Welcome to the latest installment in our annotations of the collected edition of The Trial of the Flash! A while back, we analyzed related stories leading up to the release of Showcase Presents: The Trial of the Flash. In addition, we interviewed author Cary Bates about the buildup and the Trial itself, plus showed you what wasn’t included in the collection.
IN THIS ISSUE: I went to Gorilla City…and all I got was this face!
Links to original artwork, scans and research are included throughout this post. For definitive legal analysis of the story by Bob Ingersoll, go here. Tom vs. Flash Podcast links here, including these issues. As always, huge thanks to the DC Indexes. See you after the jump!
The original art for page five can be seen here.
PG 6 & 7: This two-page spread is featured in a great piece on Infantino from last month over at Sequart.org. Here’s a passage:
[Infantino] explored these experiments in page design even further later in his career by trying full-page layouts without panels à la Will Eisner. Some of the best examples of this are in his work during the epic “Trial of the Flash” story, which ran from issue #323 to the series’ conclusion in #350. Augmented by the bold, clean inks of Frank McLaughlin, Infantino experimented with his page layouts and speedlines, pushing them to new levels of abstraction until they became a sort of kinetic shorthand for motion itself. Yet, even when pushed to those extremes, his linework remained clean, smooth and deliberate. If anything, these later issues demonstrate a well-earned assurance and show just how skilled of artist Infantino was as he pushed the language of the medium in new directions.
Q: When you trip and fall, reflexes automatically command your hands and arms to reach out and break your fall. What if you were carrying a priceless object, say, a vase? Would you drop the vase in order to use your hands to break the fall?
A: Within 10 to 30 milliseconds after tripping, the conscious motor centers of the brain would take control of the fall, weighing the chances of breaking the vase versus breaking your neck. You can modify the reflex action and keep a grip on the vase.
PG 10: Check out this awesome Lego version of Barry Allen’s lab!
PG 16: The only Fred P. Smithers I found was on a 1901 England census.
PG 18: Here is the original camera (Exhibit A) confiscation scene.
In the original issue, this preview image is included alongside the letters. Keep this in mind. See you next weekend!