Category Archives: Reviews

Looking Back at Velocity

Velocity #1This weekend I read the 3-issue Velocity miniseries from 1995, by Kurt Busiek and Anthony Chun. I’m not terribly familiar with the character, having read only the Pilot Season one-shot from 2007. I haven’t read any Cyberforce or anything else she’s appeared in, since I basically ignored Image back in the 1990s. (I was a DC snob at the time, and only made exceptions for Groo the Wanderer and the occasional licensed book.)

What struck me right away was that this was not the character I remembered from Pilot Season. This Velocity was shy, timid, and always followed her first instinct: to run away. I was also annoyed by the male/female protector/protected dynamic that started out with Heatwave (no relation) and shifted to Savage Dragon in issue #2. It’s one thing if your lead is the protector, but if your lead is the protected and supposed to be the hero?

I kept reading, though, and realized that this miniseries was about how Velocity grows up and becomes the capable hero I read in about in the Pilot Season book.

She’s put in a situation where she can’t just run away, and can’t rely on other people to shield her. She’s cornered, and has to turn and fight. Near the end of issue #2 she begins taking her fate into her own hands. By the end of the story, she leads her pursuer to a battleground more suited to her and defeats him on her own. More importantly, learns that she can.

Compared to the Flash

The emphasis on running away reminded me of Flash: Rebirth, which has made a point of characterizing Barry Allen’s life (unfairly, but he is depressed right now) as a series of choices from which he ran away. Both miniseries are about taking a character who is not ready to be a hero (Barry with his not-quite acknowledged death wish, Carin with her inability to overcome fear) and moving them to where they need to be in order to become better heroes. Continue reading

Reviewing the Unwritten, the Unthinkable, the Unknown

I’d been planning to pick up Mark Waid’s The Unknown since learning about it back in February. The Unwritten sort of snuck up on me, but I read a preview in an issue of either House of Mystery or Madame Xanadu, and decided to check it out. The 99-cent first issue cemented the deal. Then there’s Unthinkable, which isn’t usually my type of story, but I was amused by the fact that all three first issues were coming out on the same day…and then I read quite a bit about it when the TSA found the script for an issue and detained the writer at an airport. So I grabbed that one as well.

Now all three series are on their second issues, and I’ve just caught up on all three of them.

The Unknown

4-issue mini by Mark Waid and Minck Oosterveer from BOOM! Studios. Cat Allingham is a world-class genius problem-solver who makes her living as a consultant to unsolved cases of all types, and has turned her attention to the greatest unsolved problem of all: what happens after death? Her assistant is a former bouncer who happens to be an expert at reading people, and has a mysterious background of his own.

It’s a combination mystery and action adventure, with some bizarre twists along the way — including one at the end of issue #2 that makes you rethink just what’s going on in the previous 40-odd pages. While the Macguffin itself strains my suspension of disbelief, the story around it has been interesting, especially the interplay between the two leads.

Verdict: Definitely on board!

Unthinkable

Mark Sable with Julian Totino Tedesco

5-issue mini, international intrigue and military action. After 9/11, a Tom-Clancy-like action writer gets hired by a think-tank to come up with doomsday scenarios — the unthinkable — before the bad guys do. Nearly a decade later, someone has started putting his ideas into practice.

The first issue is mostly setup, introducing the players and leading up to the attacks. The second issue picks up with the writer trying to get someone to listen to him and anticipate the next steps, which of course goes horribly wrong. (We’re at issue #2 or 5, after all.)

After the first issue, I was solidly onboard for #2. But after #2, I’m not sure I’m interested in continuing. It’s oddly disjointed, with a lot of critical story bits told in narration instead of being shown on the page. And characters shifting sides and motivation apparently with no cause. I’m not sure I’ll keep going with this one, but then as I said, it’s not a genre I’m usually drawn to.

Verdict: Not sure. If you like military action/adventure, you might like it better than I do.

The Unwritten

Ongoing by Mike Carey and Peter Gross, Vertigo.

