Tag Archives: Auctions

Flash/Green Lantern Comic Sells in LOST Prop Auction

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Over the weekend, Profiles in History auctioned off props from LOST, including two copies of a comic book that appeared in the TV show’s first season. That comic book was the Spanish-language edition of the first half of Green Lantern/Flash: Faster Friends (Part 1) from 1997.

In the show, Hugo “Hurley” Reyes brings the comic book onto the plane in Sydney. After the crash, Walt Lloyd finds it on the beach and carries it around, clinging to it as a symbol of the normal life he’s left behind.

Also: polar bear. Or rather, OMGWTFPOLARBEAR.

Newsarama reports that the “crisp” copy used for the flashback scenes sold for $3,900, while the battered copy sold for $1,680. Profiles in History estimated the value of each book at $200–$300. Copies that haven’t appeared on television seem to sell for around $5–$10, judging by a quick eBay search for the English version.

Coincidentally, last week DC announced that they would be reprinting the story in November as part of their DC Comics Presents series.

Tip of the hat to @LegionOmnicom for the news!

Flash Comics #1 Sells for $450,000

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It’s not a million, but a near-mint copy of Flash Comics #1 recently sold for $450,000 on Heritage Auctions. This 1940 comic book features the first appearances of both the Flash and Hawkman, and lesser-known characters Johnny Thunder and the Whip. This “finest known copy” of the issue previously changed hands for $273,125 in January 2006 and was ranked the fifth most expensive comic book in 2008. The new buyer placed an anonymous offer through the Heritage Auctions website.

This comic book is part of the remarkably well-preserved Mile High Collection. In August 2008, HA pulled in $553,583 for issues #2-24 and #60 from the same set.

They’ve also got a copy in Fine/Very Fine condition that’s asking a mere $12,500

If you’re like me, half a million — or even $12,500! — is a bit out of your price range. 🙂 I mean, I spent four years looking for a copy of Flash Comics #33 that I could get for around fifty bucks!

Not to worry: the budget reader can pick up the first Flash and Hawkman stories for a lot less in the Golden Age Flash Archives, Vol. 1 and Golden Age Hawkman Archives, Vol. 1. The issue has also been reprinted in full at least twice, in 1975’s “Famous First Edition” series and again in a 2000 “Millennium Edition.”

Silver Age Milestone Sells for $180K

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Showcase #4Heritage Auctions reported today that a copy of Showcase #4 graded at CGC NM+ 9.6 sold for almost $180,000 at auction, making it “the single most-expensive Silver Age book in history.” In an earlier post, Heritage Auctions stated that this was the best-preserved copy of the issue known.

At the time the book was published, superheroes — and comics in general — had fallen out of favor. Showcase #4 introduced the world to a revamped Flash. Jay Garrick and his Mercury-inspired costume were gone, replaced by the more modern Barry Allen. The success of the Flash led to an ongoing series, as well as space-age reboots of Green Lantern, the Atom, Hawkman and others, ushering in a new superhero boom.

In fact, the issue is often cited as the start of the Silver Age of comics. (Other contenders are the first appearances of the Martian Manhunter and Captain Comet.)

Speed Reading: Waid, Infantino, Fan Films, Barry & Iris, Showcase Auction and More

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Ain’t It Cool News interviews Mark Waid about his work on Flash, Fantastic Four, Irredeemable and more (basically his entire career). He’s got some really interesting things to say about the Flash. Eventually I’ll find time to read the whole thing and pick out some good quotes to post here.

Flash: CrossoverThe latest Fan Film Podcast episode focuses on The Flash: Crossover from Influence Films.

POP! lists Barry Allen and Iris West at #3 on its 25 Greatest Super-hero Romances (via Robot 6).

The Comic Treadmill looks back at the 1970s revival of All Star Comics, featuring the Justice Society of America on Earth-2.

The best-condition copy of Showcase #4, first appearance of Barry Allen as the Silver-Age Flash, is “off to a fast start” at Heritage Auctions, already up to $100,000 with three weeks to go.

