Tag Archives: 1990s

Classic Flash: Cool Moments, Lame Bits, and…Octopus Fighting?

Some more linkblogging…

Flash Comics #44 (1943)CSBG’s Cool Comic Book Moments #245 features the death of Barry Allen from Crisis on Infinite Earths.

Crimson Lightning finishes up the Super-Powers retrospective with the original mini-comic that came with the action figure.

Silver Age Comics brings up 3 extremely lame bits about Kid Flash. Coincidence, costume change, and…do you dare read on to learn the third?

Indie Squid Kid presents the golden age of octopus fighting. No, really!

Flash #0 (1994)Update: Newsarama’s Friday Flashback looks back at the classic Flash #0 by Mark Waid & Mike Wieringo. This classic post-Zero Hour book told a stand-alone story of Wally West bouncing around in time and, at one point, meeting his younger self, reassuring him that everything would work out. It also set things in motion for the epic Terminal Velocity, which started the following month.

Speed Reading: Rebirth and Revamps

The webcomic Comic Critics takes on Flash: Rebirth.

I’m Just Sayin’… is extremely unhappy with Flash: Rebirth #1, particularly in terms of characterization. I particularly like his point about Savitar, whose entire motivation was that he wanted to become one with the speed force. Watch out, though: the post starts with spoilers for the latest Spider-Man.

Rikdad looks at DC’s history of revamps starting with the transition from the Golden Age to the Silver Age.

The Absorbascon contemplates labeling of comics ages, concluding that the Iron Age ran from 1985-2005, and that we’re now in the Platinum Age — all about bringing back the brightness of the Silver Age that was thrown out for Iron.

Gentlemen of Leisure profiles the Flash with an emphasis on Barry Allen and his legacy.

Amalgam: Speed DemonLetterer and logo designer Todd Klein discusses the design of the Amalgam Comics logos, including the Flash/Demon/Ghost Rider mash-up Speed Demon.

Slightly off-topic: ICV2 talks about old pop culture icons — the ones who, rather than having a nearly-continuous history like Superman or Batman (or, really, the Flash, who despite a couple of breaks in publication has had a regular presence from 1960 onward), keep getting reinvented from time to time like Zorro, Flash Gordon, Buck Rogers or the Phantom.

How John Byrne Would Have Brought Back Barry Allen

Wonder Woman v.2 #109Last week, comic book writer and artist John Byrne posted about how he would have brought Barry Allen back if he’d had the opportunity during the 1990s, as he hinted when responding to speculation about the cover for Wonder Woman v.2 #109. (IIRC, the Flash in the issue was either a clone or a robot. It’s been a long time since I’ve read it.)

Simple, really. It’s very, very, very hard to “kill” a character who can travel in Time. How old was Barry when he “died” in CRISIS? For all we know, he could have been 106.

My idea was to simply have Barry pop into existence in the “current” DCU, returning from one of his trips thru time to find he’d “missed his target” because of disruptions caused by CRISIS. He would then live out whatever life (nature and duration) the Powers that Be would allow.

This is similar to the way Mark Waid did bring Professor Zoom “back” for “The Return of Barry Allen” and the way a young time-traveling Hal Jordan spent some time in the then-present DCU for “Emerald Knights.” It’s also not far from the loophole Marv Wolfman placed in the character’s death in Crisis on Infinite Earths. The main difference is that in Wolfman’s plan, it would be Barry Allen during his final run, rather than a Barry from earlier in his career.

Byrne goes on to add:

(I also had an idea that, since Wally was being The Flash, Barry would take on another identity for a while, knowing that sooner or later he had to go die in CRISIS. But when the moment came, Wally would bushwhack him, take his place, and that would actually have been Wally we saw die.)

Interestingly, Peter David did essentially the same thing in his final Supergirl arc, “Many Happy Returns,” in which the Earth-1 Supergirl’s rocket gets diverted and lands on Post-Crisis Earth. After a few adventures, the Post-Crisis Supergirl gets in the rocket and takes her place, leading to a story of a 1990s heroine in a Silver-Age world. It doesn’t end well, for either of them.

Flash: Terminal VelocityFound in this week’s Lying in the Gutters, which also features another Flash-related story, short enough I might as well just quote the whole thing:

The Sandra Feinstein-Gamm Theatre in Pawtucket, Rhode Island is having an online auction to raise funds for its non profit theatre. One of the items is a “Flash: Rebirth” #1 coupled with a TPB of “Flash: Terminal Velocity,” signed by the late great Mike Wieringo.


