Monthly Archives: October 2008

“The Human Race” Finishes Collecting the Morrison/Millar Run


More Flash news from Collected Editions: Fall 2009 will also see the release of the trade paperback, Flash: The Human Race. No doubt this will collect Flash #136-141, containing “The Human Race” (Grant Morrison & Mark Millar, with art by Paul Ryan & John Nyberg) and “The Black Flash,” (Mark Millar with art by Pop Mhan & Chris Ivy), rounding out the Morrison/Millar run on The Flash starts with January’s release of The Flash: Emergency Stop.

Frankly, I’m surprised they went with “The Human Race” as the title. I think “The Black Flash” is a more well-remembered (and well-regarded) story, particularly given the character’s recent appearances in The Flash: The Fastest Man Alive — Full Throttle.

Now if DC will just start filling in some of the missing stories from the Mark Waid/Brian Augustyn run…

Update: Amazon now shows a release date of June 9, 2009.

Speed Reading: DCUO, Fake Trailer, etc.

CBR has an article on DC Universe Online featuring a new screenshot of the Flash (or at least one I hadn’t seen before).

X-Man wants Flash fans to explain the appeal of bringing Barry Back.

Meanwhile, snark has taken over discussion of last week’s fake Flash movie trailer, including Defamer’s Fake ‘Flash’ Teaser Ruins New Comic Franchise Before it Begins, and Blog@Newsarama’s Step away from the Windows Movie Maker. (Defamer also links to another fan trailer, a bit more obvious in that it consists entirely of remixed clips from Bart Allen’s appearances on Smallville.)

Last week I posted a few updates to Flash: Those Who Ride the Lightning including Inertia, the Gotham Rogues, and an update to the Cover Variants list showing the final versions of the Rogues’ Revenge covers.

Review: Soon I Will Be Invincible

Austin Grossman’s novel Soon I Will Be Invincible is a fun romp through every super-hero cliché ever invented over the history of the genre. Time-travel, cyborgs, telepaths, aliens, evil geniuses, legacy heroes, secret identities, heroes going bad, villains turning good — everything. It’s an affectionate, tongue-in-cheek parody of the tights-and-flights set.

The book is narrated in alternate chapters by Dr. Impossible, a mad scientist who has held the world in his grasp a dozen times, only to be defeated by his arch-nemesis CoreFire — whom he inadvertently created — and by Fatale (as in “Femme”), a small-time cyborg hero who has just been invited to join the world’s premiere super-team, the Champions.

The book opens with Dr. Impossible still in prison, a situation that’s taken care of within the first few chapters. The world’s greatest hero CoreFire is missing, and the Champions, disbanded for nearly a decade after the death of one of their own, have re-gathered to find him. Their number one suspect: Dr. Impossible. Once he escapes, it becomes a race between him and the heroes: will he build his next doomsday device before they capture him? And where is CoreFire?

Dr. Impossible’s megalomaniacal nature (he suffers from “Malign Hypercognition Disorder,” the clinical diagnosis given most evil geniuses) suffuses every sentence as he dwells on his tortured past and schemes to take over the world. By the end of the book, he’s monologued his entire origin, down to the day his eighth grade guidance counselor told him he was a genius, and taken us on a tour of the underworld from its greatest peak to its most pathetic.

Fatale, despite being a high-tech super-soldier who can never live a normal life, comes off as the closest the book has to an ordinary person. She’s still an outsider in the upper echelons, and her loneliness is a constant presence in her chapters. She knows her new colleagues mainly from television, from news footage of their battles and from their celebrity endorsements. (One fundraises for Amnesty International. Another has her own line of beauty products.) While much of Dr. Impossible’s narration consists of flashbacks in which he tells the reader what he already knows, Fatale is entrenched firmly in the present, learning as she goes and relaying her experiences straight to the reader.

The Champions form a sort of dysfunctional Justice League (or is that redundant these days?), with CoreFire, Damsel and Blackwolf as the Superman, Wonder Woman and Batman equivalents. Except in this version, Wonder Woman and Batman are a divorced ex-couple, trying to work together. And Superman’s a bit of a jerk. (But then again…) The team is rounded out by man-tiger Feral, ageless Faerie warrior Elphin (who still has a mission to perform for Titania), magician Mr. Mystic (mainly in the Mandrake/Zatara mold, but with elements of Dr. Strange), teen pop idol Rainbow Triumph, and two newcomers: Fatale herself and Lily, a powerhouse from a distant, blighted future who once fought on the other side of the law. (The book’s website has a database of heroes and villains that doesn’t seem particularly spoilery at first glance.)

The book has its requisite battles, but for the most part it’s about what heroes and villains do in between the fighting: the endless investigations that go nowhere. Bickering at team meetings. Rivalries and affairs. Clandestine meetings in dive bars and abandoned buildings. Hunting for the components of a doomsday weapon. The same concerns as anyone else.

One disadvantage the book has is that it points out just why super-heroes tend to work best in a visual medium: the costumes. I only had strong images of a few of the characters, and most of them were taken from other comics. I never did figure out just what Damsel was supposed to look like, so I pictured her as Payback from True Believers. Fatale was somewhat like Liri Lee, a member of the Linear Men whose name I can’t recall (Thanks, West!). CoreFire, I saw as a cross between Red Star (in his red-and-yellow outfit) and Firestorm. Without pictures, the costumes are more or less pointless, and the only reason they’re included is tradition. Small wonder that colorful tights only really came in when heroic fiction made the jump from the pulps to the comics pages.

