Tag Archives: Batman

DCU in 2010 – Reactions

So, DC is finished with their week of announcements for 2010. I figured I should jot down some of my thoughts.

Superman: Earth OneEarth One OGN Series: I like the concept, but I’m not particularly interested in the Superman or Batman books. I’m mildly curious about how JMS will approach Superman, but my real interest is in what happens when it expands beyond Superman and Batman. Give me a series of Flash graphic novels and I’m there. More thoughts on the concept and the name.

War of the SupermenWar of the Supermen: Sorry, I can’t get enthused about this one.

Wonder Woman 600Wonder Woman #600: While numbering is trivial compared to story and art, there are very few characters who have been in near-continuous publication for the last 70 years. It’s nice to acknowledge that.

Of course, then there’s the question of how The Flash should be numbered, considering that they’ve relaunched several times with new characters.

Bruce Wayne: Batman PirateBatman: The Return of Bruce Wayne: I was kind of hoping they’d take a little more time with Dick Grayson as Batman before bringing back Bruce, but they seem to be treating it like the Death of Superman, Knightfall, or Artemis as Wonder Woman. (And yet somehow, today’s readers detest the 1990s. I don’t get it.) Still, Batman lost in time sounds like fun. I’ll probably pick this one up, though I might wait for the trade.

Marc Guggenheim on Action Comics: I think he made the best of a bad situation on Flash: The Fastest Man Alive, given that he was brought on board to do one thing: kill Bart Allen.

Flash Secret FilesFrancis Manapul & Geoff Johns on Flash: No really new info here, but I’m definitely liking Manapul’s art. (Covered here.) Overall, I’m still in wait-and-see mode. I had hoped to have a better sense of what The Flash post-Rebirth was going to look like by now, or that Flash: Rebirth itself might have won me over.

Legacies: Crimson AvengerLegacies, History of the DCU, and Who’s Who: If they had only announced one of these three, I’d definitely be getting it. With three, I’m not sure…especially since Legacies is going to be 10 issues (the initial post only said 7) and Who’s Who will be 15 (the initial post only said 12). Though it’s not clear whether The History of the DC Universe will be a new book or simply a “new edition” (i.e. reprint). Legacies looks like it could be very interesting, as long as it doesn’t get too hung up on explaining things. If I could only choose one, I’d probably get Who’s Who and pick up the issues of Legacies that cover the post-Crisis on Infinite Earths era.

Fall of Green ArrowThe Rise of Arsenal and The Fall of Green Arrow: I’m sure there’s an audience for this out there, but it’s not me. It looks like everything I don’t like about today’s DC in one place. At least it’ll be easy to avoid.

So, there you have it: My take on the DCU in 2010. How about you? Which projects do you find appealing?

Thoughts on Earth One

This morning, DC announced the first two volumes in Earth One, a new series of original graphic novels set in a new continuity. The first two books will be Superman: Earth One by J. Michael Straczynski and Shane Davis, and Batman: Earth One by Geoff Johns and Gary Frank.

It’s being discussed all over the place, so I’ll just state my initial thoughts.

The Positives

First, I love the idea of a series of OGNs. There’s a huge potential audience out there in bookstores, and while collected editions help meet that audience, there are drawbacks — particularly pacing (when read serially) and the fact that waiting for the trade means missing out on the fan conversation. It works for prose novels, it works for Scott Pilgrim, it works for manga (even if it was originally serialized in Japan, it may as well be OGNs as far as the American audience is concerned), and it’s good to see DC taking the concept seriously.

Second, an Ultimate-style reboot of the DC Universe is a good idea. 80 years of continuity, multiple “soft” reboots, heroes who have been replaced, then come back, major events based on short stories from 25 years ago…the modern DC Universe is a complicated place. A project that reaches out to a new audience is a good opportunity to streamline things without messing with the monthly continuity.

Third, I like the Batman redesign.

The Negatives

It makes sense to start with Superman and Batman, because these are two characters that everyone is familiar with, even those who don’t read comics. But they’re starting with the origin stories. Who doesn’t know Superman’s origin? Or Batman’s? With any other character, I’d say it would be worth starting with an origin, but with these two, it might be better to jump in at the deep end and fill in the backstory as they go along.

If they keep the series going, it won’t be a problem, but I can see it being a problem for the first volumes. It reminds me of the choice for the movie of The Golden Compass to rip out the ending and move it to the start of the second movie. It definitely hurt the first movie, and probably contributed to the fact that there won’t be a second movie.

It also makes me worry that, like so many rebooted series, they’ll eventually turn to retelling older stories instead of telling new ones.

The Earth One branding seems…a little obtuse. It means nothing to the new audience, and judging by comments I’ve seen, it’s already confusing the existing DC audience. [Edit: expanded a bit more in that link.]

Uncertainty

I can’t reach the AICN interview, but CBR’s article quotes Geoff Johns as saying that the plan is for two novels a year. Two total? Or two per character? If these take off, two per character would be a much better approach, especially if they expand it to Wonder Woman, Green Lantern, Flash, and beyond.

Batman Ice Cream Truck

Bat Ice Cream Truck

Spotted this last week on my lunch break. Sorry about the image quality: it was backlit, all I had was my phone, and to top it of, my windshield needed to be cleaned. (We’d had one of those rains a few days earlier that drops just enough water to rearrange the dirt, but no more. I got to it after work that day.)

