Category Archives: Creators

Linkage: Rogues, True Believers, and More

1. Lying in the Gutters comments on Rogues’ Revenge:

If “Captain Britain” is the “Secret Invasion” spinoff that’s more entertaining than the series it spins off from, then “Rogue’s Revenge” is the “Final Crisis” spinoff that you can actually understand and enjoy, even if you have no idea of the continuity and characters it refers to?

2. CBR has an article on True Believers, the Marvel mini-series by 1970s Flash writer Cary Bates, including 6 pages of preview art. The first issue comes out next week.

3. Flash Companion author Keith Dallas has posted his San Diego schedule:

On Thursday from 3-4PM I’ll be a panelist on “TwoMorrows Publishing Today” in Room 10.

I’ll also be at the TwoMorrows booth (#1215) autographing The Flash Companion during these dates and times:

Thursday, 4-5pm
Friday, 3-4pm
Saturday, 11-12pm

Peyer Moves to “Galveston”

Tom Peyer isn’t slowing down after he wraps up his run on The Flash next month. In addition to writing Tek Jansen and back-up stories for Marvel Apes, he’s also co-writing Galveston, an upcoming miniseries from BOOM! Studios.

“’Galveston’ is a light-hearted, violent, Butch & Sundancey look at the friendship between Texas legend Jim Bowie and pirate Jean LeFitte, which really happened,” Peyer told CBR News. “They really were business associates for a while. What Mark and I have done is researched their personalities and built a tall tale around them. It’s centered in Galveston Island, Texas, where LaFitte actually lived in a mansion with cannons on the roof. A stolen mansion, at that.”

Hmm, cannons on the roof, from BOOM! Studios. Sounds appropriate…

Full article at CBR.

Ethan van Sciver at Wizard World

Newsarama’s Vaneta Rogers spoke with Ethan van Sciver at Wizard World Chicago last week about his upcoming projects, including Green Lantern: Blackest Night with Geoff Johns and an untitled Wonder Woman project with Gail Simone. They also discussed the rumors of an upcoming Flash project with Geoff Johns.

The artist had just come from a DC panel where Dan DiDio seemed to always turn to him to answer any question about The Flash. We asked: Why is that?

“Because he’s a sadist, deep down. He even told me that. He said, “I just like to see you squirm.’ I honestly have no idea. He likes to get the rumors going,” Van Sciver said.

We talked about the rumor mill and how most fans think his upcoming “secret project” with Geoff Johns is either Aquaman or The Flash.

“Aquaman’s leading the pack?” Van Sciver said in obviously feigned surprise….

The mysterious van Sciver/Johns project — whether it’s Flash, Aquaman, or something else — will be announced in San Diego later this month.

More at Newsarama.

Ethan van Sciver is no stranger to the Flash, having worked with Geoff Johns on the 2001 graphic novel The Flash: Iron Heights (now collected in the second edition of Flash: Blood Will Run, released earlier this year). He also worked on Impulse with Todd Dezago, where he helped create Inertia, and did several covers for The Flash in 2004 and for The Flash: The Fastest Man Alive in 2007.

What’s Next for Peyer and Williams

The Flash’s current writer Tom Peyer and artist Freddie Williams II will both wrap up their runs with the conclusion of “Fast Money” in August’s Flash #243. So what’s next on their plates?

CBR spoke with Tom Peyer about his work on Stephen Colbert’s Tek Jansen at Oni and back-up stories for the upcoming Marvel Apes miniseries.

As for the artist half of the team, The Pulse interviewed Freddie Williams II about his past and current work at DC, including his return to Robin. He answered several questions about The Flash, including how drawing a super-speed family differs from drawing Batman’s protege.

Visually, they are almost completely opposite. Even though Robin can get a bit animated, he was pretty grim and hid in the shadows allot, as well being able to use his cape and his mop of hair to show motion and movement. As opposed to Flash, which was art directed to be more open and cartoony. Flash is basically just a naked figured with nothing except for lightening to help in showing motion. Also, drawing the team dynamic was a bit different as well – having to account for some many figures.

When asked which artists most influenced his work on The Flash, Williams cited Daniel Acuña (his immediate predecessor), and Mike Wieringo.

Michael Turner Passes Away

Newsarama is reporting that artist Michael Turner has passed away at the age of 37, after an 8-year battle with chondrosarcoma. The founder of Aspen Comics is probably best known for his creator-owned book, Fathom, and his work at Top Cow in the 1990s — and to DC readers for his Identity Crisis covers and re-introducing the Kara Zor-El Supergirl.

Turner did a series of high-profile covers for The Flash in 2004 (Flash v.2 #207–211), at least three of which have been reproduced as posters and T-shirts.

Strangely enough, when I went into my local comic store this morning, I noticed a large Fathom poster at the back. It’s probably been sitting there for the last five times I’ve been in, but for some reason it caught my eye today.

Aspen has asked that anyone wishing to make a charitable donation in Michael Turner’s name should send it to either the American Cancer Society or The Make-A-Wish Foundation.

Cary Bates Returns to Comics with True Believers

The Pulse reports that former Flash writer Cary Bates has a new book coming at Marvel this summer after a long absence from comics. Here’s how he describes the book, True Believers:

It’s a new take on the group book. Although the True Believers have powers they’re not super-heroes per se, but a group of counter-culture subversives, each with his and her own reasons for lashing out at the disinformation routinely put forth by the establishment. They’re willing to take on any government, organization, group or individual that traffics in secrets or lies, cover-ups or conspiracies.

Cary Bates wrote more than 130 issues of The Flash from 1971 through to the end of the series in 1985 — essentially the entire Bronze Age — and edited it during the final two years. During his 15-year run, he changed the book from primarily stand-alone adventures to more ongoing storylines, including such high-profile stories as the death of the Flash’s wife, Iris Allen, and the multi-year Trial of the Flash.

The interview also discusses how Bates got his start in the industry:

THE PULSE: A lot of our readers might not know that you got your start in comic books by sending in cover ideas to DC Comics when you were 13 and had quite a few of them bought. When you were first sending in ideas, did you ever dream any would be bought or were you just writing to your favorite publisher?

BATES: Actually, when I first started submitting cover ideas I would always draw, ink and color them. My original aspirations were to become a comic book artist. In retrospect, having worked with so many truly talents artists over these years, I’ve come to realize my limitations. Though I’ve always been pretty good when it comes to visualizing things, my actual drawing ability was never anything to write home about.

Full interview: The Pulse: Cary Bates is a True Believer at Marvel

(via fuzzyelf)