Welcome Back, Barry Allen!

Today’s Final Crisis #2 marks an event that many Flash fans have been anticipating* for years: the return of Barry Allen, the Silver Age Flash.

Barry made his debut in the 1956 comic book, Showcase #4. In the early 1950s, super-heroes had faded from popularity, and most of their series had been either canceled or converted to another genre. (For example: the Justice Society’s book, All-Star, became All-Star Western.) DC Comics decided to try reviving the genre, and started by redesigning the Flash. They gave him a new origin and identity, a sleeker costume, and a more sci-fi flavor to the stories, and published him in their try-out title.

The Flash was a success, and after three more appearances in Showcase, they gave him his own series in 1959. Revamps of Green Lantern, the Atom and other heroes soon followed. In fact, the Flash is often credited with launching the Silver Age of comics. (The other hero most often cited is J’onn J’onzz, the Martian Manhunter. Ironically, he was just killed in Final Crisis #1.)

After 30 years, though, DC decided it was time for another relaunch. Sales on the book were flagging, and DC was preparing Crisis on Infinite Earths, an event which would make sweeping changes to its entire line. In essence they were launching a new age of DC comics. The death of the Flash symbolically represented the end of the Silver Age.** Barry met his end in Crisis on Infinite Earths #8 (1985), and his former sidekick Wally West carried on his legacy as the Flash of a new era.

Over the next 23 years, Barry Allen was part of a small group of comic book characters whose deaths seemed permanent. He showed up occasionally in time travel stories, and was placed in various afterlives — including a tribute story at Marvel and the concept that gives this site its name: the speed force, a Valhalla for speedsters. And of course there was the 1993 storyline, “The Return of Barry Allen,” in which he appeared to be back…only to eventually be revealed as an impostor.

But eventually, even Jason Todd and Bucky Barnes returned from the grave.

Speculation started with the build-up to Infinite Crisis. It became clear that Wally was going to follow his mentor into comic-book limbo, and fans started trying to figure out who would take over. Would it be Barry’s teenage grandson Bart, the current Kid Flash? A rejuvenated Jay Garrick? Would Barry return? Would several Flashes somehow be fused into one? Ultimately, DC transformed Bart into an adult and gave him a shot at the lightning.

One year later, the Justice League/Justice Society/Legion of Super-Heroes crossover, “The Lightning Saga” was working up toward resurrecting someone. Signs pointed to either Lightning Lad or a Flash, and when the news hit that Bart’s series was ending, fan speculation again went to Barry. This time, it was Wally who returned.

Another year later, with Final Crisis looming and continuing discontent with the relaunch, fans started to see clues that, once again, hinted at a possible return for Barry. Among those clues was a poster that appeared at the New York Comic Con that looked a lot like Barry — and was painted by J.G. Jones, the artist on Final Crisis. Then there was the summary for Final Crisis #2 and its “spectacular return from the dead.”

Then on April 30, DC Universe #0 hit the stores. The book served as a lead-in to multiple storylines, all tied together by an unseen narrator who starts the issue at one with the universe. As the story progresses, he begins to remember more of his life and his connection to various heroes, and the narration boxes slowly change from black to red. By the last few pages, they’ve picked up a lightning bolt. The final splash page shows a large, white moon against a red sky, a bolt of lightning cutting diagonally in front of it. The same day, the New York Daily News ran the story of the Flash’s return.

With Barry’s return confirmed in subsequent interviews, it was only a matter of figuring out when he would appear on-panel. When the “next issue” blurb for Final Crisis #2 showed that Flash painting and mentioned “the return of a long lost hero,” the answer was clear.

Of course, many questions remain. How long will Barry be back? Permanently, or just for the duration of Final Crisis? If he stays, will he take over the lead spot in The Flash? And what does that mean for the current Scarlet Speedster?

* And, to be fair, others have been dreading it, given the way DC seems to like killing off “redundant” characters these days. Those fears gained new fuel last year when DC killed Bart literally in the same moment that Wally returned (Justice League of America #10, Flash: The Fastest Man Alive #13, and All-Flash #1).

**The 1970s and early 1980s are often referred to as the Bronze Age, but the difference is mainly in the tone of the storytelling.

Frustrations with DC

One of the strangest things to hit comics fandom last week was the furor over DC EIC Dan Didio’s rumored ouster. It didn’t happen — in fact, his contract was renewed — but in response, Collected Editions has posted a list of 3 things Didio has done right for DC:

  1. Revitalized the summer event crossover.
  2. Greater continuity in publishing (ex: Countdown, Full Throttle, and The Lightning Saga all fitting together).
  3. Emphasis on a good story (including support for low-selling, but critically-appreciated books).

