Tag Archives: Terminal Velocity

Classic Flash: Cool Moments, Lame Bits, and…Octopus Fighting?

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Some more linkblogging…

Flash Comics #44 (1943)CSBG’s Cool Comic Book Moments #245 features the death of Barry Allen from Crisis on Infinite Earths.

Crimson Lightning finishes up the Super-Powers retrospective with the original mini-comic that came with the action figure.

Silver Age Comics brings up 3 extremely lame bits about Kid Flash. Coincidence, costume change, and…do you dare read on to learn the third?

Indie Squid Kid presents the golden age of octopus fighting. No, really!

Flash #0 (1994)Update: Newsarama’s Friday Flashback looks back at the classic Flash #0 by Mark Waid & Mike Wieringo. This classic post-Zero Hour book told a stand-alone story of Wally West bouncing around in time and, at one point, meeting his younger self, reassuring him that everything would work out. It also set things in motion for the epic Terminal Velocity, which started the following month.

Speed Reading: Cool Moments, Jumping On, Coloring and Mor(rison)

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Comics Should Be Good highlights more Cool Comic Book Moments from Mark Waid’s Flash story, Terminal Velocity. They’ve got two items from Flash #99: Wally’s sacrifice and Bart stepping up (which doesn’t go quite as well as he expects) — and one of two moments from Flash #100: Wally’s…return? One more coming up tomorrow. Update: the conclusion is up!

Comics in Crisis thinks that now is a perfect time for new readers to jump into the Flash.

Wally’s World: If I Ran DC Comics (Part 1)

iFanboy compares comic book coloring techniques from the 1980s and today, using pages from Secret Wars and The Flash: Rebirth as examples.

Lying in the Gutters, in its final column, cites conflicting rumors on the future of Justice League of America, with either a Grant Morrison/Jim Lee team-up or Geoff Johns. Earlier rumors had Geoff Johns and Jim Lee.

When Worlds Collide has put together a list of the Best and Worst of Grant Morrison, with a Top 10 and Bottom 5. I’ve only read about 1/3 of the combined list. Update: Comics Should Be Good fires back with another Top 10 Grant Morrison list.

Also interesting: my Google Alert for “flash comics” came up with this list of things about the (American) comic book industry that should be common knowledge, but aren’t.

How John Byrne Would Have Brought Back Barry Allen

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Wonder Woman v.2 #109Last week, comic book writer and artist John Byrne posted about how he would have brought Barry Allen back if he’d had the opportunity during the 1990s, as he hinted when responding to speculation about the cover for Wonder Woman v.2 #109. (IIRC, the Flash in the issue was either a clone or a robot. It’s been a long time since I’ve read it.)

Simple, really. It’s very, very, very hard to “kill” a character who can travel in Time. How old was Barry when he “died” in CRISIS? For all we know, he could have been 106.

My idea was to simply have Barry pop into existence in the “current” DCU, returning from one of his trips thru time to find he’d “missed his target” because of disruptions caused by CRISIS. He would then live out whatever life (nature and duration) the Powers that Be would allow.

This is similar to the way Mark Waid did bring Professor Zoom “back” for “The Return of Barry Allen” and the way a young time-traveling Hal Jordan spent some time in the then-present DCU for “Emerald Knights.” It’s also not far from the loophole Marv Wolfman placed in the character’s death in Crisis on Infinite Earths. The main difference is that in Wolfman’s plan, it would be Barry Allen during his final run, rather than a Barry from earlier in his career.

Byrne goes on to add:

(I also had an idea that, since Wally was being The Flash, Barry would take on another identity for a while, knowing that sooner or later he had to go die in CRISIS. But when the moment came, Wally would bushwhack him, take his place, and that would actually have been Wally we saw die.)

Interestingly, Peter David did essentially the same thing in his final Supergirl arc, “Many Happy Returns,” in which the Earth-1 Supergirl’s rocket gets diverted and lands on Post-Crisis Earth. After a few adventures, the Post-Crisis Supergirl gets in the rocket and takes her place, leading to a story of a 1990s heroine in a Silver-Age world. It doesn’t end well, for either of them.

Flash: Terminal VelocityFound in this week’s Lying in the Gutters, which also features another Flash-related story, short enough I might as well just quote the whole thing:

The Sandra Feinstein-Gamm Theatre in Pawtucket, Rhode Island is having an online auction to raise funds for its non profit theatre. One of the items is a “Flash: Rebirth” coupled with a TPB of “Flash: Terminal Velocity,” signed by the late great Mike Wieringo.


Flash Companion Preview: Mark Waid on Impulse

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TwoMorrows’ book, The Flash Companion is now available! It debuted at Comic-Con last week, Amazon orders have been shipping, and it’s been showing up in stores.

Here’s one more excerpt to round out the quartet of Scarlet Speedsters. As with the others, it’s posted here with permission of the book’s main author, Keith Dallas.

Mark Waid: Running on Impulse (excerpt)

By John Wells

WELLS: Why call him “Impulse,” rather than “Kid Flash”?

WAID: Because it was a perfect name. We didn’t want to call him “Kid Flash” because it sounded a little corny, and I still think it sounds a little corny. “Impulse” is the perfect confluence of a character’s name, his powers, and his personality, all in one word. And once we had the name — and I can’t swear it wasn’t Kurt Busiek’s suggestion — it completely summed up the character. Thought to deed in one motion without all those pesky synapses getting in the way.

WELLS: [laughs] It really did. Whose idea was that hair?

WAID: I think it was Humberto’s. Pure Humberto [Ramos]. Mike Wieringo had done the initial costume design, without the mask, but boy, Humberto went to town with the look, with the giant hair and the gigantic feet.

WELLS: Now kind of earlier on, you’d had the Tornado Twins revived in 1991’s Legion of Super-Heroes #18 and immediately had them executed by the Dominators.

WAID: [chuckles] “You” meaning “the Legion editors and writers after you left staff.” Don’t look at me, man.

WELLS: And later on, their DNA created a female speedster called Rush. And meantime, Don Allen was said to have been survived by his wife, Carmen Johnson and their two-year old son, Barry II. So what came first? You said you had the teen speedster idea for the Justice League story []earlier in the interview], was that before or after?

WAID: A little after, so that would have been the “Barry II” that we were talking about at the time, I suppose. But at that point, we were going to reboot the Legion with Zero Hour, so I knew that all bets were off in terms of Rush and those characters. It also freed up the name “Impulse,” which I believe was the codename of —

WELLS: Kent Shakespeare.

WAID: Kent Shakespeare, yeah.

WELLS: Iris brought Bart back to the 20th Century in the hope that Wally could cure her grandson, but she also wanted Wally to rein in Bart and train him in the use of his powers. Why was that not going to work?

WAID: It was so not going to work because Bart and Wally just hated each other. Wally saw in Impulse all of his own negative characteristics, so it put his teeth on edge.

WELLS: On the other hand, Max [Mercury] and Bart did work out pretty well, even though they didn’t think it was going to. How did you see that relationship?

WAID: We went into the Impulse series not sure who the mentor figure was going to be. And for a long time, I think we were talking about it being Jay, but Jay has his wife, Joan, and I don’t know what they could have brought to the series that wouldn’ t have been Ma and Pa Kent. Making Bart’s mentor Max, somebody who was so dry and so much the opposite of Bart, was too much comic potential to let go.

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