Flash #243 marks the last issue of the Tom Peyer/Freddie Williams II run on the series, and the final issue of the “Fast Money” storyline. It resolves a number of plotlines from the past year, leaving other possibilities open.
Artist Freddie Williams II has really hit his stride on this book, which makes it a shame that he’s leaving. It took a while to get used to it, but a few issues ago I started to like it. It seemed to have more life, more energy, than it did at first — and in a book that’s all about speed, that’s critical. (Interestingly, when I spoke with him at Comic-Con, he mentioned that the editor had initially insisted on a slightly different style than his usual, and he’d been allowed to go back to his regular style around the same point that I started liking the art. He also had a page of original art from Flash #241 that I would have been seriously tempted by if I’d had a spare $250…)
Story-wise, I’ve really enjoyed the last three issues (parts 3-5), but I felt that the final chapter fell short. In part, there were three major plot threads to resolve, and only one really got any focus. Additionally, that resolution seemed to hinge on a piece of knowledge which they should already have had.
At this point I’ll have to break into spoilers. You have been warned. Continue reading