Tag Archives: Audio

Retro Review: Final Crisis (Graphic Audio)

After listening to Stop Motion, I picked up the Graphic Audio adaptation of Final Crisis.

It actually flows better than the comic book, especially toward the end, when the comic starts fragmenting the narrative. (That part is great as metatext, but there’s a lot of “wait, what just happened?” as you read it.) Scenes are fleshed out, and narrative fills in which details you need to glean from the artwork. There are a number of things that I thought had been added to the adaptation, but when I went back to read the original, they were there if you looked closely.

And of course having it all together avoids the problem of delays between chapters that plagued the original release, though that’s true of the collected edition too.

A lot of that is probably the novelization it was based on. It credits the story only to Greg Cox, with no mention of Grant Morrison or any of the artists, which is disappointing. But I don’t think it would work well as a book. The voice acting, music and sound make up for a lot of the lost visual punch and visual structure of the story, and it needs more than just the words.

The acting is compelling, and I found myself more interested in several of the characters as a result: particularly Renee Montoya as the Question, who moves in and out of the story in a number of places, but we actually get to see (or hear) what she’s doing rather than have to piece it together from a panel here and a panel there.

Alterations

One of the weird things is that it incorporates some of the tie-ins, but excludes the one that actually sets up Mandrakk. The Black Lightning/Tattooed Man story from “Submit” is included, along with the framing sequence from the Batman crossover. Those are good choices. “Submit” is a breakneck story that shows what’s going on at the street level when Darkseid takes over, and “Last Rites” clarifies what’s happening to Batman in the Evil Factory

But Superman getting recruited for a multiversal quest to stop Mandrakk, setting up the villain who appears in the final chapter? Completely missing. As a result, Mandrakk appears almost out of nowhere. Superman’s absence during the invasion is explained by having Brainiac 5 recruit him directly from Lois’ hospital room, sending him off to Legion of Three Worlds, and Ultraman’s appearances at the end are replaced with Mandrakk’s co-conspirator Monitor. It streamlines the story, but I think it streamlines it a little too much.

Anti-Life

The Anti-Life Equation is so terrifying because it’s not just mind control, it compels the surrender of free will. Those who have submitted spout slogans about how it justifies anything, how it’s so much easier than the struggles of life and love. It’s insidious, because psychological research has shown that decisions do take effort, and it is easier to offload tough decisions to a schedule, a policy, a leader, etc. The brain likes taking shortcuts around cognitive load.

There’s an appeal to never having to worry about making the wrong choice.

But we want to be able to make choices.

Darkseid Is

Another interesting thing about Final Crisis is how much damage Darkseid does just by existing. He doesn’t do any traditional super villain things in the entire story. No battles, no plotting. He just sits on his throne, taking advantage of a battle he already won, imposing his will on an entire planet and pulling it into a singularity. He spends most of the story sitting on an underground bunker, but his presence presses down on the world.

And he’s damn hard to kill. It takes Batman with a magic bullet, two Flashes leading a manifestation of death, Wonder Woman’s Lasso of Truth, and Superman producing the exact counter-frequency to cancel out what remains of Darkseid’s soul’s quantum waveform as it lingers for months, continuing to drag Earth into oblivion.

Metal

But wow, I’m really seeing the parallels with Dark Knights: Metal even more strongly than when I was just comparing to memory.

Barbatos, like Darkseid, takes over the world between issues, and we jump to a handful of heroes mounting a desperate resistance. The keystone of the multiverse – conveniently the main DC Earth – is in danger of being pulled “downward” into an unending hell. And everyone’s fighting twisted versions of the heroes.

They’re a lot more alike than any of the Crisis events are to each other or to Metal.

Revisiting the Tie-Ins

After listening to the audio version, I re-read Final Crisis and read most of the tie-ins, some of them for the first time.

First, the tie-ins included in the Final Crisis collected edition:

  • Superman Beyond: I still think it’s essential, and I’m torn between thinking it should have been incorporated into the main story to begin with, and acknowledging that it sort of stands on its own and gave them the chance to do the 3-D gimmick for the first printing.
  • Batman/Last Rites: The framing sequence does help, but the stuff going on inside Batman’s head mostly isn’t relevant to this story.
  • Submit (Black Lightning/Tattooed Man): While not required to understand the main story, it adds a lot by showing the personal impact of the invasion.

And the others:

  • Resist (Checkmate): It broadens the scope, but can be skipped. I do like using the captive villain AIs as a way to get around the ALE’s control of communication channels.
  • Rogues Revenge: I didn’t like it as much this time through as I did ten years ago. The story was in the works before it became part of Final Crisis, and it shows. It still works as Rogues: Rebirth, but now I think the Crisis connections hurt more than they help.
  • Revelations: It’s a much tighter story that weaves in and out of issues 2 and 3 (if not seamlessly). It picks up the mostly-dropped threads of the Crime Bible and Vandal Savage, shows the early stages of Darkseid’s takeover, and presents an interesting combination of street-level and supernatural perspectives on a cosmic event. I didn’t read it originally, but I’m glad I finally got around to it. And I find myself wanting to go back and look for more Montoya/Question stories.

