So, I attempted to get started on this review almost a week ago. But to be honest, I was at a loss for words, unsure what to say about the issue. I didn’t like it and didn’t dislike it either, somehow managing to fall into both camps at the same time. To find out more, see below the cut for spoilers.
Citizen Cold #1 is the first in a three-issue Flashpoint series, written and drawn by longtime Flash artist Scott Kolins. I’m happy to report that it doesn’t disappoint, finding it a well-written and fun story and looking forward to the future issues.
Spoilers behind the cut… Continue reading
The first round of Flashpoint miniseries’ arrived last Wednesday. DC has seemingly selected creative teams based on potential and allowed them to play in the sandbox of this alternate reality however they would like. To be sure, both of the issues reviewed here do little more than exist in the universe that has just now been created for Flashpoint, at least in their respective openings. They also succeed on many levels, achievements made possible by the unexplored new world. If DC is using the minis as a way to ease fans into a reboot, they could have done a whole lot worse.
In Batman: Knight of Vengeance, the Gotham City of Flashpoint is put into harsh focus. In Abin Sur: The Green Lantern, events in Green Lantern lore both recent and distant are re-cast, and redesigned with an eye towards the upcoming film.
For further comments and some spoilers, see you after the jump…
Well, here it is, the supposedly final issue of The Flash. So how does it read? And how does Geoff Johns & Francis Manapul’s brief 12-issue run hold together?
This one’s better than the previous issue, with a super-speed battle, revelations about Professor Zoom, the Speed Force, Flashpoint and Kid Flash, and even the background between Barry Allen and Patty Spivot. Scott Kolins’ art looks better as well — whether he had more time, or whether the super-heroics is just better suited for his current style, I couldn’t say — and Francis Manapul’s cover (revealed just yesterday) is great.
Still, the whole “Road to Flashpoint” arc feels like something’s missing. The biggest problem, I think, is that everything from Flash: Rebirth to this point was supposed to be a steady build toward Flashpoint, but the combination of slowly-paced long storylines and publishing delays meant that instead of progressing from A to B to C to D to E to Flashpoint, we instead spent a lot of time on A and then a lot of time on E without actually following the steps to get there.
I can’t believe I’m saying this, but I think maybe making a clean break at this point and starting fresh after Flashpoint is exactly what the book needs.
A bit about the art:
I mentioned that I liked Kolins’ art better in this issue than last. One sequence that stood out was the way he portrayed Zoom and the negative speed force. It looked more like flowing energy streams within Zoom’s body than the usual lightning leaking around it, which was a nice change, and a good way of showing that Thawne was using the powers differently. Still, I miss the background details that Francis Manapul works into his art, like the fire extinguisher behind someone who’s still carrying a flame.
Further discussion will require SPOILERS! Continue reading
Well, it took a year, but Ron Marz and Kenneth Rocafort’s miniseries about Cyberforce’s speedster is complete. Was the final issue worth the wait?
Yes! The miniseries as a whole is a fun, super-speed adventure that’s surprisingly new-reader-friendly, and the conclusion delivers.
As it starts, this chapter seems to ignore the cliffhanger from the end of the previous issue (though it’s included in the recap), until you get to the second page and Velocity literally turns toward the reader and says, “What? You weren’t expecting me?” The conversational, almost playful tone of the series really takes over in this installment.
Kenneth Rocafort’s art is key to that tone. I’ve mentioned before that I really like the style and creativity, and this issue definitely wouldn’t have worked as well if Top Cow had decided to replace him in order to keep the book on a schedule. He does seem to have toned down the sexiness-for-the-sake-of-sexiness that tended to crop up in the earlier issues, to the point where I don’t think I would have been embarrassed to read this issue in public.
There’s a splash page in the middle that at first glance looks like it’s using one of the standard techniques to show super-speed in action, but in context, it means something else entirely. I won’t actually post it, though, since it’s a bit spoilery.
Rest assured, that seemingly impossible escape is explained (though not precisely in the way I predicted), and as the clock ticks down, Carin Taylor takes the fight back to the villain for a final, over-the-top spectacular confrontation with Dr. Paine. The twist reveal comes in about halfway through the issue, and not only plays fair with the audience (it’s all set up well ahead of time), but sets things up for an element in the final battle that takes “speedster vs. robots” to a new level.
The series ends with a nod to its beginning, and a reminder that while this might be a stand-alone miniseries, the lead character continues on as part of an ongoing universe.
A few thoughts that involve SPOILERS: Continue reading
On one hand, I found Flash #11 — chapter 3 of “The Road to Flashpoint” — to be a lot more engaging than the previous issue. On the other, it highlights some problems with the series.
I was disappointed to see that Francis Manapul didn’t draw this issue, though seeing Scott Kolins’ name was a relief. That said, while I normally like Kolins’ art on The Flash, it actually looks rushed, especially on the early pages. I have to wonder how much time DC gave him to draw the issue.
The pacing, however, is much better than the previous two issues. After an issue-long teaser and another issue that was 50% exposition, we actually get into the meat of the story here — a story very much about Barry Allen, the man who works as a police scientist, not the Flash who happens to be Barry Allen (which may be part of why I liked it better than #10).
It was nice to see the story actually address some of the problems with Barry’s post-Rebirth isolation, though I get the impression that this was intended to develop over more story arcs. As with the artist change, I can’t help but wonder what we might have seen if they’d been able to keep this book on time. Monthly from April 2010 through May 2011 would only have included two more issues, but the two Rogue Profiles wouldn’t have been added. Under those circumstances, Johns could have fit another 4-issue story between “Dastardly Death…” and “Road to Flashpoint.”
Geoff Johns does a good job of keeping Hot Pursuit’s motivation and methods ambiguous throughout the issue, keeping it unclear whether he’s causing or tracking the murders. The super-heroics kick into gear at the very end, with not one but two cliffhangers to be resolved in next month’s series finale…though with a title like “The Road to Flashpoint,” it seems pretty clear that it’ll wrap with some sort of transition. I expect the “last issue” to end in one of two ways: Either it will feature a teaser with Barry in the altered reality of Flashpoint, or it will end with a fade to white like all of DC’s “Zero Hour” tie-ins back in 1994.
So, let’s move on to some talk including SPOILERS… Continue reading