The main character, Tom Taylor, was the inspiration for his vanished father’s best-selling not-quite-Harry-Potter fantasy series, and is about as self-absorbed as you might expect from the focus of a media empire. At least, that’s what he and everyone else believes until a fan’s question suggests that he’s a fraud. Then there are those who believe he’s the actual Tommy Taylor from the books, somehow brought to life in the real world…and they might not be that far off.

The first story arc is about Tom trying to learn the truth about his origins, and fighting for control of his public perception (con man or messiah?). And then there are the people who want him dead…

The books are filled with literary references (Tom’s father drilled literary geography into his head when he was a child, so he can’t help but remember details when he walks past, say, the building that was the inspiration for the Ministry of Truth in 1984), and the major theme is the intersection of fantasy and reality in the form of stories.

And let’s just say I’ve always been a sucker for stories about the nature of stories. Yes, even before I read Sandman.

Don’t forget to read the text pages. There are fragments of notes, news articles, forum discussions, chat logs, etc. and they all figure in. The first time I read issue #1, I missed the page in the back, and was glad I noticed it this time through.

Verdict: Heck, yeah! I don’t know how long they can keep this up, but I’m definitely along for the ride!

Full Review: Flash: Rebirth #3 — “Rearview Mirrors”

Flash: Rebirth #3

Well, the good news is that this issue does read better the second time through. I’ve re-read Flash: Rebirth #1 and #2, then read #3 again. Oddly enough, I liked the first two issues better the first time through than the second, and like this one better the second time through than the first read.

The bad news is that the cliffhanger still leaves me cold.

Now it could just be relaunch fatigue. The excitement of “Geoff Johns is back! With Ethan Van Sciver!” has worn off by now, and in a sense the actual relaunch isn’t going to be for another four months or more. Flash: Rebirth isn’t so much a new direction as it is the process of changing course. It’s not the new house, it’s the act of remodeling. And you know, it would be nice to actually move into that house instead of watch the contractors working on it.

But the main purpose of Flash: Rebirth is to convince people that the new direction is worth their time. People are asking, “Why should I get involved with a series that DC has relaunched 3 times in the last 3 years? Why should I let myself get attached to this new direction when they change it every 6 months? Why should I let myself get attached to the main character when they replace him every year?” By going back to Barry Allen, the one character whose resurrection was not an option for more than 20 years, they’re making a commitment: “This time, we really mean it!” In theory, that should clear away the baggage the Flash has accumulated over the last 3 years and leave it on the same level as any other comics launch.

Which still leaves hooking the readers on the Flash, and hooking them on Barry Allen.

I don’t think I can really go into the rest of the issue without spoilers, so… you’ve been warned! Continue reading

Quick Review: Flash: Rebirth #3 First Impressions

Flash: Rebirth #3

Full review coming later, but here are my initial thoughts on Flash: Rebirth #3.

It was fast — very fast. If Geoff Johns wanted to write a Flash book about speed, he’s succeeded. The Superman/Flash race worked well and grew organically out of the story. I liked Barry’s reactions to Wally, Jay and Bart. Not to mention seeing certain other speedsters again.

But the reveal of the villain? Too predictable. Too easy. It was the safe choice, like “killing” characters who are already dead. Too much “Let’s move the Flash franchise forward into the 1970s!” It reminded me of those Star Wars novels in the 1990s where every time you turned around they introduced yet another super-weapon, because what’s Star Wars without a Death Star? Or a Sun Crusher? Or a Galaxy Gun?

I’ve been willing to give Geoff Johns the benefit of the doubt up until now, based on his run on Wally’s series and buoyed by the excitement of getting a top-tier creative team on the book. Rather than convincing me of why Barry needs to be back, it’s making me wonder why I should care.

We’re at the halfway mark. I should be more enthusiastic than when I started, but instead I’m less. Here’s hoping it reads better on a second pass, and that it picks up over the back half of the story.

UPDATE: Full review is up.

See also:

Full Review: Flash: Rebirth #2 — “Dead Run”

Flash: Rebirth #2

I’ve re-read the first issue of Flash: Rebirth so that the setup is all fresh in my mind, and I’ve gone over Flash: Rebirth #2 again. To follow up on my first impressions: Geoff Johns and Ethan Van Sciver continue to deliver a well-constructed story, though some of the pieces it uses strike me as ill-chosen or a waste of material.

