Tag Archives: Green Lantern

Deadly Nightshade After Closing Time

Comic Cavalcade was an anthology series that ran from 1942 until 1954, publishing super-heroes and other adventures for the first six years. Wonder Woman, the Flash, and Green Lantern were the headliners. DC has reprinted the first three issues as The Comic Cavalcade Archives, Vol. 1. (At 100 pages per issue, it’s still a pretty big collection!) I bought a copy, mainly for the Flash stories, and it finally arrived yesterday.

I read a few of the stories this afternoon, and these panels from the Green Lantern story in issue 1, “The Adventures of Luckless Lenore,” made me laugh out loud.

Two panels from Comic Cavalcade #1

Green Lantern’s sidekick, Doiby, has been trying to romance Lenore, whose “bad luck” seems to be engineered. At this point he’s been captured. I didn’t even notice the name of the bar the first time through, it was the menu that caught me off-guard. Continue reading

Flash in Blackest Night

Green Lantern #44It looks like the Flash will be more heavily involved in this summer’s epic gigantic crossover event Blackest Night than previously suspected. We knew that Barry Allen would co-star in Blackest Night #0, this year’s Free Comic Book Day (May 2) entry. We learned recently that there will be a 3-issue Blackest Night: The Flash miniseries during the second half of the event. Now IGN has the solicitations for the first month of Blackest Night comics, and it looks like he’ll be guest-starring in the Green Lantern issues that comprise the event as well.

Green Lantern #44 (July 22)

“Blackest Night” continues! As Hal Jordan and Barry Allen investigate a bizarre crime in Gotham City, they come face to face with one of their oldest allies – J’onn J’onzz, the Martian Manhunter! But their old friend is not there for reunions; he’s come for much more. Meanwhile, Sinestro seeks to rebuild his army and take his revenge on the being who would usurp it – Mongul!

Origins: Only as Complicated as You Want Them To Be

Secret Origins Annual 2Back in February, DC’s Executive Editor Dan Didio stated that one of the reasons they are bringing back Barry Allen as the primary Flash is because “you can’t tell the origin of Wally West without Barry Allen.” I have to agree with Comics Should Be Good that this isn’t a valid reason. It doesn’t take that much more time to explain Barry’s involvement in Wally West’s origin.

I had the same problem with complaints that Bart Allen’s origin was too complicated.

The origins are only complicated because we, as fans, want to include every little detail.*

Up to Speed

When it comes down to it, all you really need to explain the Flash — any Flash — is that he’s really, really fast, and he helps people (as Marc Guggenheim pointed out in his brief run on Flash: The Fastest Man Alive).

Flash v.1 #309How about an origin? For Jay Garrick, Barry Allen and Wally West, the key element is: “A laboratory accident gave him super-speed.” You can get a little more specific if you like, say, “Gained super-speed after being struck by lightning and splashed with chemicals.” As for Bart Allen? “Inherited super-speed from his grandfather” — kind of like Zatanna, who inherited her magic from her parents, but I don’t think I’ve ever heard anyone complain that her origin is too complicated.

Sure, you can go into all the time-travel and accelerated aging for Bart, but you don’t need that for the sales pitch. It might help explain his personality during his years as Impulse, but even then, all you have to add is, “He was raised in virtual reality and has no concept of danger.”

Of course, if you’re going to tell a 7-part, 150-page epic Secret Origin story, I think there’s plenty room to cover a mentorship with a classic hero.

Mentors

Flash v.2 #62Now, if you’re going to do a Wally West story that really focuses on the fact that Barry Allen was his idol, his uncle, and his mentor, then yeah, you need to explain that relationship. But for the typical Flash vs. some Rogue story, the reader doesn’t need that level of detail. It’s enough to know that he trained under the previous Flash and later succeeded him. Kind of like how Hal Jordan trained under another Green Lantern (Sinestro), and succeeded a third Green Lantern (Abin Sur). Not only does the training under Sinestro seem to factor into most retellings of Hal’s origin, but the history between Hal and Sinestro seems to be extremely important to the current Green Lantern mythology.

Green Lantern #33And yet I’ve never heard anyone claim that since you need to know Sinestro in order to know Hal Jordan’s origin, you might as well focus the Green Lantern series on Sinestro.

