It’s huge. The most impressive strips are the ones that actually make use of the larger canvas — Adam Strange, Hawkman, etc.
A lot of the creative teams don’t have a good sense of how to tell a story one page at a time. Not many of the strips work well stand-alone. The Cat and The Demon may have been the most successful one in that regard.
I liked the art style on Wonder Woman, but it made really poor use of the space. Panels were tiny, and worse, the words were tiny. It actually felt cramped on a giant newspaper-sized canvas. Almost like someone had taken 6-8 pages of a regular comic book and shrunk them down to digest size, then rearranged them to fit into the space of 4 regular comics pages.
The Flash strip was fantastic. I love what they’re doing with the parallel Flash/Iris West strips.
Having driven along the central California coast a number of times, I can conclusively say that the first panel of Green Lantern is dead on. It looks exactly like any number of stretches of Pacific Coast Highway.
I liked the moody intro to Hawkman, but the Teen Titans into didn’t do much for me.
Supergirl was good, and actually made me laugh out loud at 11:30 at night.
I wasn’t expecting so many of the strips to have such a retro feel. Green Lantern was outright set in the early 1960s, Metal Men was clearly the 1970s, Metamorpho and Flash had the feel of the early Silver Age. (Flash even brought back the logo from the 1940s. And the one from the 2000s. Using both next to each other looks a little awkward.) And everyone seems to be comparing Kamandi to Prince Valiant. I guess it makes sense, given that nostalgia is one of the driving principles behind the series. (That and DC’s quest to keep people coming into the comic shop every week.)
That may be in part why I didn’t like the Neil Gaiman-scripted Metamorpho as much as I’d expected.
I’m not sure how I’m going to store these.
Just last week, I read and 
It’s probably an oversimplication.
