Tag Archives: Movie

Speed Reading: Kolins, Johns, Morrison

IGN is running an interview, the Geoff Johns Marathon, in which the writer talks about just about everything he’s working on, including Flash: Rebirth (via trmnlvlctyyy at Comic Bloc). Among other things, he writes:

Right now I’m looking at the Flash with Rebirth, and I want to see how I can make this mythology even bigger. It’s already huge. The Flash has an awesome base, so cracking it open even more has been an incredible challenge.

and

The Flash has always been my favorite character since I was a kid. And it’s fun to get back to writing Wally West. I wrote him for five years. To get back to him and then write Barry Allen. Like I said earlier, I get to take what I’ve learned over the last several years writing comics and apply it to the Flash. Because I started writing the Flash almost when I started writing comics, and now I get to look at everything I’ve done to this point and see how I can apply that onto my original work on the character. I want to continue to elevate my writing, and hopefully I’ll achieve that.

Newsarama interviews artist Scott Kolins on Faces of Evil: Grundy, which reunites him with Flash and Final Crisis: Rogues’ Revenge collaborator Geoff Johns.

Finally, MTV’s Splash Page wonders why Grant Morrison can’t talk about a Flash movie, given the number of NDAs he’s signed in connection with various film projects. [Edit: Since the original page has vanished, I’m attaching a quote from the Google cache so you can have a little context. Thanks, Rockin’ Rich.]

“Yeah, that’s the kind of thing I can’t talk about,” Morrison said. “Yes, I have talked to them. I’m deeply involved in those discussions. I know what’s going down with all of that, and it’s actually really exciting. But beyond that, I can’t say anything. I wish I could tell you. I’m sure announcements will probably be made at some point, but I can’t say anything.”

Fan “Flash” Movie Trailer Making Rounds

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I’ve seen several mentions today of a supposed teaser trailer for the long-delayed Flash movie — the one that, just a few days ago, we were told had no momentum.

Get the Big Picture has the clip, supposedly recorded on a cell phone during a Watchmen screening, and analyzes why it’s probably not the real deal, but a fan creation. Among other things, the story about how the recording was made just doesn’t add up.

I haven’t watched it with sound yet, but I’m inclined to agree.

Update: Thanks to Brandan, I’ve found a similar post at Slashfilm. No one knows who did make it so far, but it’s obviously not official.

“No Momentum” on Flash Movie

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Today’s no-news story is so short that the trail of links will be longer. On Saturday, ShockTillYouDrop reported that WB producer Charles Roven “told us that there is “no momentum” on the comic book adaptation The Flash at Warner Bros. Pictures.”

Not a big surprise, frankly, given the last few bits of non-news about the film. (via SuperHeroHype, in turn via The Beat)

Another Kind of Flash Forward

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ABC has bought the TV rights to Robert J. Sawyer’s novel, Flashforward, based on a script by David S. Goyer (Batman Begins and the Flash movie that never happened) and Brannon Braga (Star Trek, 24). The network wants to turn it into a series, and thinks it could become a companion piece to Lost.

As described by Pop Critics (where I learned about the deal):

During [a scientific] experiment, as the button is pressed, the unexpected occurs: everyone in the world goes to sleep for a few moments while everyone’s consciousness is catapulted more than twenty years into the future. At the end of those moments, when the world reawakens, all human life is transformed by foreknowledge.

Why am I mentioning it here? Because I really like Robert J. Sawyer’s novels, and the word Flash is in the title. I discovered him through his Neanderthal Parallax trilogy, and since then I’ve read Calculating God, Mindscan, and Rollback. I haven’t gotten to Flashforward yet, but it’s on my to-read list.

Sawyer tends to write social science-fiction: if X technological advance occurs, or Y scientific principle is discovered, what impact will that have on society? How would we react to discovering an alternate reality in which Neanderthals developed civilization instead of us? Or if aliens landed and claimed they had scientific proof that God exists and created the universe 14 billion years ago? What are the legal implications of being able to copy your personality into a virtually immortal, lifelike robot?

Regarding the title: In Sawyer’s blog, he mentions that the actual title is Flashforward, but because it was split into two words on the cover, it tends to get referred to as “Flash Forward.”

Linkage: Waid on Spider-Man, DC Movies, Artist Spotlights

Classic Flash writer Mark Waid, in between his duties as Editor-in-Chief of BOOM! Studios, still manages to find time to write comics. His latest project: Spider-Man, detailed in an interview with Newsarama.

Newsarama tries to make sense out of Warner Bros. DC Movie plans, and concludes that The Flash is unlikely to reach the big screen anytime in the next three years. Meanwhile, The Geek Files reports that Ryan Reynolds is still interested in the role.

Comics Should Be Good has been running Underappreciated Artist Spotlights, including features on Ross Andru and Mort Meskin. Ross Andru and Mike Esposito took over from Carmine Infantino as artists on The Flash in 1967. Mort Meskin was the regular artist on fellow speedster Johnny Quick‘s stories in More Fun Comics and Adventure Comics throughout most of the 1940s.

WB: Big, Dark Super-Hero Films On the Way

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Inspired by the wild success of The Dark Knight, Warner Bros. is going to be trimming its low-end movie production and focusing on the big tentpole films, the Wall Street Journal reports. So where to DC’s super-heroes stand?

With “Batman vs. Superman” and “Justice League” stalled, Warner Bros. has quietly adopted Marvel’s model of releasing a single film for each character, and then using those movies and their sequels to build up to a multicharacter film. “Along those lines, we have been developing every DC character that we own,” [Warner Bros. Pictures Group President Jeff] Robinov says.

Like the recent Batman sequel — which has become the highest-grossing film of the year thus far — Mr. Robinov wants his next pack of superhero movies to be bathed in the same brooding tone as “The Dark Knight.” Creatively, he sees exploring the evil side to characters as the key to unlocking some of Warner Bros.’ DC properties. “We’re going to try to go dark to the extent that the characters allow it,” he says. That goes for the company’s Superman franchise as well.

The studio is set to announce its plans for future DC movies in the next month. For now, though, it is focused on releasing four comic-book films in the next three years, including a third Batman film, a new film reintroducing Superman, and two movies focusing on other DC Comics characters. Movies featuring Green Lantern, Flash, Green Arrow, and Wonder Woman are all in active development.

While I hope they don’t go too dark with The Flash, I’m glad to hear that they’re pulling away from the light near-comedy suggested by the choices of Shawn Levy and later David Dobkin as director.

Flash Movie news archive