#1 is a matter of perspective: if you like big events, it’s a good thing. If you don’t, it’s not. Personally, I’m getting tired of them.

#2 is a bit of an odd choice for a wait-to-trader, since you don’t get the impact of, say, Bart’s death and Wally’s return hitting simultaneously if you’re reading the trades months later.  Though I suppose it’s sort of like looking at the way the various pieces of Seven Soldiers interlock.

#3 I absolutely agree with. I’ve lost a number of favorite books to low sales in the past, and while I haven’t gotten into, say, Manhunter or Blue Beetle, it’s nice to see some of these books given more of a chance.

My Frustrations

That said, I’ve found myself very frustrated with DC over the last few years, for the following reasons:

1. As mentioned above, I’m tired of mega-crossovers. I was actually prepared to skip Final Crisis until I found out it was being written by Grant Morrison. (Of course, it’s since become clear that I would have had to pick it up anyway for research material!) Edit: This is, of course, not unique to DC. Marvel is just as focused on big events. It occurs to me that my current favorite series are Fallen Angel (IDW), Dynamo 5 (Image), Fables (DC/Vertigo) and Girl Genius (Studio Foglio) — all of which are stand-alone series. Of those, only D5 even takes place in a shared universe.

2. Mishandling of the Flash after Geoff Johns left. Six creative changes in three years. Two relaunches, and possibly a third coming up. A high-profile launch with writers who hadn’t adjusted to the medium. Starting both relaunches with slow burns instead of hitting the ground running.

There was no need to relaunch the book after Infinite Crisis. DC just figured “You can’t have a Crisis without a dead Flash” (or whatever the quote was). On the relaunch, Bilson & DeMeo were learning rapidly, but not fast enough to turn around sales. Marc Guggenheim was brought in to kill Bart, and response to his story made it clear that DC didn’t need to replace him.  I’m very much enjoying Tom Peyer’s arc on the book, but just as it got going, DC announced a new creative team.  It feels like DC has no idea what to do with the character, and is flailing around in a panic, grasping at everything without actually taking hold of anything long enough to let it build.

Since Flash is the only ongoing DCU book I read regularly these days, that makes a big difference.  I can only hope that the attention the Flash is getting through Final Crisis and Rogues’ Revenge will turn things around.

3. The wholesale slaughter of “redundant” and C-list characters to make a point. That’s just throwing away long-term story potential for short-term shock value. Yes, you can bring them back, but every time you do, it makes the threat of death that much less credible for the next story. And no, this didn’t start in the last few years — I’ve seen more than a few favorites killed off within months of their series being canceled back in the 1990s — but it seems to have accelerated drastically from Infinite Crisis onward.

I can’t say how much of this is Didio’s fault, however, which is part of why I stayed out of the discussion last week.  That, and it had turned into a virtual lynch mob.  It was downright eerie watching the same thing happen, focused on the recent Flash editor, Joan Hilty, over at Comic Bloc — yes, Comic Bloc, the place that Newsarama posters think is full of rainbows and ponies enforced by a fascist dictatorship of moderators.  I’d like to refer readers to this xkcd comic strip.  Or, if you’re okay with swearing, Penny Arcade’s Greater Internet ——wad Theory (NSFW language) sums it up succinctly.

Rogues’ Revenge Round-Up

Geoff Johns and Scott Kolins have done a number of interviews about this summer’s Flash-focused mini-series, Final Crisis: Rogues’ Revenge.

The Comics Bulletin piece has a nice look at 5 of the 6 covers  — the plot-related “sliver” covers, fitting with the Final Crisis design, and the alternate “iconic” covers featuring Captain Cold, Heat Wave (pictured), and the Trickster, and a few pages of preview art.

Flash Pieta Covers

Comics Should Be Good has a feature on the top 10 Pieta covers — covers inspired by Michelangelo’s statue, Pietà, of Mary holding the lifeless body of Jesus. The most famous of these covers is probably George Pérez’ cover for Crisis on Infinite Earths #7, the death of Supergirl.

One Flash cover made the cut: Flash v.1 #305, in which Barry Allen and Jay Garrick each hold their dead wives. (It turned out Joan wasn’t actually dead. And Iris got better…eventually.)

There’s at least one more Flash cover that fits the bill: The full cover for Flash: The Fastest Man Alive #13, featuring the Black Flash carrying the lifeless body of Bart Allen.

