Tag Archives: Mark Waid

Speed Reading: Creator Catch-Up

Catching up with various Flash writers and an artist.

Mark Waid and BOOM! Studios are working at LA’s Meltdown Comics shop on Wednesdays this month, spinning off from an earlier promotion for the new book Hexed.

Comics Should Be Good is running a Year of Writing stars. Monday’s installment: Tom Peyer, who wrote last year’s six-part Flash arc, “Fast Money”

Marc Guggenheim, writer of the “Full Throttle” arc on Flash: The Fastest Man Alive, tells Newsarama that his Green Lantern movie is still on track, and that there may be hope for Eli Stone. He also talks (along with Steve Wacker) about Spider-Man, and talks to CBR about Super-Zombies, his upcoming mini-series from Dynamite.

The Comic Treadmill writes up Alter Ego #54, focusing on 1970s Flash artist Mike Esposito, and Gold– and Silver-Age Flash writer, Robert Kanigher.

Speed Reading: Best-Of, Classics, Kerschl and Waid

And the year-end round-ups keep coming!

At Comic Fodder, Tpull’s Top Ten Mini-Series of 2008 counts Rogues Revenge at #4.

CBR’s When Worlds Collide lists Geoff Johns among its 15 Creators to Watch in 2009.

Geoff Johns makes iFanboy’s list of The Top 5 Best Things About Comic Books in 2008.

Also:

Bags and Boards looks at Flash v.1 #309 (May 1982), pitting the Flash against a man from the future who would, by the end of the issue, become the first future Flash

According to David S. Goyer, all DC movies at Warner Bros. are on hold while they figure out how to get them right. (via The Beat)

The Montreal Mirror profiles artist Karl Kerschl, who penciled Teen Titans Year One and one issue of Flash: The Fastest Man Alive. The article focuses on his work with the band Ragni and his webcomic, The Abominable Charles Christopher.

Major Spoilers has some preview pages from the upcoming The Incredibles comic written by Mark Waid.

Looking Back: The Flash in 2008

2008 was a busy, if tumultuous year for the Flash.

The Main Series

As 2008 opened, the Flash was just wrapping up the six-part story “The Wild Wests,” the relaunch featuring Wally West as head of the Flash family and introducing his super-powered twins, Iris and Jai. To put it mildly, it was not received well by fans, and former fan favorite writer Mark Waid quickly left the book.

Flash #243After a one-shot by Keith Champagne, Tom Peyer picked up the regular writing chores and Freddie Williams II stayed on for the 6-part “Fast Money,” which resolved the twins’ super-speed aging problem and gave us a glimpse of an adult Iris West II.

The series wrapped up with the year, as Alan Burnett, Paco Diaz, and Carlo Barberi brought us “This Was Your Life, Wally West.” The four-part story arc looked back at Wally West’s career as Kid Flash, then the Flash, and his relationship with his wife Linda and their children.

Rogues’ Revenge

Final Crisis: Rogues' Revenge #1The Rogues’ Gallery were off-limits to start with, as they were off-planet for Salvation Run. Early in the year, DC released the news of Flash: Rogues’ Revenge, a miniseries that would spotlight them after they returned to Earth, going after Inertia for tricking them into killing the Flash. Geoff Johns and Scott Kolins would return to the speedster mythos for six issues.

By the time the series was launched, it had become Final Crisis: Rogues’ Revenge, and instead of six regular-sized issues it was three oversized issues.

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Marching Toward the Kingdom

One of the themes in “Thy Kingdom Come,” the storyline that’s been running through Justice Society of America this year, has been exploring the link between the present-day DC Universe with the future shown in the groundbreaking 1996 miniseries Kingdom Come. This week’s Justice Society of America #21 looks into the mystery of the Kingdom Come version of the Flash. Continue reading

Catching Up: Messner-Loebs, Guggenheim, Waid and Van Sciver

Twenty years ago, William Messner-Loebs started a four-year run on The Flash. Seven years ago, out of work, he and his wife lost their house. Michigan Live writes about how his life has turned around since then. (via The Beat).

