Tag Archives: Return of Barry Allen

Speed Reading: Infantino, Fan Films, Johns at Meltdown & Isotope, and EVS

Some linkblogging for the weekend:

Two Artists and a Writer

NYC Graphic Novelists has an interview with Carmine Infantino. He talks about growing up in the depression, breaking into the fledgling comic industry, building the Silver Age, and his tenure as editor at DC. Update: There’s been some fallout from this interview, with Infantino feeling he was misrepresented.

Geoff Johns will appear at a Blackest Night launch party at Meltdown Comics in Los Angeles on Tuesday, July 14. Update: The Tuesday event at Meltdown has been canceled. He will also be signing at Isotope Comics in San Francisco on Saturday, July 18.

The Green Lantern Spotlight Podcast has an interview with Ethan Van Sciver. It’s long at 99 minutes, but it’s worth a listen. He talks about everything from deadlines and inking to why he’s drawing Iris Allen younger to designs for Black Lanterns.

Review

The Captain’s JLA Blog reviews “Speed Demons”, the Superman: The Animated Series episode that guest-starred the Flash and introduced the scarlet speedster to the DC Animated Universe.

The Flash-Back Podcast reviews The Return of Barry Allen.

Fan Creations

Flash endorses Green Lantern for Mayor! (via Robot6)

The Heretics Blog has a collection of fan films, including the Flash getting a speeding ticket.

How John Byrne Would Have Brought Back Barry Allen

Wonder Woman v.2 #109Last week, comic book writer and artist John Byrne posted about how he would have brought Barry Allen back if he’d had the opportunity during the 1990s, as he hinted when responding to speculation about the cover for Wonder Woman v.2 #109. (IIRC, the Flash in the issue was either a clone or a robot. It’s been a long time since I’ve read it.)

Simple, really. It’s very, very, very hard to “kill” a character who can travel in Time. How old was Barry when he “died” in CRISIS? For all we know, he could have been 106.

My idea was to simply have Barry pop into existence in the “current” DCU, returning from one of his trips thru time to find he’d “missed his target” because of disruptions caused by CRISIS. He would then live out whatever life (nature and duration) the Powers that Be would allow.

This is similar to the way Mark Waid did bring Professor Zoom “back” for “The Return of Barry Allen” and the way a young time-traveling Hal Jordan spent some time in the then-present DCU for “Emerald Knights.” It’s also not far from the loophole Marv Wolfman placed in the character’s death in Crisis on Infinite Earths. The main difference is that in Wolfman’s plan, it would be Barry Allen during his final run, rather than a Barry from earlier in his career.

Byrne goes on to add:

(I also had an idea that, since Wally was being The Flash, Barry would take on another identity for a while, knowing that sooner or later he had to go die in CRISIS. But when the moment came, Wally would bushwhack him, take his place, and that would actually have been Wally we saw die.)

Interestingly, Peter David did essentially the same thing in his final Supergirl arc, “Many Happy Returns,” in which the Earth-1 Supergirl’s rocket gets diverted and lands on Post-Crisis Earth. After a few adventures, the Post-Crisis Supergirl gets in the rocket and takes her place, leading to a story of a 1990s heroine in a Silver-Age world. It doesn’t end well, for either of them.

Flash: Terminal VelocityFound in this week’s Lying in the Gutters, which also features another Flash-related story, short enough I might as well just quote the whole thing:

The Sandra Feinstein-Gamm Theatre in Pawtucket, Rhode Island is having an online auction to raise funds for its non profit theatre. One of the items is a “Flash: Rebirth” #1 coupled with a TPB of “Flash: Terminal Velocity,” signed by the late great Mike Wieringo.


Flash: Rebirth #2 Cover and Didio on Why Barry?

Newsarama’s latest 20 questions with Dan Didio is up, featuring a detailed response to the question, “Why bring Barry back when Wally has been the Flash for a whole generation of readers?” — and the cover to Flash: Rebirth #2, an homage to that classic Showcase #4 cover (previously reimagined for the collected edition of “The Return of Barry Allen”)

Showcase #4 Flash: Rebirth #2

Time to start worrying about dead speedsters?

The Q&A segment is long, so I’ll put it after the cut.

Continue reading

Six-Word Stories

Last month, Secret Six and Wonder Woman writer Gail Simone posted a few fiction challenges on Twitter. I responded with some Flash-related micro-stories:

Condense the plot of a comic, six words or less. #.