Speed Reading: Who’s Next? Best of TV, Showcase and More

Crimson Lightning has posted the best of live-action Flash, featuring his favorite 3 episodes (and an honorable mention) from the 1990 Flash TV series.

The Aquaman Shrine has Flash vs. the Hostess Ads by Fred Hembeck. (There were, to the best of my knowledge, four Hostess ads with the Flash during the late 1970s/early 1980s.)

IO9 wonders, with the Flash reborn, who’s next?

The Heritage Auctions blog talks about Showcase #4 (Barry Allen’s first appearance) and its significance as the start of the Silver Age. The highest-grade copy known to exist (CGC 9.6) is going on auction in May.

Samurai Noir’s Toy Box 2 has pictures of vintage Flash and Aquaman board games.

PrettyFakes contrasts creator-driven vs. crossover-driven storytelling in the context of Iron Man, with references to the Messner-Loebs and Waid runs on Wally West’s Flash series.

The Worlogog talks about weekly comics in general and Wednesday Comics in particular.

The comic strip Epic Tales of the Mundane tackles a trade-waiter’s dilemma when faced with Flash: Rebirth.

Silver Age Comics has a run-down of DC Annuals in the Silver Age.

Blam talks about comics in the 1990s, including Mark Waid’s runs on Flash and Impulse.

The Pulse interviews former Flash artist Freddie Williams II on Final Crisis Aftermath: Run (which, for the record, is not about a speedster, but about the Human Flame).

Secret Identities on Trial

This week, The Flash: Emergency Stop hits the shelves. The trade paperback covers half of the year-long Grant Morrison/Mark Millar run from the late 1990s, and, according to solicitations, features the conclusion of “Three of a Kind.” This three-part crossover between Green Lantern, Green Arrow, and The Flash features the second– and third-generation heroes Kyle Rayner, Connor Hawke, and Wally West. Villains Heat Wave, Sonar, and Hatchet attack a cruise liner in which Dr. Polaris is being secretly transported, only to find the three heroes have booked a vacation on the same ship.*

Three of a Kind (Triptych)

The segment in The Flash v.2 #135 focuses on the villains’ trial, with flashbacks to the incident. At the time, Wally West’s identity was public knowledge, though he testified in full costume. This in itself is unusual given standard courtroom dress codes (a skin-tight bright red costume isn’t exactly conservative business attire, and tends to stand out a bit). But then Green Lantern takes the witness stand:

The Defense questions Green Lantern pleading the 12th Amendment to keep his identity secret. The Prosecution argues that the 12th Amendment is standard procedure for super-heroes testifying in court.

The usage is similar to the U.S. Constitution’s 5th Amendment, which states in part that “No person…shall be compelled in any criminal case to be a witness against himself.” Two things can be gathered from these panels:

  • The DC Universe had a “Federal Authority of Registered Meta-Humans” years before Marvel’s Civil War (though after the first story with the Mutant Registration Act).
  • The DCU version of the United States Constitution has a Twelfth Amendment which, under some circumstances, allows witnesses to give an alias rather than a real name when testifying in court.

There’s no indication that it’s required to register, or whether it’s simply a good idea if you want legal backing. It’s not even clear whether heroes have to register under their real names. I can’t remember whether any other books made reference to this authority, but suddenly I really want to find and reread my back issues of Chase.

In the real world, the Twelfth Amendment dates back to 1803 (passed 1804) and changes the way the President and Vice-President are elected. Assuming the DCU’s US just has one more Constitutional amendment than we do, their Twelfth would be just about as old, which leads to the question: Why did they need to amend the supreme law of the land to allow masked heroes to testify 130 years before the Golden Age of super-heroes?

Thinking about it, though, DC does have super-heroes whose adventures take place in earlier eras, especially in North America. Not just heroes of the Western genre like Jonah Hex or Bat Lash, but classical super-heroes with masks, costumes and powers. Max Mercury’s origin dates back to the early 1800s, for instance, and Miss Liberty (an ancestor of Jesse Quick/Liberty Belle) fought in the American Revolution.

Might the early United States in the DC Universe have decided it was worth letting some of their more colorful national heroes remain pseudonymous even in legal proceedings? It’s certainly possible.

Whatever the circumstances of its passage, it sheds some light on the otherwise nonsensical fact that Barry Allen kept his mask on and his identity secret from his arrest all the way through his trial for manslaughter in the case of Professor Zoom’s death, dissected in great detail by Bob Ingersoll.

The Flash's Mug Shot (Flash v.1 #326, October 1983)

*It’s a little more complicated than that, of course.