Tag Archives: Bronze Age

Speed Reading: Retro Reviews, Doug Hazlewood, TV Shows and More

The Victoria Advocate profiles Doug Hazlewood.

Comics In Crisis presents Flash v.2 #182 (2002), the Captain Cold Rogue Profile story, among the 10 Essential Bronze Age Comic Stories You Should Read. I’d disagree with the Bronze-Age classification (traditionally, the Bronze Age of Comics ran from the 1970s through mid 1980s, with Crisis on Infinite Earths being a good reference point for DC books), but it’s absolutely a must-read.

X-Man reviews Flash vol.2 #1 (1987), noting how different Wally West was at the age of 20 than he is today. That’s actually one of the things Wallys’ long-term fans like most about the character: that we’ve seen him grow and change naturally, rather than simply be given a personality transplant whenever a new writer shows up.

The Quantum Blog talks about TV shows canceled before their time, including the 1990-1991 Flash TV Series. (Hard to believe it’s been almost 20 years. Seriously, Quantum Leap is having a 20th Anniversary convention this month. I feel old…)

The Worlogog celebrates Weird Silver Age Tales of the Flash.

I haven’t had a chance to listen yet, but Raging Bullets Podcast #152 features Flash’s Rogues with listener guest Mike Simms.

Heritage Auctions will be selling a CGC 9.6 copy of Showcase #4, the comic that rebooted the Flash as Barry Allen, launching the Silver Age (via It’s all Just Comics)

A Journal of Zarjaz Things looks at Flash: Emergency Stop, griping that Grant Morrison’s 9-issue run is split across two trades with the second “padded” out with a 3-parter by Mark Millar. IMO, though, Morrison didn’t write a 9-issue Morrison run — he co-wrote 9 issues of a 12-issue Morrison/Millar run. It would have been less responsible for DC to print only the Morrison issues and leave out “The Black Flash,” which has arguably had more lasting impact on the Flash mythos than the other stories in these trades, good as they are. (It is silly that they left out the first two parts of “Three of a Kind,” though.)

Flash: Crisis on Earth-Blog (Alex Ross and George Perez)

Crisis on Earth-Blog

The landmark Crisis on Infinite Earths, by Marv Wolfman and George Perez, came out in 1985-1986, but it took until 1998 for DC to collect the whole series in one volume. The slipcased hardcover featured a wraparound painted cover by Perez and superstar Alex Ross. (That edition is no longer available, but the paperback edition is based around the same cover.)

Crisis on Infinite Earths Poster

The Flashes figured prominently in the story. Jay Garrick and Barry Allen shared the story that introduced the concept of the DC Multiverse, “Flash of Two Worlds” (Flash v.1 #123, 1963). And of course, Crisis on Infinite Earths featured Barry Allen’s death, and Wally West taking up the mantle. So naturally, the Flashes had a prominent spot on the cover, arguably the second most-visible after the pair of Supermen holding the bodies of Wonder Woman and Supergirl. A streak of crimson, yellow and white runs along the lower half of the cover, colliding dead center in a burst of lightning, and finally images of the Flash disintegrate and collapse at the end.

The Run-Down

Read on for an in-depth examination of the scarlet speedsters on this cover. Continue reading

Secret Identities on Trial

This week, The Flash: Emergency Stop hits the shelves. The trade paperback covers half of the year-long Grant Morrison/Mark Millar run from the late 1990s, and, according to solicitations, features the conclusion of “Three of a Kind.” This three-part crossover between Green Lantern, Green Arrow, and The Flash features the second– and third-generation heroes Kyle Rayner, Connor Hawke, and Wally West. Villains Heat Wave, Sonar, and Hatchet attack a cruise liner in which Dr. Polaris is being secretly transported, only to find the three heroes have booked a vacation on the same ship.*

Three of a Kind (Triptych)

The segment in The Flash v.2 #135 focuses on the villains’ trial, with flashbacks to the incident. At the time, Wally West’s identity was public knowledge, though he testified in full costume. This in itself is unusual given standard courtroom dress codes (a skin-tight bright red costume isn’t exactly conservative business attire, and tends to stand out a bit). But then Green Lantern takes the witness stand:

The Defense questions Green Lantern pleading the 12th Amendment to keep his identity secret. The Prosecution argues that the 12th Amendment is standard procedure for super-heroes testifying in court.