This was the cover that set me looking for examples of dead Flash covers last year — and it’s amazing how many there are!

This Week (June 25): Final Crisis #2 and More

Final Crisis #2 of 7

Meet Japan’s number one pop culture heroes, the Super Young Team and their languid leader, Most Excellent Superbat! Join legendary wrestler Sonny Sumo and super escape artist Mister Miracle as they team to face the offspring of the Anti-Life Equation! See Earth’s superheroes mourn one of their oldest allies! Witness costumed criminals sinking to new depths of cowardice and depravity as Libra takes things too far! Uncover the doomsday secrets of the poisoned city of Blüdhaven! Learn the shocking identity of the prime suspect in the murder of a god! And read on if you dare as Batman becomes the first of Earth’s champions to face the Fallen of Apokolips. All this and a spectacular return from the dead…

Grant Morrison and J.G. Jones’ multiverse-spanning epic continues with bombshell after bombshell in Final Crisis #2 — “Ticket to Blüdhaven”!

June 25, 2008. Written by Grant Morrison. Art and covers by J.G. Jones

Also Related

Tangent Comics vol. 3

Collecting more of DC’s Tangent titles, including Tangent Comics: Superman, Wonder Woman, Joker’s Wild, JLA, Tales of the Green Lantern, Powergirl, Nightwing: Nightforce and Trials of the Flash.

June 25, 2008. Written by Mark Millar, Peter David, Ron Marz, Dan Jurgens and others; Art by Darryl Banks, J.H. Williams III, Ryan Sook and others; Cover by Jurgens.

What If…This Was The Fantastic Four?: A Tribute to Mike Wieringo

When [former Flash] artist Mike Wieringo passed away, he was in the middle of his latest Marvel Comics book, a What If? story. Mike had completed seven pages of what became a massive 27-page story. With Mike’s passing, Marvel Comics generously provided access to the script and Mike’s art to The Hero Initiative, and Mike’s friends stepped up to finish the story, and pay tribute to Mike. Now, What If…This Was The Fantastic Four?: A Tribute to Mike Wieringo is a massive, 48-page tribute book that contains the full story, and additional written tributes to Mike. Previously covered here.

Contributors include Jeff Parker, Arthur Adams, Paul Renaud, Stuart Immonen, Cully Hamner, Alan Davis, David Williams, Sanford Greene, Humberto Ramos, Skottie Young, Mike Allred, Barry Kitson, and Val Staples. Cover by Mike Wieringo and Paul Mounts.

June 25, 2008.

Flash Hints from HeroesCon

Comic Book Resources and Newsarama have posted their write-ups on today’s DC Nation Panel at HeroesCon.  Newsarama’s coverage includes a breakdown of the question-and-answer session, including some tantalizing hints about the future of the Flash. (The article notes that these are paraphrased.)

Q: What’s coming up in The Flash?

Ethan VanSciver: “No comment” on what’s coming up, but the artist added, “I love the Flash, Absolutely love the Flash.”

Dan Didio – How much?

EVS – Enough to spend some time with the Flash.

Q: Is the Flash that Ethan wants to spend time on Barry?

EVS: Uhhh.

DD: Enough said.

There have been rumors of a Geoff Johns/Ethan van Sciver project for months, and speculation that it might be a Flash series starring Barry Allen.

Johns and van Sciver are, of course, well-known today for their work on Green Lantern, and Green Lantern: Rebirth — the series which brought Hal Jordan back from limbo and reinstated him as DC’s main Green Lantern — seems particularly relevant. They also teamed on the 2001 graphic novel The Flash: Iron Heights, which introduced a half-dozen new villains to the Flash mythos (focusing on Murmur) and established Keystone City’s equivalent to Arkham Asylum. The opening sequence featured a flashback to Barry Allen, police scientist, testifying at Murmur’s trial.

For several years, Iron Heights has been difficult to find, but it’s now been included in the second edition of Flash: Blood Will Run.

Q: Will a Flash die in Final Crisis?

DD: Quite the opposite.

Well, we’ve known since the end of April that Barry Allen was returning from the dead as part of Final Crisis, so this doesn’t give much away. Interestingly, CBR’s write-up has this as “No, quite the opposite.” That single word makes a difference. That phrasing implies that not only does Barry return, but no other Flashes die. That would indicate that Wally, Jay, and yes, even Barry are safe — at least in Final Crisis itself.

Were any readers at that panel? Can you clarify how Didio phrased this?

Update: The Pulse’s coverage doesn’t try to paraphrase the response, but mentions, “one fan joked that it would mean that Wally West would have more kids.”