Tag Archives: Brian Buccellato

Flash Reboot Creative Team: Francis Manapul and Brian Buccellato (UPDATED)

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DC has announced ten of the new titles and their creative teams launching as part of their massive universe-wide revamp this September, including The Flash #1.

Rising superstar Francis Manapul, fresh off his acclaimed run on THE FLASH with Geoff Johns, makes his comics writing debut in THE FLASH #1, sharing both scripting and art duties with Brian Buccellato. The Flash knows he can’t be everywhere at once, but what happens when he faces an all-new villain who can? The cover to issue #1 is by Francis Manapul and Brian Buccellato.

Francis Manapul and Brian Buccellato on art? An all-new villain in the first issue?

DC just found a way to keep me reading!

Obviously Manapul as a writer is an unknown quantity, but I love his art on the book, and the way Buccellato colors it. And assigning him the book now seems like a clear vote of confidence from DC upper management, further supporting the idea that he wasn’t solely responsible for the delays in Flash vol.3. I’d hazard a guess that a big part of it was Geoff Johns being tied up with preparations for the universe-wide reboot. That’s got to have been time consuming.

Update: Francis Manapul, addressing concerns about the team’s writing experience, posted the following on Twitter:

https://twitter.com/#!/FrancisManapul/statuses/76339587789766656

As far as what’s in store for the Scarlet Speedster:

https://twitter.com/#!/FrancisManapul/status/76343324516159488

Buccellato adds:

https://twitter.com/#!/BrianBooch/status/76344568219570176

Update: Here’s why I’m calling this Flash vol.4.

Update: Bob Wayne’s second letter to retailers insists: “this is the launch of the New DCU. It is not a ‘reboot.’ I think you will soon discover why that is.” My take, based on what I’ve seen in today’s announcements, is that they’re basically doing what they did after Crisis on Infinite Earths, just in a more coordinated manner. The key difference being, it seems that this isn’t going all the way back to the beginning for every character. We’ll have to see what that means for the Flash. I just hope it means we won’t be reading updated versions of old stories every few months.

(More reports & commentary: CNN, Comics Alliance, The Beat, Comics Should Be Good, Robot 6, Comics Nexus, Newsarama, Firestorm Fan.)

Review: Flash #7 – “What Goes Around, Comes Around”

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Those unfamiliar with the Rogue Profiles from Geoff Johns’ previous Flash run might dismiss a whole issue focusing on Captain Boomerang as filler. And while it’s true that this issue and the next were added to the schedule to get the main story back on time, it feels like an integral part of the mythos (if a bit more related to Brightest Day than to the story building to Flashpoint), and leads directly into next week’s issue’s profile of Professor Zoom.

Like the earlier profiles, this issue follows the featured villain as he goes about his business and thinks back about what made him the criminal he is today. It serves both as an origin story for new readers and a way for the writer to explore just what makes him tick. In this case, it doesn’t add anything really new to his background, but rather collects and crystallizes the key elements that have been established over time: a troubled family life (what Rogue didn’t have that?), coming to the States as a toy mascot, and then embarking on his life of crime.

I’ve raved before about how well Scott Kolins’ art is suited to the ruggedness of the Flash’s Rogues Gallery, and that remains true here. Yet his art is transformed by Brian Buccellato’s painted-looking colors, making it blend perfectly with Francis Manapul’s work and revealing just how much of the look of this series is due to his contribution.

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Review: The Flash #4

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I’ve been really enjoying the ongoing Flash series despite the frustration and disappointment of Flash: Rebirth. It’s as if “The Dastardly Death of the Rogues” is being written by Geoff Johns, and Flash: Rebirth was written by the mirror Geoff. Or in a multiverse context, the Geoff Johns of Earth-3.

Also surprising: Johns seems to have remembered an old saying about writing comic books: Every issue is somebody’s first. A few deftly placed lines of dialogue spell out the key details of the story so far: Boomerang’s status and new abilities, who the Renegades are, what file is missing and why, etc. Considering this is part 4 of a 6-part story, I suspect most writers today wouldn’t have bothered.

Francis Manapul’s artwork continues to be the highlight of this book. The Flash stands or falls (runs or stumbles?) on pacing and the reader’s perception of speed, and Manapul delivers. This time around, the stand-out panels are splash pages in an effort to rescue pilots from a damaged helicopter. (One nice easter egg: in the background of that double-page spread, we see the bridge that Wally West rebuilt back in “Crossfire.”)

I’m neutral on the “Flash Facts” pages, though if they’re going to keep using them to spotlight the villains, I like the way they link the real tech with the comic-book tech. Last month it was “How Boomerangs Work” and “How Captain Boomerang’s Boomerangs Work.” This month it’s mirrors and Mirror Master’s mirrors.

Some of the luster is beginning to fade, though. The structure is starting to feel formulaic: Barry Allen keeps fighting the Renegades, and every battle gets cut short one way or another. Every issue has a major super-speed feat, which individually manages to be extremely cool, but gets repetitive four issues on.

I think the main thing that disappointed me about this issue was the revelation behind the murder mystery. Sure, it’s one of the few explanations that fits Barry Allen’s character, but it also violates the expectations set up in the first half of the story. To say any more, I’ll have to break into….

SPOILERS!

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