Review: The Flash #3 – “The Dastardly Death Of The Rogues Part 3” *SPOILERS*

First off I know the reviews are usually Kelson’s thing (and you can expect to see his later in the week) but I decided to share my two cents and take a shot at it. This is my first time reviewing a comic book online so all feedback is most assuredly appreciated. Now on to the review:

Writer: Geoff Johns
Art: Francis Manapul & Scott Kolins
Color: Brian Buccellato
Letters: Sal Cipriano
Cover: Manapul w/Buccellato
Variant Cover: Greg Horn
Assoc. Editor: Adam Schlagman
Editor: Eddie Berganza

Ok, this is the way a Flash relaunch needs to be done; Fast and Furiously. Through the last two issues we’ve been on a nonstop action-packed, roller coaster ride that shows no signs of letting up with Part 3 of The Dastardly Death of The Rogues.

As many of you may be aware I was not the biggest fan of Barry’s return. I love Wally and he has been a character that I loved reading about and identified with for years. He was the Flash that I got into and despite the once off story featuring Barry (JLA Year One, The Secret of Barry Allen, and Rogue War), he seemed like a distant memory of a character that died an awesome memorable death. I’m also a huge fan of legacy characters in general. It’s what made DC kind of stand out on it’s own. They had characters that got older, retired, or died and then a new hero would take their place. When Barry died and Wally took his place as The Flash this was huge. It was the first time we had seen a character developed as a sidekick take on the role of their mentor, the first time the inherent promise had been fulfilled. In other words this was ground breaking and it stands out as one of DC’s defining traits. Allowing their heroes to age and move on (quasi) organically while still allowing the character’s previous developments to shine is what DC has been doing pretty well for years.

Just one reason why I don’t like all the back tracking. Don’t get me wrong, they’ve done some great stuff with Barry Allen and Hal Jordan since their returns but I feel like nothing is making them that unique other than that they are older heroes returning to take back their mantles from their previous sidekicks (or letting them co-exist like the superhero equivalent of Gallagher Too). I loved the steady progression we were seeing in the DC Universe and it really made me feel like I was growing up alongside these characters. I wouldn’t be disappointed if a newer younger version would take his place, I would expect it. It needs to happen in order for others to have that feeling as well. Of course as I said, it needs to happen organically; when a character has without a doubt outlived their usefulness and needs a shake-up. The problem is that this is mostly subjective, but certain things like sales, the ability to hold a solo title, etc, etc can (and should) be factors in whether a character is worth keeping around.
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Retro Review: Flash #2

Sorry this review is so late. Things just kept coming up, and I pushed it further and further back. Then my local comic store didn’t receive their order of The Flash #3 on time (Diamond sent them extra copies of Deadpool Team-Up instead), so I haven’t had a chance to read the new issue…and it occurs to me that this is my last chance to review The Flash #2 before reading issue #3!

So, on to the review!

I’m still enjoying this series a lot more than I did Flash: Rebirth. Francis Manapul’s artwork has a lot to do with that, but also the fact that they’re just telling stories about a guy with super-speed instead of trying so hard to justify why they’re telling stories about this guy with super-speed.

Admittedly not a whole lot happens in this issue, but it continues to move as quickly as the previous chapter did. I expect that when “The Dastardly Death of the Rogues” is finished, pairing it with a collection of Silver-Age stories like Flash vs. The Rogues will provide a great example of the change in comic-book storytelling styles from 1960 to 2010.

The expected confrontation with the Renegades is cut short, leaving the rest of the issue divided between the mystery aspects (presented through Barry Allen’s civilian life) and a visit with Captain Boomerang, providing the Brightest Day connection advertised on the cover. Also: the Flash evacuates, then rebuilds an apartment building at super-speed. Once again, the issue ends on a cliffhanger, only this time it has to do with Barry Allen, rather than the Flash.

Francis Manapul’s artwork continues to stand out, especially in sequences like the apartment evacuation, though there are some places where it seems a bit more static than last issue. Last issue I thought his faces seemed a bit off, but this time I started noticing the way he handles expressions. There are a couple of sequences where he really makes use of changing expressions with similar panel layouts. The last two pages stand out, as does a sequence earlier in which a girl complains that she lost her doll in the building collapse. (His attention to detail holds as well. If you flip back a few pages, there she is…and there’s her doll.)

Okay, spoiler time!

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Flash Collector Showcase: Mike Welch *Warning Graphic Intensive*

Speed Force is proud to present our second edition of Flash Collector Showcase. We are showcasing Flash memorabilia collectors and their collections from all over the world; whether it be comics, toys, t-shirts, collectibles or art. If it’s a collection and it’s main focus or a large part of it relates to The Flash or his Rogues, this is the place to find it.

