Well, if Wally West’s series had to end — again — at least he got a decent send-off. Flash #247 concludes Alan Burnett’s four-part “This Was Your Life, Wally West”. This story wraps up threads from the current run of the series, looks back on Wally’s entire super-hero career, firmly establishes his roots in the Justice League and Titans, and sets up a few beats that can be picked up for future stories with the characters.
It picks up immediately after the previous issue’s cliffhanger, resolving the threat to Linda before rushing headlong into battle with the Queen Bee. This month does feature another flashback, this time to the West family’s time on the planet Savoth, but it’s only two pages. It ends with a conclusion that’s not quite an ending, but a place to stop. DC isn’t burning any bridges here the way they did with “Full Throttle” and the end of Bart’s series.
It’s also much better than “Finish Line,” the four-parter that wrapped up Wally’s series the last time it was canceled, from Flash #227–230. It was better written, better researched, and actually made an effort to tie together the rest of the series. The only thing “Finish Line” has over “This Was Your Life, Wally West” is consistent art.
While the first issue of the arc was penciled entirely by Paco Diaz, and the second and third were penciled entirely by Carlo Barberi, this issue was done by committee. Barberi gets the cover spot, but is joined by J. Calafiore and Andre Coelho. I’m not familiar with either of their work, so I couldn’t tell who did which pages, but the shifts in style were jarring. Normally changes in artist don’t bother me, especially if their styles are similar or if the change is done for thematic effect. (An example in The Flash would be Race Against Time, in which each issue used one art team for Wally’s storyline and another for John Fox’s.)
Brian Stelfreze’s cover, on the other hand, has got to be one of the best Flash covers since the relaunch. (I’d also include issues #243 and #246, both by Freddie Williams II) The starkness of it, with the plain white background, the shadow of the grim reaper, and the Flash standing barefoot with his boots off, says everything that needs to be said about what he’s up against. Honestly, I think it would work better without the “Wally West — Finished?” caption, or even the title logo.
Spoilers after the cut: Continue reading