Barry’s back! Wait, it’s not him. (This being the plot to The Flash: The Return of Barry Allen)

Seven word story, describing the the last minute of a comic character’s life #

Slipped on banana peel at Mach 23.

How are comics characters spending the holidays? #

Christmas. Wish I could slow down.

Welcome Back, Barry Allen!

Today’s Final Crisis #2 marks an event that many Flash fans have been anticipating* for years: the return of Barry Allen, the Silver Age Flash.

Barry made his debut in the 1956 comic book, Showcase #4. In the early 1950s, super-heroes had faded from popularity, and most of their series had been either canceled or converted to another genre. (For example: the Justice Society’s book, All-Star, became All-Star Western.) DC Comics decided to try reviving the genre, and started by redesigning the Flash. They gave him a new origin and identity, a sleeker costume, and a more sci-fi flavor to the stories, and published him in their try-out title.

The Flash was a success, and after three more appearances in Showcase, they gave him his own series in 1959. Revamps of Green Lantern, the Atom and other heroes soon followed. In fact, the Flash is often credited with launching the Silver Age of comics. (The other hero most often cited is J’onn J’onzz, the Martian Manhunter. Ironically, he was just killed in Final Crisis #1.)

After 30 years, though, DC decided it was time for another relaunch. Sales on the book were flagging, and DC was preparing Crisis on Infinite Earths, an event which would make sweeping changes to its entire line. In essence they were launching a new age of DC comics. The death of the Flash symbolically represented the end of the Silver Age.** Barry met his end in Crisis on Infinite Earths #8 (1985), and his former sidekick Wally West carried on his legacy as the Flash of a new era.

Over the next 23 years, Barry Allen was part of a small group of comic book characters whose deaths seemed permanent. He showed up occasionally in time travel stories, and was placed in various afterlives — including a tribute story at Marvel and the concept that gives this site its name: the speed force, a Valhalla for speedsters. And of course there was the 1993 storyline, “The Return of Barry Allen,” in which he appeared to be back…only to eventually be revealed as an impostor.

But eventually, even Jason Todd and Bucky Barnes returned from the grave.

Speculation started with the build-up to Infinite Crisis. It became clear that Wally was going to follow his mentor into comic-book limbo, and fans started trying to figure out who would take over. Would it be Barry’s teenage grandson Bart, the current Kid Flash? A rejuvenated Jay Garrick? Would Barry return? Would several Flashes somehow be fused into one? Ultimately, DC transformed Bart into an adult and gave him a shot at the lightning.

One year later, the Justice League/Justice Society/Legion of Super-Heroes crossover, “The Lightning Saga” was working up toward resurrecting someone. Signs pointed to either Lightning Lad or a Flash, and when the news hit that Bart’s series was ending, fan speculation again went to Barry. This time, it was Wally who returned.

Another year later, with Final Crisis looming and continuing discontent with the relaunch, fans started to see clues that, once again, hinted at a possible return for Barry. Among those clues was a poster that appeared at the New York Comic Con that looked a lot like Barry — and was painted by J.G. Jones, the artist on Final Crisis. Then there was the summary for Final Crisis #2 and its “spectacular return from the dead.”

Then on April 30, DC Universe #0 hit the stores. The book served as a lead-in to multiple storylines, all tied together by an unseen narrator who starts the issue at one with the universe. As the story progresses, he begins to remember more of his life and his connection to various heroes, and the narration boxes slowly change from black to red. By the last few pages, they’ve picked up a lightning bolt. The final splash page shows a large, white moon against a red sky, a bolt of lightning cutting diagonally in front of it. The same day, the New York Daily News ran the story of the Flash’s return.

With Barry’s return confirmed in subsequent interviews, it was only a matter of figuring out when he would appear on-panel. When the “next issue” blurb for Final Crisis #2 showed that Flash painting and mentioned “the return of a long lost hero,” the answer was clear.

Of course, many questions remain. How long will Barry be back? Permanently, or just for the duration of Final Crisis? If he stays, will he take over the lead spot in The Flash? And what does that mean for the current Scarlet Speedster?

* And, to be fair, others have been dreading it, given the way DC seems to like killing off “redundant” characters these days. Those fears gained new fuel last year when DC killed Bart literally in the same moment that Wally returned (Justice League of America #10, Flash: The Fastest Man Alive #13, and All-Flash #1).

**The 1970s and early 1980s are often referred to as the Bronze Age, but the difference is mainly in the tone of the storytelling.