Or, for that matter, that since you need to know Obi-Wan Kenobi in order to understand how Luke Skywalker became a Jedi, then you really ought to focus on Obi-Wan instead of Luke. (Though given the current focus of the Star Wars franchise on the prequel era, perhaps that’s not the best example.)

Conclusion

So, is Barry Allen important to Wally West’s origin? Absolutely, no question about it. Does it make his origin more complicated? A little. Does it mean that DC can’t tell compelling, comprehensible stories about Wally West as the Flash? Of course not. Admittedly DC hasn’t been telling the best Flash stories possible lately, but having Barry in Wally’s background certainly didn’t stop them from telling good stories over the previous 20 years.

This is not to say that DC shouldn’t tell stories with Barry Allen instead of Wally West. Just that if they want to claim that it’s somehow necessary or better to focus on Barry, this particular rationale doesn’t hold up.

*Update: It’s not just comics fans, either. I once asked a family friend what Les Misérables was about, and she spent at least twenty minutes describing the plot of the three-hour stage version. And consider this tribute to “excruciatingly detailed” movie plot summaries on Wikipedia.) I don’t know if it’s our attention to detail, or our love of storytelling, but it’s just so easy to pile things on that a new reader doesn’t really need to worry about until a story warrants it.

(Thanks to comics.org for the cover scans.)

Secret Identities on Trial

This week, The Flash: Emergency Stop hits the shelves. The trade paperback covers half of the year-long Grant Morrison/Mark Millar run from the late 1990s, and, according to solicitations, features the conclusion of “Three of a Kind.” This three-part crossover between Green Lantern, Green Arrow, and The Flash features the second– and third-generation heroes Kyle Rayner, Connor Hawke, and Wally West. Villains Heat Wave, Sonar, and Hatchet attack a cruise liner in which Dr. Polaris is being secretly transported, only to find the three heroes have booked a vacation on the same ship.*

Three of a Kind (Triptych)

The segment in The Flash v.2 #135 focuses on the villains’ trial, with flashbacks to the incident. At the time, Wally West’s identity was public knowledge, though he testified in full costume. This in itself is unusual given standard courtroom dress codes (a skin-tight bright red costume isn’t exactly conservative business attire, and tends to stand out a bit). But then Green Lantern takes the witness stand:

The Defense questions Green Lantern pleading the 12th Amendment to keep his identity secret. The Prosecution argues that the 12th Amendment is standard procedure for super-heroes testifying in court.

The usage is similar to the U.S. Constitution’s 5th Amendment, which states in part that “No person…shall be compelled in any criminal case to be a witness against himself.” Two things can be gathered from these panels:

  • The DC Universe had a “Federal Authority of Registered Meta-Humans” years before Marvel’s Civil War (though after the first story with the Mutant Registration Act).
  • The DCU version of the United States Constitution has a Twelfth Amendment which, under some circumstances, allows witnesses to give an alias rather than a real name when testifying in court.

There’s no indication that it’s required to register, or whether it’s simply a good idea if you want legal backing. It’s not even clear whether heroes have to register under their real names. I can’t remember whether any other books made reference to this authority, but suddenly I really want to find and reread my back issues of Chase.

In the real world, the Twelfth Amendment dates back to 1803 (passed 1804) and changes the way the President and Vice-President are elected. Assuming the DCU’s US just has one more Constitutional amendment than we do, their Twelfth would be just about as old, which leads to the question: Why did they need to amend the supreme law of the land to allow masked heroes to testify 130 years before the Golden Age of super-heroes?

Thinking about it, though, DC does have super-heroes whose adventures take place in earlier eras, especially in North America. Not just heroes of the Western genre like Jonah Hex or Bat Lash, but classical super-heroes with masks, costumes and powers. Max Mercury’s origin dates back to the early 1800s, for instance, and Miss Liberty (an ancestor of Jesse Quick/Liberty Belle) fought in the American Revolution.

Might the early United States in the DC Universe have decided it was worth letting some of their more colorful national heroes remain pseudonymous even in legal proceedings? It’s certainly possible.

Whatever the circumstances of its passage, it sheds some light on the otherwise nonsensical fact that Barry Allen kept his mask on and his identity secret from his arrest all the way through his trial for manslaughter in the case of Professor Zoom’s death, dissected in great detail by Bob Ingersoll.

The Flash's Mug Shot (Flash v.1 #326, October 1983)

*It’s a little more complicated than that, of course.