Another former Flash scribe, Mark Waid, talks to CBR about his arrival on Spider-Man.

Flash: The Fastest Man Alive “Full Throttle” writer Marc Guggenheim’s TV show Eli Stone has not been renewed beyond the network’s current 13-episode commitment. Update: Newsarama also has an interview about Guggenheim’s “Character Assassination” arc on Amazing Spider-Man

Flash: Iron Heights and Impulse artist Ethan Van Sciver, currently working on Flash: Rebirth, has started a weekly column at Newsarama, Your Time Is Now Mine.

Update: One more: Geoff Johns talks with CBR about bringing the Legion of Super-Heroes to Smallville.

Didio: Bart Was a Step in the Road Back to Barry

An interesting revelation from the latest 20 Questions with Dan Didio at Newsarama. He’s previously claimed (though many fans remained unconvinced) that Bart Allen’s death in Flash: The Fastest Man Alive #13 was planned from the start, but we’ve got a new twist. Here’s part of his answer to question #15:

Bart was always going to go away, and I think the mistake was that we probably pulled Bart a little too soon, but quite honestly again, that was the problem of lining stories up with Countdown. The Bart story was due to be extended a little bit longer, but due to how things were lining up, he had to leave sooner.

That story’s not complete yet. We’re going to see more of what that story was about shortly – it was always the plan for Bart. He was going to be the Flash of the moment as we made our way back to Barry. [emphasis added]

Okay, not a big surprise that they shuffled things around to match with Countdown.* But am I reading that right? Is he saying that they planned to bring Barry Allen back as long ago as Infinite Crisis? Didio continues:

I think Mark Waid did an admirable job of stepping in and trying to find a different slant to Wally and the family, which we found out, was a more difficult story to tell than when we planned it. I think Mark did as best a job as possible – he put so much thought and effort into fleshing out that family, and I think we have a couple of rich characters in the children because of that.

This is the other thing that gets confusing, depending on who tells it: When was the plan made for Wally to return, and when was the plan made for Bart to be killed? Mark Waid’s interview in The Flash Companion suggests that he, at least was led to believe that Bart’s move up to lead Flash was intended to be indefinite, not a fill-in gig, though he predicted it wouldn’t catch on. And Didio’s remarks here about Waid “stepping in” suggest that they did bring him on unexpectedly — though that could simply be the result of moving up the timetable. (Which, now that I think about it, might explain artist Daniel Acuña’s sudden departure.)

I’ll agree with Didio on this: the West Twins are promising characters, even if most of the comics readership seems to want to throw them under a bus.

But at the end of the day, there’s a certain expectation of what a Flash story is, and what you want to see in a Flash comic book. While we expanded the Flash family, people really wanted to see the Flash.

And that seems to have been the main criticism of issues #231–243: Not enough of the Flash in The Flash.

But the goal for me, always, was to get back to Barry in the same way the goal was to get back to Hal in Green Lantern.

Whoa, hold on a second. Now he is saying that they were planning to bring Barry back from the beginning?

Well why didn’t they do that in the first place?

Seriously, Infinite Crisis would have been a perfect time to bring Barry back. Sure, a lot of us would have been pissed off that they were getting rid of Wally just because it was a Crisis and going back to Barry just so that they could bring back the guy who was the Flash when they were twelve — but you know what, we’re pissed off anyway. Plus we’ve got the frustration of three years of mismanaged Flash stories on top of that.

So, to sum up: DC considered Bart as a temp from the beginning. And DC never had any intention of bringing Wally back after they kicked Bart out, at least not as the primary Flash. It was all about Barry from the start.

*I find it amusing — in a banging-my-head-against-the-wall way — that people were so annoyed with the way some stories were stretched out during Countdown for the sake of lining books up, and people are annoyed now with Final Crisis because they’re not trying to line everything up.