Barry Allen has made it through two rounds of DC Marvel Superhero March Madness over at TMStash.com and now the race is on with the Man of Steel! Yep, one more race between Superman and the Fastest Man Alive! There are several other races going on as well, so be sure to check them all out…below is the link to the Flash/Superman vote to get you started:
So in a sneak attack “stealth release” Warner Bros’ latest direct to DVD animated project, JLA: Trapped In Time will be carried exclusively by Target and will be available in all United States Target Stores next week, January 21st.
Every universe-spanning event has to have a trigger event, and the first major spark of “Trinity War” is found right here in Justice League #22. This is a credible start – not as awe-inspiring as Crisis on Infinite Earths but certainly better than watching Libra kill Martian Manhunter in Final Crisis. Whether this will be a great series or something a little more forgettable has yet to be decided…but there are a few highlights…and low lights…to be found in this initial chapter:
With Man of Steel opening this week, it’s no secret that the future of DC Comics’ super-heroes on screen is tied to the success of the new Superman film. The question, of course, is what form might that future take? With the success of The Avengers, there’s been a lot of talk about a possible Justice League movie, but of course Marvel didn’t launch the Avengers on its own: They launched four solo films featuring different heroes, then brought them together. If “Man of Steel” does well, DC could jump straight into the team movie, or they could do a Marvel-style slow build — and Mike Ryan at Huffington Post suggests that Flash might be the ideal viewpoint character to tie them together.
DC has had a Flash movie officially in development for almost a decade now. Back in 2004, Warner Bros. announced David Goyer was writing a script and would direct. It’s since been through multiple directors and writers. Early treatments would feature both Wally West and Barry Allen, while later treatments focused exclusively on Barry Allen. The last real news came in 2010, when DC announced the Green Lantern script team would be writing a Flash film based on Geoff Johns’ work. Of course when the Green Lantern movie performed less than WB had hoped, everything non-Superman or Batman went on the back burner again. We’ve heard a few rumblings since then, but little else. Everything’s riding on “Man of Steel”: If it succeeds, we can count on more DC movies. If not, we can expect more years of development hell.
In Smallville Season Eleven, issue 11 we follow Bart and Clark’s efforts to track down the elusive Black Racer, to see if there is a way to end its threat to speedsters past and present. This issue treats us to a meeting with the Smallville version of Jay Garrick, the original Flash…but is he still ready to run? Can he help…or is he even willing to try? This issue of Smallville Season Eleven collects the digital editions (chapters 33 through 35) as we attempt to answer these questions and more…
For DC Comics’ same-day print-and-digital releases (i.e. most of their line), the print and digital editions line up exactly. But things get a bit confusing with their digital-first comics, because they run smaller weekly chapters online, then collect them together for the print editions.
In the case of Smallville Season 11, currently running a storyline guest-starring Impulse, every three digital chapters are collected in a print issue the following month. Each digital page is the top or bottom of a print page, run landscape to make it easier to read on a desktop screen or a small tablet.
The numbers get a little confusing because, starting with #28, instead of taking one week off each month to keep the print and digital runs in sync, DC started running a side story during those formerly-skip weeks, which is being collected separately.
Here’s how the digital and print chapters of “Haunted” line up.
Two things stand out about the different covers that suggest different target audiences:
The digital covers by Cat Staggs go for a realistic look and focus more on the TV show’s cast.
The print covers by Scott Kolins go for a more stylized, comic book look, and focus more on the guest star and super-heroic elements.
This suggests to me that DC is aiming the digital editions at fans of the TV series and the print editions at more traditional comic book fans. It certainly makes sense — by numbers alone, a lot of people who watched Smallville don’t read comics, and it’s going to be easier to get them to buy online than walk into a comic store. I really wonder what DC’s market research has turned up as far as the digital/print audience breakdown.