iFanboy asked Francis Manapul how super-speed would make his life better. He answered, and DC sent them the finished artwork from the page showing how the Flash’s costume comes together in the relaunched DCU.
Click through to the interview for a larger image….or head over to the artist’s new Tumblr blog and check out the original inks for the page!
Comic Book Resources posted a 3-page preview of Flashpoint: Green Arrow Industries, a one-shot due in stores this Wednesday. Of possible interest to Flash fans: These panels, in which Oliver Queen explains how they studied equipment confiscated from super-villains and used it to improve their own weapons technology.
It’s a counterpoint to an idea that comes up occasionally in reference to high-tech villains: Why don’t they just patent their inventions and rake in more money than they could possibly have made on bank heists, without worrying about getting beaten up and thrown in jail? The answer is usually that they do it for the thrill…but then why doesn’t anyone else come up with business uses for the technology?
Chances are these one-panel appearances are all we’ll see of these villains in that particular issue (though we’ve already seen more of the Trickster in Flashpoint: Citizen Cold), but it’s interesting that all three of them are Flash villains: The Trickster, the Folded Man, and the Top.
This post has an “Atomic Top Grenade” value of 3.
Just a quick note for those who haven’t seen it: CBR interviews Sterling Gates about Flashpoint: Kid Flash Lost. In addition to the current book, he talks about his connection to Bart Allen, how that grew out of a connection to Wally West, and the fact that he’s pitched a Kid Flash series to DC three times since 2007.
DC released art from the upcoming Flash relaunch over the weekend at the Calgary Comic & Entertainment Expo, and guest Francis Manapul revealed a few scraps of information.
First up: This amazing splash page from Flash #1 at CBR.
Be sure to click through and see the high-resolution version. It’s absolutely incredible. (Have I mentioned how much I like Francis Manapul’s art lately?)
Bleeding Cool reports from the DC Nation panel:
Francis Manapul confirmed Barry Allen is the Flash, with no word on the rest of Flash family, but that to expect Wally West at some point. A new villain was created for first arc, but Grodd will be along shortly. The costume will stil be kept in the ring, but will form around him in a different fashion. Flash’s costume is generated in pieces and fits together along the seams of the Jim Lee design, with lightning comes out of the seams.
I’m glad to hear that the first arc’s villain really is a new villain, and it should be interesting to see how Barry deals with the newer, more savage Grodd of modern times (or will Grodd himself be re-invented again?).
I think this is the first mention I’ve seen that Wally West actually exists in the post-relaunch universe, but I wouldn’t hold my breath waiting for him to show up. DC’s used up all the benefit of my doubt regarding Wally over the last couple of years, just like they came dangerously close to using up all the benefit of my doubt regarding The Flash until they announced Manapul and Buccellato as the creative team.
Anyway, back to the costume. Bleeding Cool also has a set of blurry photos from the panel, originally posted at The Daily Blam, including another fully-colored view of the costume and a few panels of it forming up.
UPDATE: The Source has released a clear image of the costume in the post congratulating Manapul and Fiona Staples on their Shuster awards.
I like the boots better in this version. They look less clunky than they did in the Converse ad.
The mask still bugs me, though, not just the chin strap but the corners at the cheeks that have become narrow slits in this version. I think I figured out why: it makes his face look too closed. The closed-off look worked for Walter West and sort of works with Wally’s new costume, but in general I think the Flash’s face should be more open.
DC has released previews of several Flashpoint issues coming out next week, including Flashpoint: Reverse-Flash and Flashpoint: Kid Flash Lost #1.
They also offer a little more information on The Source. Flashpoint: Reverse-Flash has a new, more intriguing catchphrase: “The man I’d give anything to kill has to live…or I die.” Writer Scott Kolins adds, “Flash’s arch nemesis sets up Flash’s greatest trial in this issue.”
As for Kid Flash Lost, Bart Allen also remembers the original timeline, and brings in Hot Pursuit to help…but is this the same Hot Pursuit? Sterling Gates explains:
KID FLASH LOST is a FLASHPOINT mystery, as Bart and the mysterious character known as Hot Pursuit try to unravel what has happened when the world they wake up in is not their own. Bart will deal with many of the character threads set up in Geoff Johns’ “Road to Flashpoint” storyarc even as he confronts the greatest danger the 31st century has ever seen.
One thing that makes these two tie-ins unusual is that they both focus on the main-timeline versions of the lead characters. It sounds like the Reverse-Flash book is a mix of origin story and creating the Flashpoint world, while Kid Flash will be facing the same kinds of questions that the Flash is facing in the main series, and Booster Gold is facing in his own book.
On a side note: it’s interesting to see that they brought back the One Year Later–era Flash logo for the Reverse-Flash one-shot.
DC has started running a series of ads for Converse shoes featuring different versions of their characters from the Golden Age through the upcoming September relaunch, under the slogan, “Classic Heroes. Classic Shoes.” The Flash ad, seen in pictures at Bleeding Cool, gives us another look at the new Flash costume, and our first view of his boots. [UPDATE: Here’s a better scan that I made from Flashpoint: Legion of Doom]
Personally, I think the new boot design (like all the seams on the costume) is a bit busy, but I’ve seen far worse.
The poses are so similar that I’m pretty sure they’re all new art, but whoever did these drawings did a great job mimicking the styles of particular artists over the decades.
Update: We have an explanation for the boots! (Sort of.)