must run in a cosmic race or else the Earth will be destroyed, but even afterward, death comes for him in the form of the Black Flash. Finally, rounding out Grant Morrison’s Flash solo stories is a short from Secret Origins which retells the classic “Flash of Two Worlds” in modern Post-Crisis continuity.

Review: Flash — Emergency Stop

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Flash Week continues at Collected Editions with my guest review of Flash: Emergency Stop. The trade covers the first half of the year-long Grant Morrison/Mark Millar run with art by Paul Ryan and covers four stories:

  • Emergency Stop (Flash vs. the Suit)
  • Through the Looking Glass (Flash vs. Mirror Master)
  • Still Life in the Fast Lane (a focus on Jay Garrick)
  • Three of a Kind: Part Three (a courtroom drama dealing with the aftermath of a Flash/Green Lantern/Green Arrow team-up)

Read the review at Collected Editions, or order the book at Amazon.

Review: DC Super Heroes and Villains Fandex

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Workman’s new DC Comics Super Heroes and Villains Fandex has incredibly detailed information on the DCU’s major characters, but in a format and size that presents a few difficulties.

If you’re not familiar with Fandexes, they’re a series of field guides in the form of cards attached at the base, so that you can swivel any card out and keep it available. You can also open them up as a fan. I first heard of them as nature guides, but they’ve expanded to geography, history, and pop culture.

Wide Coverage

The DC Fandex has surprisingly wide coverage. 75 profiles doesn’t sound like a lot until you consider that it’s comparable to three standard-sized comic books with every page profiling a new character, not unlike the JLA-Z guide that came out around the time of JLA/Avengers. And the text on each card, front and back, is about as long as the classic Who’s Who entries.

They’ve managed to fit in more characters by combining legacies onto a single card. For instance, there’s one card each for Robin, Batgirl, Wonder Girl and Blue Beetle, with the cards profiling the various incarnations of the character. The Flash is simplified to Barry Allen and Wally West, though Jay Garrick and Bart Allen get mentions. On these cards they tend to go for the current version of the character for the image, so Flash is Barry, Robin is Damian Wayne, and Batgirl is Stephanie Brown.

Sometimes it does lead to duplicates. They managed to avoid it with Dick Grayson by profiling him as Nightwing and then picking up the Robin card where it left off with Jason, Tim, etc. But Barbara Gordon gets spotlighted on both the Batgirl and Oracle cards.

One nice bonus: if you were confused about the Monitors’ role in Final Crisis and Superman: Beyond, their card sums it up quite nicely!

Priorities

The guide describes the DCU roughly between Final Crisis and Blackest Night, featuring new versions of heroes such as Batgirl and Robin, and glossing over temporary changes. The Martian Manhunter and Aquaman entries don’t mention their now-reversed deaths, for instance, and Batman’s card focuses entirely on Bruce Wayne, with Nightwing’s card mentioning that Dick has taken over while Bruce was “presumed dead.”

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Review: Flash #1 — “The Dastardly Death of the Rogues”

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It’s refreshing to be able to read a Flash story that’s just a Flash story. After four months of retrospective on Wally West, three months off, then a year of rearranging the Flash mythos to make Barry Allen the Most Important Flash of All Time(TM), we finally get Geoff Johns and Francis Manapul’s Flash #1 — a story about the Flash vs. Rogues, and about Barry Allen and his day job.

You don’t need to have read Flash: Rebirth to follow this book. Or Blackest Night. Or, despite the banner across the top, Brightest Day. Actually, you don’t need to have read anything about the Flash to follow this book — and that’s something else that we haven’t seen in a while.

Story

Broadly speaking, the issue can be broken down into three main segments:

  1. Introduce the Flash.
  2. Introduce Barry Allen.
  3. Get the story going.

It moves in a way that the last three “first issues” of a Flash launch didn’t. The opening segment, after the equivalent of a cinematic pan-in, is one long action sequence. The middle segment slows down a bit, but manages to strike a good balance of exposition and characterization. Then the third segment jumps head-first into the mystery.

And the amazing thing? It’s actually fun. I know that’s the kiss of death in comics these days, but it also happens to be what I find myself wanting to read in a super-hero book lately. It has a sense of adventure that The Flash hasn’t really had since the days of Mark Waid’s classic run in the 1990s.

In a lot of ways, this book is 180 degrees away from Flash: Rebirth…and I have to wonder why Geoff Johns couldn’t have started with this approach a year ago, instead of spending 9 issues telling us, “It’s going to be great! Really! Barry is awesome! Can’t you just see how awesome he is?”

Art

Of course, a year ago, one thing would have been missing: Francis Manapul’s art. It’s refreshingly clean after Ethan Van Sciver’s incredibly detailed work on Flash: Rebirth, and while I love Scott Kolins’ pencils on the Rogues, Manapul’s is a better fit for the Flash himself. Rather than focusing on multiple images, speed lines, or lightning, he mixes and matches all of them along with blur effects to show speed.

Manapul also works in a lot of details that stay in the background, but reward a second read: Barry’s and Iris’ chat icons, a bystander taking a photo with a cell phone at a crime scene, the Weather Wizard’s rap sheet slipping out of a file while Captain Frye tells Barry of his latest exploits. Iris has a coffee cup within arm’s reach in every single panel in which you can see her hands, except one. These things are fun to catch, but they don’t take over.

The only problem I have with his art is that his faces sometimes (but not always) seem a bit off. I can’t quite put my finger on why.

Okay, it’s SPOILER TIME!

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Review: Flash Secret Files and Origins 2010

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More precisely, the book is Flash: Secret Files and Origins 2010 #1. (I’m always faintly amused at the tendency of comic book publishers to slap a big “#1” on the front of an obviously one-shot issue.) Like most of DC’s Secret Files books, this is made up of a lead story and a series of profile pages.

Lead Story

“Running to the Past” by Geoff Johns and Scott Kolins was a fairly standard Flash story. It doesn’t really stand out as particularly good or bad, but it serves as an introduction to Barry Allen, his primary motivation (the retconned-in death of his mother), and the sometimes lonely life of a speedster.

There are some nice moments, like the sequence of panels early on in which Barry hits a light switch, pours himself a glass of water, and then the light comes on (though if you think about it, that only makes sense if the water is sped up too).

Oddly, while the whole story is drawn by Scott Kolins, the epilogue featuring the Rogues looks vastly different. It really highlights something I’ve mentioned before, which is how well-suited his art is to the Rogues.

It is a Barry Allen story, first and foremost, though the rest of the “good guy” speedsters show up briefly. I didn’t really expect anything beyond that, but the solicitation text suggested that Wally West and Bart Allen might be more involved, and I’m sure there are people out there for whom that will be a factor in whether they pick up the book. Perhaps DC planned bigger roles or a second story, back when they still planned a series of backup stories featuring Wally and a Kid Flash book featuring Bart, but if so, it didn’t make it to the finished product.

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