Who Named Impulse?

ImpulseSuperman, Batman, and Max Mercury have all been cited as giving comic-book speedster Bart Allen the name Impulse. Batman most famously in Impulse #50, and Superman in the previews for All-Flash . (The final lettering simply said “He was code-named Impulse,” sidestepping the issue). But who named him originally?

Cover: Flash #93
Cover: Zero Hour #3The name first appears on the cover of Flash #93 (August 1994), with an out-of-control Bart Allen fighting the Flash. The cover is captioned, “Brash Impulse!” Over the next few issues, Wally West’s inner monologue refers to Bart as being impulsive, or (at one point) as “Mr. Impulse.”

It first appears on-panel as a name in Zero Hour (September 1994), when Bart meets Superman for the first time, but Bart introduces himself as Impulse. Dan Jurgens writes.
Continue reading

Speed Reading: Bow Ties, Variant Covers, and Top Villains

I’m working on a round-up of reviews of Flash: Rebirth , but that’s taking a while. For now, here’s some general Flash linkblogging.

Current Events

The webcomic Comic Critics takes on Wardrobe Origins. (If you’ve read Flash: Rebirth , you can probably guess where this is going.)

Major Spoilers’ Stephen is impressed to see DC unveil a variant cover he actually wants.

Star Clipper looks at Flash: Rebirth in the context of reviving a failing franchise.

CBR talks to Mark Waid about the “24/7” arc in Spider-Man.

Edit: Just after I posted this, I saw this scan of Tiny TitansBattle for the COW joke.

The Tops

Flash Comics #1The Judge declares Flash Comics to have the Best.Cover.Ever.

POP puts Professor Zoom on its list of 25 coolest comic book villains.

IGN’s Top 100 Comic Book Villains of All Time includes Shade at #89, Mirror Master at #79, Zoom at #37, Gorilla Grodd at #35, Professor Zoom at #31 [Update:] Captain Cold at #27. (At this time, the top 30 20 is not up yet.)

Quick Reviews: Ignition City #2, Detective Comics #853, Dynamo 5 #21

Some thoughts on comics I picked up this week:

Dynamo 5 #21

Dynamo 5 #21Jay Faerber, Mahmud A. Asrar, Yildiray Cinar, Ron Riley.

A fun in-between issue. It’s amazing how much actually happens, now that I think about it. The team takes on a group of thugs hopped up on super-steroids, Scrap goes on a date with a guy she met online, Visionary goes on a date with the younger Firebird (and of course, both of them being super-heroes…), Maddie investigates a series of disappearances, Myriad reveals a secret, and a new villain makes his appearance.

I particularly liked the banter between Bridget and her date about the importance of sentence structure and grammar in a prospective date.

On a related note, I’d like to recommend the 2004 one-shot Firebirds by Jay Faerber and Andres Ponce (there’s a preview on Faerber’s website). It tells the story of how a teenager discovers that her mother is actually a super-hero, and the mother discovers that her daughter has inherited her powers. It’s one of the few one-shots that I finished and thought, “Wow, I really wish that was the start of an ongoing series.” It’s nice that the characters have shown up in Noble Causes and Dynamo 5.

Detective Comics #853

Detective Comics #853Neil Gaiman and Andy Kubert
“Whatever Happened to the Caped Crusader?” Part 2 of 2

On first read I didn’t like this as much as I did the first half of the story — at least not as a story — though I did like the themes it presented. As I’ve thought about it, I’ve found myself comparing it to Alan Moore and Curt Swan’s “Whatever Happened to the Man of Tomorrow?” which this is obviously meant to evoke. It approaches the end of an iconic superhero from a completely different direction, though: While Moore told in detail the final adventure of a specific version of Superman, Gaiman instead tells in general terms the way every version of Batman would end: he goes down fighting, because that’s what Batman does. In some ways it reminded me a bit of the Planetary/Batman crossover, only taken more seriously.

I’ll have to dig out Part 1 and re-read the whole story at once.

Incidentally: Wholly appropriate for a Coraline ad to appear on the back cover.

Ignition City

Ignition City #2Warren Ellis and Gianluca Pagliarani

Warren Ellis is really hit-or-miss for me. I absolutely loved Planetary, and usually enjoy his work when he’s doing out-there science fiction (Orbiter, Ocean, etc.) So the idea of writing about the breakdown of the retro-future, taking all the pulp space heroes like Flash Gordon and Buck Rogers and showing what happens when they’re robbed of their reason for being, sounded fascinating. The meta-element of revisiting a (mostly) dead genre also reminded me of his Apparat book on aviation heroes, Quit City.

But the first issue seemed like little more than scatalogical humor and swearing.

I picked up the second issue. Partly because I had an idea what to expect, and partly because the story has actually gotten going, I enjoyed this one a lot more. It also made me rethink the first issue and realize that it was primarily scene-setting: set up the glory days, then show just how far these people have fallen. They’ve gone from winning interplanetary wars to drinking themselves to death and bragging about the contents of chamberpots.

Interesting to note: The other two books both gave the and artist(s) equal billing. This one is clearly all about Warren Ellis, whose name appears above the title in about twice the size type as Gianluca Pagliarani.