Tag Archives: Silver Age

Flash vs. the Pirate Torpedo

Arr! Barry Allen may not know how to celebrate Talk Like a Pirate Day, but he do celebrate Jog Like a Pirate Day!

Showcase #13: The Flash runs across the water from a torpedo with a pirate flag on front. 'No matter how fast I go---this pirate torpedo keeps following me!'

From Showcase #13, it’s “Around the World in 80 Minutes,” a tale of the Flash. (Mostly he runs around the world, helps people out, and gets kissed by women. Aye, it be good to be a superhero.)

(Cover via GCD. This story appears in Showcase Presents: The Flash vol.1 and The Flash Archives vol.1. And yeah, it’s a repost, but it’s from a year ago on my other blog, so I figure it’s fair game.)

Flash Archives 5 Coming in 2009

Flash Archives 5Keith Dallas (author of The Flash Companion) spotted The Flash Archives Volume 5 on Amazon.com, with a release date of March 10, 2009.

The detail page doesn’t list contents, just that it’s 248 pages. Like most of DC’s Archive Editions, the list price is $50 (still less than it would cost to track down the originals in decent condition), but Amazon is currently offering it at a 37% discount.

Dallas figures that it most likely contains stories from the Silver Age Flash #133–140, which would include:

  • the introduction of Professor Zoom (#139) and Heat Wave (#140);
  • stories with Abra Kadabra (#133), Captain Cold (#134), Mirror Master (#136) and Pied Piper (#138);
  • another Jay Garrick/Barry Allen team-up, this one involving the entire Justice Society of America against Vandal Savage (in fact, this is the first JSA appearance of the Silver Age);
  • and the tale of Kid Flash finally losing the “Mini-Me” costume for the yellow one he joined the Teen Titans with (#135)

Interestingly enough, going through Flash #140 would exactly match the current span of the cheaper, black-and-white Showcase Presents: The Flash collections (volumes 1 and 2).

Update (October 2008): The official solicitation is out, and it covers #133-141 — one more issue than predicted. The additional issue contains another milestone: the first appearance of the Rogues’ tailor, Paul Gambi.

Review: DC Super-Heroes: The Filmation Adventures

In 1967, the Filmation-produced Superman/Aquaman Hour of Adventure featured short animated segments with additional DC characters. The Superman and Aquaman segments have previously been released on DVD, and the rest are now available as the two-disc set, DC Super-Heroes: The Filmation Adventures.

These discs feature three seven-minute episodes each focusing on:

  • The Atom
  • The Flash
  • Green Lantern
  • Hawkman
  • The Justice League of America (made up of the above heroes, plus Superman)
  • Teen Titans (Kid Flash, Wonder Girl, Speedy, and Aqualad)

I’ve never seen these before (I grew up on Super Friends), and it’s hard to not compare them to the Bruce Timm-designed Justice League cartoons, which benefit from 30-odd years of advances in animation techniques (and technology) and storytelling — not to mention a decent budget. The stories are simplistic, the villains’ motivations even more so; lots of footage is re-used, and the heroes are flat. But the action tends to be wild and crazy, in keeping with the comics of the time.

In fact, a lot of the aspects that stand out when viewing these today are true to the source material. This was deep into the Silver Age at DC, and wild and crazy sci-fi adventure hadn’t yet given way to the more street-level storytelling of the Bronze Age. Continue reading

Showcase: The Top #4

Comics Should be Good has been running a Top 50 Countdown of the “most notable issue numbers in comic book history,” with the top issue #1, the top issue #2, the top issue #3, etc. They’ve been revealing the numbers in a more-or-less random order, and wrapped up the series today with #4. Their choice: Showcase #4, the 1956 comic in which DC Comics decided to try revitalizing super-heroes with a revamped Flash, and launched the Silver Age of Comics.

Naming Flash Eras

I’ve been trying to work out how I can best break down appearance lists with the repeated Flash relaunches. Assuming that Flash: Rebirth sticks, I can categorize them this way:

  • Golden Age: Jay’s series, 1940–1951
  • Silver/Bronze Age: Barry’s series, 1956–1986
  • Legacy: Wally’s series, 1987–2006
  • One Year Later: Bart’s series, Wally’s relaunch, and Flash: Rebirth, 2006-2009
  • Post-Rebirth: Whatever we end up with starting next year.

I originally used the term “Modern Apperances” for 1987+, but with Infinite Crisis marking a major relaunch, I clearly needed to rename it. I picked “Crisis Era” on the idea that it was bounded by Crisis on Infinite Earths and Infinite Crisis. But with DC overusing the term “Crisis” lately, it doesn’t seem to fit that era anymore. I think “Legacy” has a better sound to it, and since DC did a lot of legacy characters in the 1990s (some with greater success than others), it fits.