Comicbook Rockstar talks about lunch with Carmine Infantino, comics legend and co-creator of the Silver Age Flash, and the veteran artist’s advice for writers.

Comic Bloc user CreativeArtist has a new animation based on Flash: Rebirth.

Pegasus News reviews a production of Based on a Totally True Story (by Roberto Aguirre-Sacasa), a stage play about a playwright on the verge of making it big in Hollywood — who also happens to write the Flash comic book.

Update: The first installment of Q&A column Geoff Johns Prime is up at Comic Book Resources. He doesn’t say much about Flash: Rebirth beyond “wait and see.”

Speed Reading: Who’s Next? Best of TV, Showcase and More

Crimson Lightning has posted the best of live-action Flash, featuring his favorite 3 episodes (and an honorable mention) from the 1990 Flash TV series.

The Aquaman Shrine has Flash vs. the Hostess Ads by Fred Hembeck. (There were, to the best of my knowledge, four Hostess ads with the Flash during the late 1970s/early 1980s.)

IO9 wonders, with the Flash reborn, who’s next?

The Heritage Auctions blog talks about Showcase #4 (Barry Allen’s first appearance) and its significance as the start of the Silver Age. The highest-grade copy known to exist (CGC 9.6) is going on auction in May.

Samurai Noir’s Toy Box 2 has pictures of vintage Flash and Aquaman board games.

PrettyFakes contrasts creator-driven vs. crossover-driven storytelling in the context of Iron Man, with references to the Messner-Loebs and Waid runs on Wally West’s Flash series.

The Worlogog talks about weekly comics in general and Wednesday Comics in particular.

The comic strip Epic Tales of the Mundane tackles a trade-waiter’s dilemma when faced with Flash: Rebirth.

Silver Age Comics has a run-down of DC Annuals in the Silver Age.

Blam talks about comics in the 1990s, including Mark Waid’s runs on Flash and Impulse.

The Pulse interviews former Flash artist Freddie Williams II on Final Crisis Aftermath: Run (which, for the record, is not about a speedster, but about the Human Flame).

Speed Reading: Retro Reviews, Doug Hazlewood, TV Shows and More

The Victoria Advocate profiles Doug Hazlewood.

Comics In Crisis presents Flash v.2 #182 (2002), the Captain Cold Rogue Profile story, among the 10 Essential Bronze Age Comic Stories You Should Read. I’d disagree with the Bronze-Age classification (traditionally, the Bronze Age of Comics ran from the 1970s through mid 1980s, with Crisis on Infinite Earths being a good reference point for DC books), but it’s absolutely a must-read.

X-Man reviews Flash vol.2 #1 (1987), noting how different Wally West was at the age of 20 than he is today. That’s actually one of the things Wallys’ long-term fans like most about the character: that we’ve seen him grow and change naturally, rather than simply be given a personality transplant whenever a new writer shows up.

The Quantum Blog talks about TV shows canceled before their time, including the 1990-1991 Flash TV Series. (Hard to believe it’s been almost 20 years. Seriously, Quantum Leap is having a 20th Anniversary convention this month. I feel old…)

The Worlogog celebrates Weird Silver Age Tales of the Flash.

I haven’t had a chance to listen yet, but Raging Bullets Podcast #152 features Flash’s Rogues with listener guest Mike Simms.

Heritage Auctions will be selling a CGC 9.6 copy of Showcase #4, the comic that rebooted the Flash as Barry Allen, launching the Silver Age (via It’s all Just Comics)

A Journal of Zarjaz Things looks at Flash: Emergency Stop, griping that Grant Morrison’s 9-issue run is split across two trades with the second “padded” out with a 3-parter by Mark Millar. IMO, though, Morrison didn’t write a 9-issue Morrison run — he co-wrote 9 issues of a 12-issue Morrison/Millar run. It would have been less responsible for DC to print only the Morrison issues and leave out “The Black Flash,” which has arguably had more lasting impact on the Flash mythos than the other stories in these trades, good as they are. (It is silly that they left out the first two parts of “Three of a Kind,” though.)