Tag Archives: Crisis on Infinite Earths

Annotations: The Trial of The Flash, #s 337, 338 & 339 – The “Lost” Issues

Welcome to the latest installment in our annotations of the collected edition of The Trial of the Flash!  A while back, we analyzed related stories leading up to the release of Showcase Presents: The Trial of the Flash.  In addition, we interviewed author Cary Bates about the buildup and the Trial itself, plus showed you what wasn’t included in the collection (important to this post).

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IN THESE ISSUES:  “The Monitor Doesn’t Editorialize!”

Links to original artwork, scans and research are included throughout this post.  For definitive legal analysis of the story by Bob Ingersoll, go here.  Tom vs. Flash Podcast links here, including these issues.  As always, huge thanks to the DC Indexes. See you after the jump!

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Annotations: The Trial of the Flash, #336 – “Murder on the Rocks”

Welcome to the latest (emphasis on late!) installment in our annotations of the collected edition of The Trial of the Flash!  A while back, we analyzed related stories leading up to the release of Showcase Presents: The Trial of the Flash.  In addition, we interviewed author Cary Bates about the buildup and the Trial itself, plus showed you what wasn’t included in the collection.

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IN THIS ISSUE:  The Final Fate of Gigi!

Links to original artwork, scans and research are included throughout this post.  For definitive legal analysis of the story by Bob Ingersoll, go here.  Tom vs. Flash took on this issue here.  See you after the jump!

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What The Flash #21 Says About Bart…and Each of Us (Commentary)

Flash 21 coverNote: This is an opinion piece, and it represents just my own opinion here…

I have been very interested in the reactions to The Flash #21, and in the variety of reviews for this issue.  Some have been glowing (including my review) and some have been not-so-glowing, which happens to a lot of comics these days…but the source of the debate seems a bit more consistent than with other issues.  It comes down in no small measure to the characterization of Bart Allen and how different fans feel about his depiction in this issue.  I stand by my review for reasons I’ll explain in must a moment…but I do understand how others feel about this subject.  It hearkens back to the debates about the launch of the New 52, and to other changes in continuity over the years – and it says a lot about how we feel about these wonderful characters and about continuity changes in general.

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The Wests in…Crisis on Castoff Earth (Fan Art)

Crisis on Castoff Earth by Xum Yukinori, featuring Wally West, Donna Troy, Cassandra Cain, Stephanie Brown and more

Crisis on Castoff Earth by Xum Yukinori, from this week’s The Line It Is Drawn feature at Comics Should Be Good. You may recall his Flash of Two Worlds homage from a previous installment featuring the Earth-1 and New 52 versions of Barry Allen.

This week’s topic: post-apocalyptic versions of comic book characters. rodtownsend suggested: “Wally West, Donna Troy, Stephanie Brown (and anyone similarly deNUded) hanging out at the end of the world.”

Click through to see a larger version of the image, plus some other great ones including: Optimus Prime, Road Warrior…Scott Pilgrim vs. the End of the World…Squirrel/Tank Girl and more.

Heroes Con Mini-Report: New Teen Titans Panel, George Pérez & Nick Cardy

I visited North Carolina on Friday to attend Day One of the 30th Charlotte Heroes Convention.  Billed as “comics-first…atmosphere, where fans can mingle directly with professionals and exhibitors,”  a massive collection of creators and vendors were on hand for the anniversary edition.  What drew me was the presence of George Pérez (Crisis on Infinite Earths, The New Teen Titans, decades of greatness).

I picked up the above commission at the convention, where Pérez was joined by Crisis and Titans partner Marv Wolfman.  The two, along with Pérez’s main Titans inker Romeo Tanghal, took part in a New Teen Titans panel at the outset of the convention.  For a report from the panel, as well as an encounter with Nick Cardy, follow the jump!

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Is “Reboot” The Right Word?

After fans learned that the DC Universe would be massively revised after Flashpoint, DC insisted that it was a relaunch, not a reboot. But with a complete line-wide new start, with many characters being reimagined and given new backstories, it certainly falls under the conventional meaning of “reboot” as applied to a fictional universe. It’s at least as much of a reboot as the DC Universe that emerged out of Crisis on Infinite Earths in the 1980s.

But I’m not sure the metaphor’s correct. It comes from the idea that when you reboot a computer, you start fresh…except usually when you reboot, you have exactly the same “universe” (the operating system, the apps, the files, etc.) as you had before. That’s not the case with a fictional reboot, which tends to alter the settings, characters, histories, and more.

A better comparison might be an operating system upgrade. Going from Windows XP to Windows Vista, or from Vista to Windows 7. Lots of things change about the way the system works. Some apps are altered. Some stay the same. Some might not be compatible and need to be removed until new versions are available. You might even lose some of your data (or access to it). Some changes are improvements, but there’s always something you wish they’d left alone.

The New 52 fits this metaphor. So does the post-Crisis on Infinite Earths relaunch, which took characters from DC’s Earth-1 and Earth-2 settings, plus the characters they had bought from Charlton, Quality and Fawcett, and merged them all into a single timeline. Some characters were erased (Supergirl), others were changed significantly (Superman, Wonder Woman), some stayed more or less the same (the Flashes’ history was mostly unchanged). Most of Superman’s villains were reimagined and introduced as if they were new.

Smaller retcons, those that affect a single character or team, can be looked at as patches. The John Byrne Doom Patrol, which quietly relaunched the Doom Patrol as if they were new characters, but left the rest of the DCU unchanged. The Time Trapper/Glorith mini-reboot in the “Five Years Later” Legion of Super-Heroes, and the Threeboot Legion.

Really, anything that could be explained by a “Superboy punch” can be treated as a patch.

In between are the events that retcon a bunch of characters across the line, but only change the distant past and behind-the-scenes events. The DC Universe after Zero Hour was very much like the DC Universe after Crisis on Infinite Earths. The DC Universe after Infinite Crisis were very much like the DC Universe after Zero Hour. Zero Hour…aside from the reboot Legion, most of the retroactive changes were details. Infinite Crisis may have set up the return of the multiverse, but it happened in a way that no one in the main universe noticed for over a year. I’d compare these to service packs.

So in a way, DC’s right: it’s not a “reboot.” It’s a reinstall.