Well, it took a year, but Ron Marz and Kenneth Rocafort’s miniseries about Cyberforce’s speedster is complete. Was the final issue worth the wait?
Yes! The miniseries as a whole is a fun, super-speed adventure that’s surprisingly new-reader-friendly, and the conclusion delivers.
As it starts, this chapter seems to ignore the cliffhanger from the end of the previous issue (though it’s included in the recap), until you get to the second page and Velocity literally turns toward the reader and says, “What? You weren’t expecting me?” The conversational, almost playful tone of the series really takes over in this installment.
Kenneth Rocafort’s art is key to that tone. I’ve mentioned before that I really like the style and creativity, and this issue definitely wouldn’t have worked as well if Top Cow had decided to replace him in order to keep the book on a schedule. He does seem to have toned down the sexiness-for-the-sake-of-sexiness that tended to crop up in the earlier issues, to the point where I don’t think I would have been embarrassed to read this issue in public.
There’s a splash page in the middle that at first glance looks like it’s using one of the standard techniques to show super-speed in action, but in context, it means something else entirely. I won’t actually post it, though, since it’s a bit spoilery.
Rest assured, that seemingly impossible escape is explained (though not precisely in the way I predicted), and as the clock ticks down, Carin Taylor takes the fight back to the villain for a final, over-the-top spectacular confrontation with Dr. Paine. The twist reveal comes in about halfway through the issue, and not only plays fair with the audience (it’s all set up well ahead of time), but sets things up for an element in the final battle that takes “speedster vs. robots” to a new level.
The series ends with a nod to its beginning, and a reminder that while this might be a stand-alone miniseries, the lead character continues on as part of an ongoing universe.
A few thoughts that involve SPOILERS: Continue reading
It took me a while to really get on board Halcyon, the Image Comics–published miniseries about a world in which all crime stops, leaving the super-heroes with nothing to do. Issue #3 has one of those “wham!” moments where it feels like the story sneaks up behind you and hits you with a two-by-four, though, so I’m following this one through to the end.
I’m developing mixed feelings about the art, though. On one hand, I love the style, the detail, the expressions, and the creative panel designs. The pages often have a fragmented look that makes the story feel more hurried. On the other, some panels are sexualized enough that they distract from the story. Yeah, it’s Top Cow…but sexiness should serve the story, not detract from it, right?
