Those unfamiliar with the Rogue Profiles from Geoff Johns’ previous Flash run might dismiss a whole issue focusing on Captain Boomerang as filler. And while it’s true that this issue and the next were added to the schedule to get the main story back on time, it feels like an integral part of the mythos (if a bit more related to Brightest Day than to the story building to Flashpoint), and leads directly into next week’s issue’s profile of Professor Zoom.
Like the earlier profiles, this issue follows the featured villain as he goes about his business and thinks back about what made him the criminal he is today. It serves both as an origin story for new readers and a way for the writer to explore just what makes him tick. In this case, it doesn’t add anything really new to his background, but rather collects and crystallizes the key elements that have been established over time: a troubled family life (what Rogue didn’t have that?), coming to the States as a toy mascot, and then embarking on his life of crime.
I’ve raved before about how well Scott Kolins’ art is suited to the ruggedness of the Flash’s Rogues Gallery, and that remains true here. Yet his art is transformed by Brian Buccellato’s painted-looking colors, making it blend perfectly with Francis Manapul’s work and revealing just how much of the look of this series is due to his contribution.
I’m going to make a confession and I realize it sounds irrational, but I don’t like Joan Garrick. I know that sounds bad. You hear something like that and think, “How can you hate that nice grandmotherly lady?” Before we even get into the whys I want to clarify, I dislike her, I don’t hate her. I wasn’t cheering when she came down with fake-cancer. Besides the fact that cancer isn’t really cheer worthy, I didn’t want to see her die.
When DC Comics released its solicitations for February, it announced The Flash #11 would be arriving on February 23, 2011…even though they had already scheduled The Flash #10 for that date. Now, 