Now that I’ve had time to read it through a second time, Geoff Johns & Ethan Van Sciver’s Flash: Rebirth #1 didn’t bowl me over quite as much as it did on the first read-through, but it still won this Wally fan over at least for the duration of the miniseries. Some things bothered me more this time through, and ironically enough, it’s actually pretty slow for a book about speed.
On the other hand, it’s much faster-paced than Flash: The Fastest Man Alive #1 or Flash vol.2 #231, the first issues of the 2006 relaunch with Bart Allen and the 2007 relaunch with Wally West.
The book opens with a scene that starts out looking like a retelling of Barry Allen’s origin, but quickly becomes apparent that it’s taking place in the present day with someone trying to recreate the circumstances of the lightning strike that turned a police scientist into the Flash. After that foreboding opening, it moves onto the main segment of the book: introducing all the characters and the key concept of the speed force.
Oddly enough, everyone is introduced separately: Barry, Wally, Bart, Jay Garrick, and Barry’s wife Iris are all in different places. Jay is preparing for a welcome-back party with the Justice Society, Wally with the Titans, Bart with the Teen Titans, and Iris is setting up for a family dinner, while Barry visits the Flash Museum (a mainstay of the series since the Silver Age) to catch up and runs into Hal Jordan. So they all talk about Barry, and how they relate to him and each other, but you don’t actually see them interacting.
Within this framework, Johns and Van Sciver touch on the nature of Central City and Keystone City, the way they appreciate their native super-heroes, a number of the villains who populate the Twin Cities, and even address the Wally/Barry/Bart debates (Jay is so often left out) that thrive on the internet.
Near the end, Barry suits up, flashes back to a traumatic childhood memory, and the real threat makes its appearance.
Things I Liked
Flash: Rebirth #1 followed the golden rule for a chapter that’s mostly setup: Open with an exciting hook, and finish with an exciting cliffhanger. (Come to think of it, Flash:TFMA #1 and Flash v.2 #231 tried to follow this structure, but didn’t work as well.) By the end of the issue, you know key elements of Barry Allen’s personality, what his powers are, see him in action, and have a sense of the threat he’ll be facing, even if that threat’s identity and nature are still mysterious.
Referencing Barry’s lab accident right at the beginning is a good way to start things off, and the villain introduced is suitably creepy.