To that end all collectors interested in having their collection possibly featured in a future Flash Collector Showcase please send your name, geographic location, a short biography, some background on your collection, and about 3 to 6 pictures to
Devintheflashjohnson@yahoo.com. Please include “Flash Collector Showcase” in the subject line. Also be sure to mention if your collection has received special mentions or any other accolades as well, although this is not a requirement.

Last time we featured Filipino Collector, Glen Antonio. Glen had been on local Filipino TV shows and in several articles before being showcased on Speed Force and we were glad to have him. He has also shared his collections with many Comic and Toy Conventions. You can follow him on Facebook or Twitter to see what he is up to currently.

Now on to our latest collector to be featured, Mike Welch.
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Francis Manapul Talks Flash

Ain’t It Cool News interviews Francis Manapul about the Flash.

What have been some of the challenges having to draw a character who is basically constantly in motion?

FM: I think the challenge comes in thinking of new ways to portray his speed. I’ve been incorporating a lot of his environment to show motion aside from the Flash himself. From Barry catching Chinese food thrown in the air to putting money in the meter as he evades the villains. Geoff has also been upping his game by having Barry do different things with his speed from dissecting a car apart in mid air to learning and building an apartment in less than minute.

He talks about working with Geoff Johns, adapting his art style to the Flash, working for DC Comics, and more in the full interview.

The artist has also posted several pages of art from today’s Flash #3.

Thoughts on JMS’ New Wonder Woman Direction

Today, DC released some major Wonder Woman news: a new costume designed by Jim Lee and a new direction for the series as J. Michael Straczynski takes over.

To sum up: Persons unknown have altered Wonder Woman’s history so that Paradise Island was wiped out 20 years ago. Diana has no memory of the original timeline, doesn’t have her full powers yet, and needs to survive, help other refugee Amazons, find out who destroyed Paradise Island and find out whether the timeline can be restored.

All-New, All-Different!

I’m always apprehensive when a new writer picks up an established character and the first thing he does is to remove some key element of the character. Like the Flash’s speed (Geoff Johns’ first Flash story, “Wonderland”). Or Superman’s flight (JMS’ first Superman arc, “Grounded”). I understand it might help the writer get inside the character’s head: what is he or she like without the powers? But it always feels like shoehorning some other idea onto the character. Why did you want to write the Flash if you didn’t want to write about a guy who runs fast?

That said, for all that DC is pushing this as a “new direction,” to me this description reads more like a major story arc. I mean, there’s an end point right there in the description: find out who did it and see if it’s possible to change things back. Given the timing of the comics themselves and the time-travel elements to the story, I suspect this is going to be linked to Flashpoint. [Update: Comics Alliance asked JMS about this and he said it’s not related.]

Retcon Fever

It’s worth comparing to Flash: Rebirth, actually. In both cases, someone within the fictional universe has gone back in time and altered the main character’s history. With Diana, we know before the first issue is out. With Barry Allen, only long-term readers knew anything had been changed to begin with. It wasn’t clear that there was an in-story explanation for it until the miniseries was almost over. Even then, the prospect of undoing the changes was only floated long enough to be dismissed as impossible.

Most importantly: changing Diana’s history drastically alters who she is today. That’s a story. Once you get past the doom-and-gloom Barry of Flash: Rebirth #1-3, the changes to his history don’t seem to have made much difference in the present.

This Week (June 30): Flash #3, Velocity #1, JLA #46 & More

Part Three of “The Dastardly Deaths of the Rogues” arrives in stores tomorrow.

The Flash #3

It may be BRIGHTEST DAY, but when a mysterious group of so-called heroes turns up, another Rogue ends up dead. Plus, the mystery deepens as The Flash witnesses another murder — his own!

Written by GEOFF JOHNS · Art and cover by FRANCIS MANAPUL · 1:10 variant cover by GREG HORN.

On sale JUNE 30 (rescheduled) · 32 pg, FC, $2.99 US

DC has a 5-page preview online.

Other Speedy Books

  • Justice League of America #46 – Start of a JLA/JSA crossover, featuring both Jay Garrick and Jesse Quick…plus a variant cover focusing on Jesse Quick by The Flash artist Francis Manapul.
  • Justice Society of America #40 featuring Jay Garrick and Liberty Belle.
  • Teen Titans #84 featuring Kid Flash (Bart Allen)
  • Velocity #1 – DC isn’t the only publisher with speedster heroes. Velocity from Top Cow’s Cyberforce gets her own solo miniseries. Newsarama has a preview, and I’ve written a review of the issue.