On Friday, Ethan Van Sciver posted two covers to the Jinxworld Forums. One was the cover to Flash: Rebirth #5 which was also released through The Source. The other? Check it out:
EVS doesn’t say which issue the cover is for, but judging by the end of issue #2, it’s almost certainly the variant for Flash: Rebirth #3.
(via Speedster Site)
Update (May 11): DC has posted a slightly larger image at The Source, and confirmed that it’s the variant cover to Flash: Rebirth #3.
DC’s The Source spotlights seven August Covers, including the cover for Flash: Rebirth#5.
It’s the latest homage to the classic “Flash of Two Worlds” cover from Flash v.1 #123, the first meeting of Barry Allen and Jay Garrick — only this time it’s Barry Allen vs. the Black Flash, and the poor hapless construction worker has been crushed by the falling beam.
There are actually two visual references to this famous cover in Flash: Rebirth #1 as well — a parade float, and then a side view in Jay Garrick’s reminiscences.
Also of interest is the cover to Final Crisis Aftermath: Escape, in which it looks like Nemesis is running on the Cosmic Treadmill.
I’ve re-read the first issue of Flash: Rebirth so that the setup is all fresh in my mind, and I’ve gone over Flash: Rebirth #2 again. To follow up on my first impressions: Geoff Johns and Ethan Van Sciver continue to deliver a well-constructed story, though some of the pieces it uses strike me as ill-chosen or a waste of material.
Van Sciver’s art is, as always, excellent — and incredibly detailed. There’s a flashback sequence to Barry’s life before gaining his powers, and you can clearly see how some characters have aged over the years. There are also some nice symbolic images, such as Sam Scudder (the future Mirror Master) and his reflection (and props to the colorist who gave him an orange and green striped tie). At one point Barry and Wally get caught up in a battle with a villain, and half of Wally’s mask is ripped away. This not only makes it instantly clear which Flash is which (it does get confusing in the pages leading up to that point), but gives us a very clear view of his facial expression on the second-to-last page.
And then there’s the cover, an homage to Showcase #4 and Barry Allen’s first appearance.
The story picks up on the appearances of Savitar and the Black Flash from last issue, and the unexpected consequences, framed by a painting ceremony in Gorilla City. It follows through on Savitar’s appearance more than I expected (at least before DC posted the preview pages last week), though I get the feeling that DC and/or Geoff Johns is seeing this miniseries not just as a way to set up new pieces, but an excuse to throw out old pieces, even the ones that have been sitting unused in the back of the closet for years.
Oddly enough, I’ve had no problems with the pacing of this story, even though the general consensus online (at least among people who aren’t long-term Flash readers) is that it’s too slow. This is especially odd because my biggest criticism of the last two relaunches — Flash: The Fastest Man Alive’s “Lightning in a Bottle” with Bart Allen as the Flash and The Flash’s “The Wild Wests” with Wally West and family — was that they started with big six-part stories that were paced too slow for someone whose main claim to fame is speed. I still maintain that if “Lightning in a Bottle” had been condensed into three parts instead of six, fans would have responded much better to Bart as the Flash instead of rejecting him so thoroughly that DC turned around and killed him.
Maybe it’s because of the emphasis on Barry Allen, who has always been slow and steady in contrast to his alter ego of the Flash.
That said, I still don’t understand why they felt it necessary to explain Barry’s bow tie instead of just treat it as an artifact of when the original stories were produced. Modern retellings of Superman’s origin don’t make an effort to explain away Clark Kent’s anachronistic hat — they just leave it out.
I think that’s about as much as I can cover without giving anything away, so keep an eye out for spoilers after the jump. Continue reading
You know how sometimes, when an issue of a comic book has been delayed for a long time, it finally shows up and it’s absolutely worth the wait? The last few issues of Fray and Midnight Nation come to mind. Unfortunately, Final Crisis #6 does not fit into that category.
The first few issues were structured like a mystery, presenting various fragments that slowly piece themselves together into a coherent picture. But now that the whole picture has been put together, we’re still only seeing fragments. It’s kind of like watching Cloverfield, except the reason we’re only seeing bits and pieces isn’t because we’re following a single viewpoint, but because we’re following too many.
The weird thing is, as unsatisfying as it is to read (though it does improve the second time through), I’m half-convinced that the fragmentation is intentional. It fits with the disintegrating cover design, and it fits with the theory that theme is more important than plot in this book. And, in fact, it fits with Grant Morrison’s comments about paring a comic down to the bare essentials like dance music. Of course, not everyone likes dance music.
Some specifics, so watch out for spoilers: Continue reading
The newsletter DC Comics Direct Channel #914 identifies the contents of the upcoming Flash Presents: Mercury Falling and Flash: The Human Race trade paperbacks.
May 2009: Flash Presents: Mercury Falling (Todd Dezago, Ethan Van Sciver) will collect Impulse #62-67. That covers the 5-issue story arc itself as well as the one-issue epilogue guest-starring the Justice League, Justice Society and Young Justice.
June 2009: Flash: The Human Race (Grant Morrison, Mark Millar, Paul Ryan, Pop Mhan) will collect Flash v.2 #136-141 and a story from Secret Origins #50. The Flash issues cover both “The Human Race” and “The Black Flash.”
The Secret Origins story is undoubtedly the retelling of the classic “Flash of Two Worlds,” (Flash v.1 #123) in which Grant Morrison figured out how to incorporate the parallel-world story into a single-world setting. Unless I’ve forgotten something, this volume and Flash: Emergency Stop will cover all of Grant Morrison’s Flash solo work.
It also lists the Final Crisis hardcover coming out in June, along with the Final Crisis Companion trade paperback, which includes all the FC one-shots (including Superman: Beyond, which started as a one-shot that just got too long.) No word yet on when Final Crisis: Rogues’ Revenge will be collected, but there are supposed to be more summer 2009 announcements later this week.
More Flash news from Collected Editions: Fall 2009 will also see the release of the trade paperback, Flash: The Human Race. No doubt this will collect Flash #136-141, containing “The Human Race” (Grant Morrison & Mark Millar, with art by Paul Ryan & John Nyberg) and “The Black Flash,” (Mark Millar with art by Pop Mhan & Chris Ivy), rounding out the Morrison/Millar run on The Flash starts with January’s release of The Flash: Emergency Stop.
Frankly, I’m surprised they went with “The Human Race” as the title. I think “The Black Flash” is a more well-remembered (and well-regarded) story, particularly given the character’s recent appearances in The Flash: The Fastest Man Alive — Full Throttle.
Now if DC will just start filling in some of the missing stories from the Mark Waid/Brian Augustyn run…
Update: Amazon now shows a release date of June 9, 2009.