Apologies for the lateness of this review, as I’ve been somewhat unwell recently. My lateness certainly had nothing to do with disliking the issue! I enjoyed it very much, as it was a lot of fun. More details and mild spoilers after the cut.
It has been over 25 years since Cary Bates’ last Flash story was published in Flash #350, but his DC Retroactive: 1970s issue shows he hasn’t forgotten how to have fun with the Scarlet Speedster.
Opening with a page that would have been right at home in any Julius Schwartz-edited Flash magazine, Bates crafts a story that recalls his many years as writer on the book, while also addressing a lingering question regarding Barry Allen’s relationship with his wife Iris. The pitch-perfect plot and dialog give this book a place in the story of the Allens’ marriage. It could easily be slotted at any point during the early-to-mid 70s and would not feel out of place in terms of narrative.
The artwork by Benito Gallego and the legendary Sal Buscema is great, and more than appropriate for this story. Based on the cover pencils, Buscema’s inks are a comfortable compliment to Gallego’s style. It took me a few minutes, but Gallego’s Flash and Barry Allen portrayals are occasionally reminiscent of Joe Kubert’s late-60s Flash covers. It is also easy to picture this story illustrated by the late, great Irv Novick, especially considering the pacing and structure of Bates’ plot.
For further analysis, including spoilers, see you after the jump…
Well, Flashpoint: Legion of Doom #2 was certainly something. If you like prison break stories, you’ll probably enjoy it, because it doesn’t disappoint in that respect. However if you dislike blood and violence in your comics, you won’t be thrilled with this one at all. More after the cut.
Citizen Cold #2 is fairly different from the previous issue; for one thing, it’s notably more action-oriented, and this sets a disparate tone. I enjoyed it, but not as much as the last issue. See below the cut for spoilers and more details.
Flashpoint: Kid Flash Lost is one of the more pleasant surprises to spin out of Flashpoint and the first time we’ve seen Bart Allen in a solo book since the end of Impulse way back in 2002. Yes, I am aware of the short-lived Flash: The Fastest Man Alive but that was not Bart Allen, at least not the Bart that I know and love. Sterling has managed to do what Geoff Johns, Danny Bilson, Paul De Meo , and Marc Guggenheim were never able to do; he has successfully captured Bart’s voice. That makes all the difference when it comes to my enjoyment of this story. Sterling has clearly done his research and given that he has reportedly pitched three different ideas for a Kid Flash series to DC since 2007 he obviously has a passion for the character. I have to say that they chose the right man for the job.
NOTE: This review contains spoilers regarding the events of Kid Flash Lost #1 of 3
The story opens with Hot Pursuit (a character introduced during the final issues of the last Flash series and obviously an integral part of the story) evading the police and from the get go it is made pretty clear that this is not the same Hot Pursuit that met his demise in The Flash #12. This new super speedster has stolen Hot Pursuit’s suit, Baton and Speed Force-powered motorcycle and escapes by riding up a wall (an old speedster trick) and soon disappears into the time stream.
Speed Force contributors Devin “Flash” Johnson and Greg Elias take a look at last week’s Flashpoint: Reverse Flash one-shot, written by longtime Flash artist Scott Kolins and illustrated by Joel Gomez, with colors by Brian Buccellato.
Check out the comments after the jump…