Today’s guest post is the third in a series of interviews by Greg Elias on The Art of Speed.
With a new Flashpoint on the horizon in 2011, longtime Flash fans are likely reminded of the 2000 miniseries with the same name. Written by Pat McGreal with art by Norm Breyfogle, the first Flashpoint was released under DC’s Elseworlds stamp in 2000.
In a world where the Flash is the only superhero, Barry Allen is paralyzed from the neck down while thwarting the assassination of John F. Kennedy. Confined to a wheelchair, Barry becomes the leading figure in the world of space science. He also dreams of a heaven revealed to be the Speed Force, has visions of an alternate-Earth Flash career with the Justice League, and is friendly with his world’s incarnation of Vandal Savage.
Through a series of “accidents” tied to Savage’s machinations, Barry, Wally West, Ralph Dibny and the Martian Manhunter are embroiled in an attempt to keep the destructive power of the flashpoint from being unleashed on the world.
Best known for his long tenure and defining work on the Batman family of titles throughout the 1980s and 1990s, Breyfogle’s Flash resume is short but memorable. In addition to Flashpoint, he illustrated a Kid Flash/Jay Garrick story in Flash 80 Page Giant #2.
We spoke with him via email about some of the techniques used on Flashpoint.