As for the period from Infinite Crisis through Flash: Rebirth, I’m thinking “Musical Chairs Era” might be the most accurate, but I’m going to stick with “One Year Later” for now.

Welcome Back, Barry Allen!

Today’s Final Crisis #2 marks an event that many Flash fans have been anticipating* for years: the return of Barry Allen, the Silver Age Flash.

Barry made his debut in the 1956 comic book, Showcase #4. In the early 1950s, super-heroes had faded from popularity, and most of their series had been either canceled or converted to another genre. (For example: the Justice Society’s book, All-Star, became All-Star Western.) DC Comics decided to try reviving the genre, and started by redesigning the Flash. They gave him a new origin and identity, a sleeker costume, and a more sci-fi flavor to the stories, and published him in their try-out title.

The Flash was a success, and after three more appearances in Showcase, they gave him his own series in 1959. Revamps of Green Lantern, the Atom and other heroes soon followed. In fact, the Flash is often credited with launching the Silver Age of comics. (The other hero most often cited is J’onn J’onzz, the Martian Manhunter. Ironically, he was just killed in Final Crisis #1.)

After 30 years, though, DC decided it was time for another relaunch. Sales on the book were flagging, and DC was preparing Crisis on Infinite Earths, an event which would make sweeping changes to its entire line. In essence they were launching a new age of DC comics. The death of the Flash symbolically represented the end of the Silver Age.** Barry met his end in Crisis on Infinite Earths #8 (1985), and his former sidekick Wally West carried on his legacy as the Flash of a new era.

Over the next 23 years, Barry Allen was part of a small group of comic book characters whose deaths seemed permanent. He showed up occasionally in time travel stories, and was placed in various afterlives — including a tribute story at Marvel and the concept that gives this site its name: the speed force, a Valhalla for speedsters. And of course there was the 1993 storyline, “The Return of Barry Allen,” in which he appeared to be back…only to eventually be revealed as an impostor.

But eventually, even Jason Todd and Bucky Barnes returned from the grave.

Speculation started with the build-up to Infinite Crisis. It became clear that Wally was going to follow his mentor into comic-book limbo, and fans started trying to figure out who would take over. Would it be Barry’s teenage grandson Bart, the current Kid Flash? A rejuvenated Jay Garrick? Would Barry return? Would several Flashes somehow be fused into one? Ultimately, DC transformed Bart into an adult and gave him a shot at the lightning.

One year later, the Justice League/Justice Society/Legion of Super-Heroes crossover, “The Lightning Saga” was working up toward resurrecting someone. Signs pointed to either Lightning Lad or a Flash, and when the news hit that Bart’s series was ending, fan speculation again went to Barry. This time, it was Wally who returned.

Another year later, with Final Crisis looming and continuing discontent with the relaunch, fans started to see clues that, once again, hinted at a possible return for Barry. Among those clues was a poster that appeared at the New York Comic Con that looked a lot like Barry — and was painted by J.G. Jones, the artist on Final Crisis. Then there was the summary for Final Crisis #2 and its “spectacular return from the dead.”

Then on April 30, DC Universe #0 hit the stores. The book served as a lead-in to multiple storylines, all tied together by an unseen narrator who starts the issue at one with the universe. As the story progresses, he begins to remember more of his life and his connection to various heroes, and the narration boxes slowly change from black to red. By the last few pages, they’ve picked up a lightning bolt. The final splash page shows a large, white moon against a red sky, a bolt of lightning cutting diagonally in front of it. The same day, the New York Daily News ran the story of the Flash’s return.

With Barry’s return confirmed in subsequent interviews, it was only a matter of figuring out when he would appear on-panel. When the “next issue” blurb for Final Crisis #2 showed that Flash painting and mentioned “the return of a long lost hero,” the answer was clear.

Of course, many questions remain. How long will Barry be back? Permanently, or just for the duration of Final Crisis? If he stays, will he take over the lead spot in The Flash? And what does that mean for the current Scarlet Speedster?

* And, to be fair, others have been dreading it, given the way DC seems to like killing off “redundant” characters these days. Those fears gained new fuel last year when DC killed Bart literally in the same moment that Wally returned (Justice League of America #10, Flash: The Fastest Man Alive #13, and All-Flash #1).

**The 1970s and early 1980s are often referred to as the Bronze Age, but the difference is mainly in the tone of the storytelling.