July 28, 2011
The new Flash Story begins in September. This time around, there is no speculation about the focus of the book, or who will be behind the mask. It looks like Flash’s new launch will take off without baggage – an all-new Flash for the all-new DC.
Well, sort of.
In the cases of Batman and Green Lantern, it has been announced that the stories and key elements will (more or less) continue. In the cases of Superman and most other properties, the stories are looking more and more like a fresh and somewhat rootsy start. For Flash, it appears the new series will be a pretty hard reset.
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January 18, 2009
Catching up with various Flash writers and an artist.
Mark Waid and BOOM! Studios are working at LA’s Meltdown Comics shop on Wednesdays this month, spinning off from an earlier promotion for the new book Hexed.
Comics Should Be Good is running a Year of Writing stars. Monday’s installment: Tom Peyer, who wrote last year’s six-part Flash arc, “Fast Money”
Marc Guggenheim, writer of the “Full Throttle” arc on Flash: The Fastest Man Alive, tells Newsarama that his Green Lantern movie is still on track, and that there may be hope for Eli Stone. He also talks (along with Steve Wacker) about Spider-Man, and talks to CBR about Super-Zombies, his upcoming mini-series from Dynamite.
The Comic Treadmill writes up Alter Ego #54, focusing on 1970s Flash artist Mike Esposito, and Gold– and Silver-Age Flash writer, Robert Kanigher.
December 30, 2008
2008 was a busy, if tumultuous year for the Flash.
The Main Series
As 2008 opened, the Flash was just wrapping up the six-part story “The Wild Wests,” the relaunch featuring Wally West as head of the Flash family and introducing his super-powered twins, Iris and Jai. To put it mildly, it was not received well by fans, and former fan favorite writer Mark Waid quickly left the book.
After a one-shot by Keith Champagne, Tom Peyer picked up the regular writing chores and Freddie Williams II stayed on for the 6-part “Fast Money,” which resolved the twins’ super-speed aging problem and gave us a glimpse of an adult Iris West II.
The series wrapped up with the year, as Alan Burnett, Paco Diaz, and Carlo Barberi brought us “This Was Your Life, Wally West.” The four-part story arc looked back at Wally West’s career as Kid Flash, then the Flash, and his relationship with his wife Linda and their children.
The Rogues’ Gallery were off-limits to start with, as they were off-planet for Salvation Run. Early in the year, DC released the news of Flash: Rogues’ Revenge, a miniseries that would spotlight them after they returned to Earth, going after Inertia for tricking them into killing the Flash. Geoff Johns and Scott Kolins would return to the speedster mythos for six issues.
By the time the series was launched, it had become Final Crisis: Rogues’ Revenge, and instead of six regular-sized issues it was three oversized issues.
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August 29, 2008
Here’s a Speed Force first: An original interview (Not a link! Not a reprint!) with outgoing Flash writer Tom Peyer!
SPEED FORCE: You started your run by introducing a new villain, Spin, who has the power to make people’s anxieties into reality. Did you envision him as a single-use villain, or a recurring one?
TOM PEYER: You never really know if a villain is recurring until he or she recurs. I didn’t plan to kill him — but even that doesn’t always stop a villain from coming back. I was just thinking of him one story at a time.
SF: While the Flash has had many enemies over the course of his career, few have had the staying power of the original Rogues. A few years ago, they were practically regulars in the book. If they had been available when you took over as writer, would you have used them early on, or held them in reserve for later stories?
PEYER: Well, we did use Grodd. But the Mirror Masters and Captain Colds had appeared a lot in recent years, so it felt like creating Spin was the right approach. Plus, I wanted to grind my axe about cable news, and the Weather Wizard didn’t quite fit. But if I’d wanted to write a polemic against the Weather Channel… oh, don’t get me started.
SF: How did you approach balancing the story between the Flash and his kids? Do you think that the family dynamic ultimately resulted in more or fewer story possibilities? Read the rest of this entry »
August 20, 2008
Flash #243 marks the last issue of the Tom Peyer/Freddie Williams II run on the series, and the final issue of the “Fast Money” storyline. It resolves a number of plotlines from the past year, leaving other possibilities open.
Artist Freddie Williams II has really hit his stride on this book, which makes it a shame that he’s leaving. It took a while to get used to it, but a few issues ago I started to like it. It seemed to have more life, more energy, than it did at first — and in a book that’s all about speed, that’s critical. (Interestingly, when I spoke with him at Comic-Con, he mentioned that the editor had initially insisted on a slightly different style than his usual, and he’d been allowed to go back to his regular style around the same point that I started liking the art. He also had a page of original art from Flash #241 that I would have been seriously tempted by if I’d had a spare $250…)
Story-wise, I’ve really enjoyed the last three issues (parts 3-5), but I felt that the final chapter fell short. In part, there were three major plot threads to resolve, and only one really got any focus. Additionally, that resolution seemed to hinge on a piece of knowledge which they should already have had.
At this point I’ll have to break into spoilers. You have been warned. Read the rest of this entry »
July 15, 2008
Tom Peyer isn’t slowing down after he wraps up his run on The Flash next month. In addition to writing Tek Jansen and back-up stories for Marvel Apes, he’s also co-writing Galveston, an upcoming miniseries from BOOM! Studios.
“’Galveston’ is a light-hearted, violent, Butch & Sundancey look at the friendship between Texas legend Jim Bowie and pirate Jean LeFitte, which really happened,” Peyer told CBR News. “They really were business associates for a while. What Mark and I have done is researched their personalities and built a tall tale around them. It’s centered in Galveston Island, Texas, where LaFitte actually lived in a mansion with cannons on the roof. A stolen mansion, at that.”
Hmm, cannons on the roof, from BOOM! Studios. Sounds appropriate…
Full article at CBR.