Although Dr. Impossible does make a case for why, despite Edna Mode’s warning in The Incredibles, a villain might want a cape. It makes for a much more dramatic entrance.

Fan “Flash” Movie Trailer Making Rounds

I’ve seen several mentions today of a supposed teaser trailer for the long-delayed Flash movie — the one that, just a few days ago, we were told had no momentum.

Get the Big Picture has the clip, supposedly recorded on a cell phone during a Watchmen screening, and analyzes why it’s probably not the real deal, but a fan creation. Among other things, the story about how the recording was made just doesn’t add up.

I haven’t watched it with sound yet, but I’m inclined to agree.

Update: Thanks to Brandan, I’ve found a similar post at Slashfilm. No one knows who did make it so far, but it’s obviously not official.

Review: Final Crisis #4

After two and a half months, it’s finally here: the next chapter of DC’s major event for the year. The wait wouldn’t have been so bad if the tie-in one-shots, Submit, Superman: Beyond, Resist and Rage of the Red Lanterns had come out between issues #3 and #4, as originally described — or if Rogues Revenge and Legion of Three Worlds had stayed on schedule. As it is, there’s been a generally sense of frustration associated with the series.

So the question is: Is this issue worth the wait? Is it good enough to overshadow the real-world context?

I’d say the answer is yes.

All the threads being set up through the first three issues come together. We see what the villains have been planning. For the most part, they’ve already achieved what they set out to do: dominate the Earth. They only need to wipe out the few pockets of resistance, and achieve one more goal: the reincarnation of Darkseid himself.

In most stories where a villain tries to take over the world, the story we see is the one about preventing it from happening. What’s different here is that the heroes have lost. The invasion has succeeded, and it’s about trying to throw off the occupation. While the “watchtowers” are scattered around the globe, there’s a sense of the heroes’ forces as the French Resistance from World War II. (This is no doubt enhanced by having the resistance led by the original Green Lantern, who actually fought in World War II.)

Admittedly it covers some of the same ground as the “Rock of Ages” storyline from Grant Morrison’s run on JLA, but Final Crisis is emotionally more devastating than Rock of Ages. It takes place now, with characters and a world as we’re used to seeing them, not in some ten-years-distant future. (Though come to think of it, “Rock of Ages” came out about ten years ago, didn’t it?) And knowing how quickly the world was transformed makes it even worse.

There are a few things that don’t quite work. A lot of the dialogue, particularly the technobabble, the speechifying, and the scene in which two Flashes pause to catch their bearings, is stilted or doesn’t quite make sense. As with the first few issues, transitions between scenes are often abrupt. And some story elements just aren’t given enough space to develop. Much of the issue is devoted to characterization, which personally I don’t mind, but I know many readers are in it for the action and battles, and there’s only a few pages of actual fighting.

Spoilers after the cut: Continue reading

This Week (Oct 22): Final Crisis

Final Crisis #4 of 7

Written by Grant Morrison; Art by J.G. Jones and Carlos Pacheco; Covers by J.G. Jones

It’s one month after the Anti-Life Equation was released worldwide. Millions now toil as slaves of Darkseid, while the Justifier shock troops of Apokolips lay waste to the planet Earth and hunt down its protectors.

The remaining free humans and superheroes are stationed around the world, besieged within the walls of ten very familiar ‘Watchtowers’, as they fight a desperate, losing battle against the triumphant forces of evil.

While Green Arrow and Black Canary attempt to deliver the secret of humanity’s last hope across America’s blasted wastelands, the Outsiders brave the horrors of the Blüdhaven bunker in search of Batman. The ultimate battle is coming…but which heroes will become villain – and vice versa? And what part do the Secret Society have to play in the dawning of this new Age of Evil?

Darkness is falling and death rules the day. Is this truly the end of the Age of Super Heroes? Don’t miss FINAL CRISIS #4: “How to Murder the Earth!”

40pg. | Color | $3.99 US

Tangent: Superman’s Reign #8 of 12

Written by Dan Jurgen and Ron Marz; Art by Wes Craig and Fernando Pasarin; Cover by Matt Haley

The Tangent Superman’s assault on the DCU Earth continues, and his quest to make the world “safe” for normal people is set to crush all metahuman resistance in its path!

32pg. | Color | $2.99 US

DC Universe: Halloween ’08

Written by Mark Verheiden, Mike Johnson, Brian Reed and others; Art by Trevor Hairsine, Duncan Rouleau and others; Cover by Gene Ha
The Horror! The Horror! Could this be the final Halloween for the DCU? Evil has won, and there are no treats! Witness tales of terror featuring Superman, Batman, Wonder Woman, The Titans, El Diablo, Faust and others by past, present and future DC greats.

80pg. | Color | $5.99 US

Notes: It’s not clear whether the Flash appears in this book, but there’s a chance depending on what era of theTitans is spotlighted. Last year’s Halloween special featured a “Whatever happened to…” story about Ira West, Wally’s grandfather and Iris Allen’s adoptive father.

The Flash may also appear in Trinity, and Kid Flash often appears in Tiny Titans.