Category Archives: Creators

Interview: Tom Peyer Talks Flash

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Here’s a Speed Force first: An original interview (Not a link! Not a reprint!) with outgoing Flash writer Tom Peyer!

SPEED FORCE: You started your run by introducing a new villain, Spin, who has the power to make people’s anxieties into reality. Did you envision him as a single-use villain, or a recurring one?

TOM PEYER: You never really know if a villain is recurring until he or she recurs. I didn’t plan to kill him — but even that doesn’t always stop a villain from coming back. I was just thinking of him one story at a time.

SF: While the Flash has had many enemies over the course of his career, few have had the staying power of the original Rogues. A few years ago, they were practically regulars in the book. If they had been available when you took over as writer, would you have used them early on, or held them in reserve for later stories?

PEYER: Well, we did use Grodd. But the Mirror Masters and Captain Colds had appeared a lot in recent years, so it felt like creating Spin was the right approach. Plus, I wanted to grind my axe about cable news, and the Weather Wizard didn’t quite fit. But if I’d wanted to write a polemic against the Weather Channel… oh, don’t get me started.

SF: How did you approach balancing the story between the Flash and his kids? Do you think that the family dynamic ultimately resulted in more or fewer story possibilities? Continue reading →

Quote of the Day

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Grant Morrison on Final Crisis (from an interview at IGN):

I think of it like dance music, and how they just took pop music to a place where there was nothing left but the bass and the drum and the build-up and release, and I kind of wanted a comic that would throw out all the boring conversations and fights and keep only the stuff I like to read. You know, to create the crack cocaine of superhero comics. [laughs]

Also worth noting, for anyone who’s confused about how the monthlies line up with Final Crisis:

Pretty much every storyline that’s currently running in a DC book is happening before Final Crisis, because the events of Final Crisis are so big, that we didn’t want to see its influence destabilizing major stories already running in the other comics. The whole story of Final Crisis is in that one book and its few tie-ins, and then when Final Crisis ends, the entire range of DC books will be dealing with the aftermath. So if you look at it that way, everything that you’re reading that comes out during Final Crisis tends to be happening the week before the story takes place.

There’s a lot of other interesting stuff in there — it’s worth a read if you have the time.

Linkage: Didio, Ramos & More

CBR talks with Dan Didio about Flash:Rebirth and why Geoff Johns & Ethan Van Sciver are right for the job — namely, their work relaunching Green Lantern. “They are going to embrace everything there is about The Flash, not ignore it, and I think the story lends itself to the whole Flash legacy and how important Barry is to it.”

Meanwhile, Occasional Superheroine’s Valerie D’Orazio comments on Didio’s “rebooting was a mistake” remarks from Fan Expo.

Newsarama’s Vaneta Rogers has a trio of interviews. First she talks with Humberto Ramos, original artist on Impulse, about the upcoming relaunch of Runaways. Next, Geoff Johns discusses Final Crisis: Legion of Three Worlds. Finally, Marc Guggenheim is writing another Flash: a Spider-Man spotlight on Flash Thompson, drawn by Flash/Green Lantern: The Brave and the Bold artist Barry Kitson.

Girl-Wonder.org has launched the Con Anti-Harassment Project.

Brian Cronin of Comics Should Be Good presents the Cronin Theory of Comics – Comics Tend to Eventually Regress to the Mean. For the most part, characters will reset over time to the “standard” interpretation. Rarely, that standard will change, such as Dick Grayson as Nightwing, rather than Robin. It will be interesting to see how this applies to Wally West, now that DC is pushing Barry Allen as, in EVS’ words, “The King of Flashes.”

J.G. Jones is the Flash

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According to CBR’s coverage of the J.G. Jones Spotlight panel at Comic-Con, the artist used himself as the reference for the iconic Flash cover on Final Crisis #2:

Finally, who did Jones use for photo reference for the Flash image on the cover of “Final Crisis” #2? “I used me!” But self-reliance has its price, Jones revealed, because the posing process slows things down. “I have to pose, take a shot, look at it, pose, take a shot, look at it…” Fortunately for readers, Jones’s patience tends to pay off.

Geoff Johns: Why the Flash?

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From CCI: Johns, Van Sciver Present “The Flash: Rebirth”:

“I think everybody, at one time or another, wishes they were faster. Everyone wishes they had more time. Everyone wishes they were never late. Everyone wishes they just had a little bit more time to do something. And that’s a really important element to the Flash,” said Johns. “Because if we had super-speed, we could get everything done that we wanted to do. What would you do if you could do everything that you wanted to do? Instead of thinking, ‘Hey, I could run 10 miles in a second,’ what if you could do everything on your ‘Hey, I want to do this,’ list? If you could do all of that, what would you do? Everyone has a stack of books that they say, ‘Oh, I’m never going to read those.’ What if you could? What if you got all of them done? Then what? You want to learn a language? You just did it.”

Iris Sketch by Freddie Williams II

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I stumbled on Freddie Williams II’s Artist’s Alley table at Comic-Con today, and commissioned a sketch of Iris West II in her Flash phase.

I had time, so I waited around while he did the sketch, looked through his portfolio, and talked about the book. Several other people came by to talk, or to look at his art, or to commission sketches of their own. When he was almost done, Dan Didio dropped by to say hello. (To the artist, of course!)

He had original art for sale, including a few pages from the last few issues of The Flash. I was seriously tempted by the page that showed Wally, Iris and Jai running into battle from #241, but I just don’t have the spare $250 lying around…

I mentioned that I’d really liked his run with Tom Peyer, especially the last few issues, and he mentioned that the editor had previously asked him to go with a more open, flat, happy style to his art, and he actually felt better about the art the last few issues. We talked about the harshness of internet fandom — when people like something, they don’t always go out of their way to post about it, but when they dislike it, and when they can hide behind anonymity, it’s almost a compulsion to say so, loudly, as brutally as possible.