Art and Story

Van Sciver’s art is, as always, excellent — and incredibly detailed. There’s a flashback sequence to Barry’s life before gaining his powers, and you can clearly see how some characters have aged over the years. There are also some nice symbolic images, such as Sam Scudder (the future Mirror Master) and his reflection (and props to the colorist who gave him an orange and green striped tie). At one point Barry and Wally get caught up in a battle with a villain, and half of Wally’s mask is ripped away. This not only makes it instantly clear which Flash is which (it does get confusing in the pages leading up to that point), but gives us a very clear view of his facial expression on the second-to-last page.

And then there’s the cover, an homage to Showcase #4 and Barry Allen’s first appearance.

The story picks up on the appearances of Savitar and the Black Flash from last issue, and the unexpected consequences, framed by a painting ceremony in Gorilla City. It follows through on Savitar’s appearance more than I expected (at least before DC posted the preview pages last week), though I get the feeling that DC and/or Geoff Johns is seeing this miniseries not just as a way to set up new pieces, but an excuse to throw out old pieces, even the ones that have been sitting unused in the back of the closet for years.

Pacing

Oddly enough, I’ve had no problems with the pacing of this story, even though the general consensus online (at least among people who aren’t long-term Flash readers) is that it’s too slow. This is especially odd because my biggest criticism of the last two relaunches — Flash: The Fastest Man Alive’s “Lightning in a Bottle” with Bart Allen as the Flash and The Flash’s “The Wild Wests” with Wally West and family — was that they started with big six-part stories that were paced too slow for someone whose main claim to fame is speed. I still maintain that if “Lightning in a Bottle” had been condensed into three parts instead of six, fans would have responded much better to Bart as the Flash instead of rejecting him so thoroughly that DC turned around and killed him.

Maybe it’s because of the emphasis on Barry Allen, who has always been slow and steady in contrast to his alter ego of the Flash.

That said, I still don’t understand why they felt it necessary to explain Barry’s bow tie instead of just treat it as an artifact of when the original stories were produced. Modern retellings of Superman’s origin don’t make an effort to explain away Clark Kent’s anachronistic hat — they just leave it out.

I think that’s about as much as I can cover without giving anything away, so keep an eye out for spoilers after the jump. Continue reading

Quick Review: Flash: Rebirth #2

Flash: Rebirth #2 (Standard Cover)I’ll post a more complete review after I’ve had a chance to get home, re-read the first issue, and read through this one again, [Edit: it’s up now] but here are my first thoughts on Geoff Johns and Ethan Van Sciver’s Flash: Rebirth #2.

Things I liked

Good mix of flashback and mystery.

The simple solution to explain why civilian Barry Allen is back, and where he’s been all this time.

Follow-through on both Savitar and Black Flash — the story’s starting to get going.

Nice to see some familiar faces like Patty Spivot, Barry’s lab assistant. That makes me wonder where she is now, and whether she’s ever met Angela Margolin, who had Barry’s former job during Chain Lightning and the Dark Flash Saga.

Sam Scudder’s green-and-orange striped tie from his pre-Mirror Master days.

During a fight, Wally’s costume is ripped in such a way as to suggest Walter West‘s “Dark Flash” costume.

Another mention of Max Mercury (remember, he co-stars in the Mercury Falling collection that also came out today!)

The Gorilla City paintings as a narrative tie.

Things I didn’t like

I can see where he’s going with the new backstory introduced last issue, but I still don’t like it much. Is retfridge a word? Or retro-fridge?

Was it really necessary to take a page and a half to do the Secret Origin of Barry Allen’s Bow Tie? Honestly, I’d have just ignored it the way modern Superman ignores the fact that Clark Kent used to wear a hat.

On one hand it’s a cop-out to bring back missing characters just long enough to kill them. On the other…I guess it’s better than killing off active ones. And it’s not as if death is (usually) permanent in comics anyway.

Also

The last page ends on a cliffhanger. On one hand, it’s shocking in the “how will they get out of this?” sense. As far as revelations go, it’s only surprising in the sense of, “Really? They actually went there?”

Initial Verdict: Good, could be better.

Stay tuned for my full review later today. Update: My full review is up.