The usage is similar to the U.S. Constitution’s 5th Amendment, which states in part that “No person…shall be compelled in any criminal case to be a witness against himself.” Two things can be gathered from these panels:

  • The DC Universe had a “Federal Authority of Registered Meta-Humans” years before Marvel’s Civil War (though after the first story with the Mutant Registration Act).
  • The DCU version of the United States Constitution has a Twelfth Amendment which, under some circumstances, allows witnesses to give an alias rather than a real name when testifying in court.

There’s no indication that it’s required to register, or whether it’s simply a good idea if you want legal backing. It’s not even clear whether heroes have to register under their real names. I can’t remember whether any other books made reference to this authority, but suddenly I really want to find and reread my back issues of Chase.

In the real world, the Twelfth Amendment dates back to 1803 (passed 1804) and changes the way the President and Vice-President are elected. Assuming the DCU’s US just has one more Constitutional amendment than we do, their Twelfth would be just about as old, which leads to the question: Why did they need to amend the supreme law of the land to allow masked heroes to testify 130 years before the Golden Age of super-heroes?

Thinking about it, though, DC does have super-heroes whose adventures take place in earlier eras, especially in North America. Not just heroes of the Western genre like Jonah Hex or Bat Lash, but classical super-heroes with masks, costumes and powers. Max Mercury’s origin dates back to the early 1800s, for instance, and Miss Liberty (an ancestor of Jesse Quick/Liberty Belle) fought in the American Revolution.

Might the early United States in the DC Universe have decided it was worth letting some of their more colorful national heroes remain pseudonymous even in legal proceedings? It’s certainly possible.

Whatever the circumstances of its passage, it sheds some light on the otherwise nonsensical fact that Barry Allen kept his mask on and his identity secret from his arrest all the way through his trial for manslaughter in the case of Professor Zoom’s death, dissected in great detail by Bob Ingersoll.

The Flash's Mug Shot (Flash v.1 #326, October 1983)

*It’s a little more complicated than that, of course.

Speed Reading: Best-Of, Classics, Kerschl and Waid

And the year-end round-ups keep coming!

At Comic Fodder, Tpull’s Top Ten Mini-Series of 2008 counts Rogues Revenge at .

CBR’s When Worlds Collide lists Geoff Johns among its 15 Creators to Watch in 2009.

Geoff Johns makes iFanboy’s list of The Top 5 Best Things About Comic Books in 2008.

Also:

Bags and Boards looks at Flash v.1 #309 (May 1982), pitting the Flash against a man from the future who would, by the end of the issue, become the first future Flash

According to David S. Goyer, all DC movies at Warner Bros. are on hold while they figure out how to get them right. (via The Beat)

The Montreal Mirror profiles artist Karl Kerschl, who penciled Teen Titans Year One and one issue of Flash: The Fastest Man Alive. The article focuses on his work with the band Ragni and his webcomic, The Abominable Charles Christopher.

Major Spoilers has some preview pages from the upcoming The Incredibles comic written by Mark Waid.

Speed Reading: Letters Columns, MK vs DCU, Wanted Trades

Comic Coverage looks at an old letters column in which a fan confesses her crush on Kid Flash.

Speaking of letters colums, Clandestine Critic talks about comic shops, including one that was once co-owned by Paul Gambacinni, the radio personality and former Flash letter writer who inspired the Rogues’ tailor, Paul Gambi.

The Continuity Blog looks at Flash #231–246.

Variety reviews Mortal Kombat vs. DC Universe

The Dork Review suggests collecting Cary Bates’ run on The Flash in two volumes: The Murder of Iris Allen (Flash #275, #281–284, #321–326) and The Trial of the Flash (Flash #340-350). The first volume would feature Iris’ murder and Barry’s subsequent battles with Professor Zoom, including the one years later that would lead to the villain’s death.

More reviews of this week’s Flash #246 at Men in Tights and Comix 411.