Whenever I first arrive on the exhibit hall at a new Comic-Con, I find myself at the DC Comics booth. Whether it’s to check out the signing schedule, or the demonstrations, or the displays, or even just see what this year’s decoration theme is. (It’s the New 52 first-issue covers, blown up to about 8 feet tall.) Continue reading
DC has four sessions on The New 52 at Comic-Con, and it sounds like they’re presenting on a different chunk of their line each day. The Flash wasn’t in today’s presentation, but people asked about it during the Q&A session. More specifically, people asked about the fate of Wally West, and for once, Dan Didio actually gave a straight answer.
From CBR’s coverage:
Asked about Wally West and his family, DiDio said “there are no plans for Wally West in the ‘Flash,'” because that series is about the “uniqueness of who [Barry Allen] is and how he moves through the world.”
Newsarama has a little more detail:
A fan who liked the multiple generations of speedsters asked about Wally West and his family in the DCnU
DiDio: “Right now there are no plans for Wally West in the new Flash series”
The series focuses on the uniqueness of how someone who moves and thinks near the speed of light lives.
Q: “I’m here to still talk about Wally West…”
DiDio: “okay…”
Fan: “Last year you said you took Wally off the table so Barry could be the sole focus, and now you’re still saying that again.”
DiDio: “We did say that last year cause we did want to build Barry Allen up as much as possible, and this year with the relaunch even more so”
Fan: “How does that work when you have four Robins running around?”
DiDio: “I think we could do that with all the characters” He ended the conversation by saying “I think we’ll be sticking with Barry for awhile.”
As you might imagine, I have some thoughts on this. I’m going to save them for later so that I can collect them properly.
One of the things that frustrated me about DC Comics’ post-Zero Hour “soft” reboot was the 10-year sliding timeline. Not that it existed, but that it crammed everything from DC’s Silver Age (1956) onward into a timeline tied to the first appearance of Superman, 10 years ago.
It always seemed to me that it would free things up if they’d just allow the characters to be different ages. Let (for instance) Barry Allen and Oliver Queen be a decade older than Superman, and let their super-hero careers have started earlier. They can still have worked together in the Justice League. Superman launched the age of super-heroes in the real world, but he doesn’t have to have done so in the fictional world. Especially when you have a whole Golden Age worth of characters who started their careers decades earlier.
Of course, the Golden Agers introduce another problem: If DC keeps them tied to World War II, but keeps the rest of the timeline sliding at 10 years ago or even 20 years ago, the gap keeps widening. It makes it increasingly hard to explain…
You can mitigate this a bit by rearranging some of the Silver Age characters to be older than Superman, as I suggested — or by letting Superman himself be older — but eventually DC would have to bite the (speeding) bullet and disconnect the JSA from one end of the timeline or the other.
So.
Now that details of the Superman relaunch are out, DC has clarified a bit of their latest timeline juggling. Continue reading
DC has announced their October Justice League comics, including the second issue of the new Flash run.
Written by FRANCIS MANAPUL and BRIAN BUCCELLATO
Art and cover by FRANCIS MANAPUL
Variant cover by GREG CAPULLO
1:200 B&W variant cover by FRANCIS MANAPUL
On sale OCTOBER 26 • 32 pg, FC, $2.99 US • RATED T
The Fastest Man Alive learns he can make his brain function even faster than before – but as much as it helps him, it also comes with a steep price. Plus: The mystery behind Barry Allen’s friend Manuel Lago deepens as Barry investigates his kidnapping at the hands of Mob Rule!
DC has started releasing information about its October comics this week, including several miniseries launching in the second month of the DC relaunch. Among them: James Robinson’s 12-issue miniseries featuring The Shade, as reported by CBR.
The Shade is probably more associated with Starman these days, but he started life as a Golden-Age Flash villain, one of the trio whose place in DC history was later secured by appearing in Flash of Two Worlds.
Even though he only made one appearance in the Golden Age (as compared to the many tines Jay Garrick fought the Thinker or Fiddler), the Shade is the oldest Flash villain to survive it. The only older themed/named villain, the Threat (All-Flash #2), was a one-off who died in his first appearance and never returned.
THE SHADE #1
Written by JAMES ROBINSON
Art by CULLY HAMNER
Cover by TONY HARRIS
1:10 Variant cover by CULLY HAMNER
On sale OCTOBER 12 * 1 of 12, 32 pg, FC, $2.99 US * RATED T+
James Robinson returns to the world of his acclaimed STARMAN series with a new 12-issue series starring the antihero known as The Shade! An attack at the Starman museum kicks off a globe-hopping, centuries spanning quest that will irrevocably change The Shade’s life, and ultimately shed light on his true origin! Artist extraordinaire Cully Hamner (RED) kicks off the series, and upcoming issues will feature art by such luminaries as Darwyn Cooke, Javier Pulido, Jill Thompson, Frazer Irving and Gene Ha!
UPDATE: CBR interviews Robinson about the series.
At Newsarama, Michael Doran speculates that the DC Comics Relaunch could mean a switch to “seasonal” numbering. Basically, instead of starting a comic book at #1 and continuing indefinitely until the market and editorial whim dictate cancellation or relaunch, each series would start over at #1 every year. He compares it to television seasons, which have individual episodes and, when written long-form, tend to have a season premiere and a season finale.
Now, there’s something to like about that, particularly if DC commits to publishing an entire “season” of every series they solicit. No more scrambling to tie up loose ends when a series is canceled mid-storyline. The writers know they’ve got 12 issues to work with, and if the series does well, they’ve got 12 more, but they at least know where the axe is going to fall if they get canceled.
But I don’t think it goes far enough. Continue reading