I didn’t re-read Requiem. I still haven’t picked up Rage of the Red Lanterns. I also didn’t re-read Legion of Three Worlds, which from what I recall has nothing to do with Final Crisis except that Superman passes through it between Superman: Beyond and his return to the main series. I remember it being a lot more confusing and a lot less interesting than Final Crisis itself despite being a more straight-forward superhero story.

I do want to re-read Multiversity now, though!

Speed Reading: Reviews, an Homage, Firestorm, and Defining “Definitive”

Some Flash-related bits from around the comics blogging community.

Crimson Lightning has a scan from a Funky Winkerbean homage to the Flash, specifically the cover of Flash v.1 #115.

momoney433 has started reviewing the entire run of The Flash vol.2 (Wally West’s series) over at Comic Bloc. Issues #1 and #2 went up yesterday.

softpixels.net reviews Flash: Race Against Time.

Blogcritics reviews the Graphic Audio adaptation of Flash: Stop Motion.

The Irredeemable Shag of Once Upon a Geek fame has launched a new blog, Firestorm Fan. Firestorm ran as a backup feature in The Flash during the early 1980s.

Rokk’s Comic Book Revolution thinks that Wally retiring is a good idea.

Meanwhile, I’m Just Sayin’ ponders the “definitive” Flash and Green Lantern — and doesn’t come up with Barry and Hal.

Speed Reading: Favorites

Usually I save these up for the weekend, but there’s been a lot more Flash commentary around the net than usual. I blame the new year.

First, some more year-end lists:

The Flash Companion makes the #2 spot on Scoop’s Best of 2008: Publications About Comics, Characters, or Collectibles! (via Keith Dallas)

The Comic Treadmill’s 11th Day of Christmas features the team’s favorite Flash covers.

Grumpy Old Fan (now at Robot 6, along with the rest of the old Blog@Newsarama crew) lists Ten from the old year, ten for the new — items he watched at DC in 2008 or will be watching in 2009. Not surprisingly, Geoff Johns features prominently in both.

Now, on to more general stuff

Crimson Lightning has results of the Favorite Rogue poll. January’s sidebar poll: Who is your favorite regular writer from The Flash (v.2)?

4 Color Commentary profiles John Broome, who helped usher in the Silver Age Flash.

Lying in the Gutters’ Rich Johnston catches up to the fanbase by pondering whether Wally’s upcoming costume change comes along with an identity change, though message-board accounts indicate that EVS said at WWTX that Wally will always be the Flash, “just like John Stewart will always be Green Lantern.” (On the minus side, I remember when John Stewart wasn’t Green Lantern, and they kept trying to find other roles for him, such as joining the Darkstars…)

Comics In Crisis recommends the DC audio books by GraphicAudio, saying “these really are high quality and pretty faithful to the comic characters.” He particularly cites the adaptation of Flash: Stop Motion as “one of the best Flash stories I’ve ‘read’ in a long time.”

Speed Reading: Audio Adventure, EVS, Heroes

Superheroes-R-Us has been posting clips from the 1968 record album, Songs and Stories About the Justice League, including the album’s Flash story: “The Three Faces of Mr. Big.”

Ethan Van Sciver’s second Your Time Is Now Mine column is up. No Flash news, just ramblings. Meanwhile, the site talks to Geoff Johns about Superman: Secret Origin.

This week’s Heroes graphic novel, #113: “The Caged Bird” begins the origin story of the show’s morally gray speedster, Daphne Millbrook. (I am waaay behind on these. I’ve read a few here and there, but I really left off somewhere around the start of season 2.)

GamePro is not impressed by the “heroic brutalities” in Mortal Kombat vs. DC Universe, singling out the Flash’s tornado slam to represent them in the 12 Lamest Fatalities in fighting games.

Speed Reading for Thursday

A few more bits:

Mark Waid appears on tonight’s LA Ink. Should’ve posted this earlier!

Final Crisis Annotations: Rogue’s Revenge #3 completes the series.

Fortress of Baileytude examines Flash Secret Files #1, which reminds me of a couple of past blog posts: Comic Coverage’s parody of an endorsement in Smoking Superheroes, and my response that looked into the slow process of removing Jay Garrick’s smoke break from his origin.

Next month, Graphic Audio is releasing an audio book of the prose novel The Flash: Stop Motion by Mark Schultz.

Everyone seems to be talking about Richard Donner’s suggestion to give the Superman movie franchise to Geoff Johns. (via CBR, Newsarama and more)

As if two Flash comics on one day weren’t busy enough, there was a third Flash released on Wednesday: the a new version of the web animation plugin, Flash 10.

Incidentally, the last 24 hours have been the busiest yet on this blog. Note to self: write more reviews!