Newsarama’s Vaneta Rogers has an interview with Geoff Johns on…Everything related to Blackest Night. At one point he talks about writing Barry Allen and Hal Jordan.
The biggest surprise is how easy it is to write when Hal and Barry are together. These two know each other so well, and there’s such a strong tie to them…it’s like Butch Cassidy and the Sundance Kid. And something happens to Hal when he’s with Barry. It happens to me when I hang out with my friend, Matt. He’s so organized and punctual that a little part of my brain shuts off. I don’t need to worry about the time or where we’re going. I feel like that happens to Hal when he’s around Barry. Hal goes with the flow a little more, while Barry’s taking up the slack of figuring out where to go. I have more Barry and Hal scenes written down because they just keep writing themselves. Introvert and extrovert. Saint and sinner. Time and space.
The “saint and sinner” characterization has actually been brought out in the text of Flash: Rebirth, and he’s talked before about the Flashes being connected to time in the way Green Lanterns are connected to space.
As I recall, though, Butch and Sundance’s partnership didn’t end very well…
Another bit I found interesting was where Johns talks about background characters.
There are Black Lanterns in the background, and if you know who they are, that’s fun, but it’s not always important to this story. It’s like, who is Dengar in Empire Strikes Back? He’s a bounty hunter in the background, and you don’t go, “You know what? I can’t figure this movie out because I don’t know who that guy is! I’m outta here!”
I think that’s a good comparison, because some comics fans actually do that! Maybe it’s just being detail-oriented. Or maybe it’s a consequence of the way that reading comics, for many fans, is not a matter of just following individual stories, but following a universe. Continuity over everything. So fans expect to recognize everyone, and find it confusing when they don’t.
Any other thoughts as to why that might be?