Monthly Archives: April 2010

Flash Hints from C2E2

DC has been really cagey with Flash news lately, since the new direction is just getting started, but they’ve let a few hints slip at C2E2. Here’s a round-up from Newsarama and CBR’s coverage of the event.

DC Nation was light on Flash information…though Dan Didio joked that “as far as dead meaning dead in the DCU, once we get to Nightwing and Wally West, yes.”

At the Brightest Day panel on Saturday, Geoff Johns answered a fan who was upset that Flash #1 had a “Brightest Day” banner, but didn’t tie into the book:

Johns said, “It was a good issue, wasn’t is?” before explaining that the book would tie in to what happens in “Brightest Day” in some small ways, though “I didn’t want to start Flash #1 with a white power battery. I wanted him to fight the Trickster.” Sattler added “The bannering on the books is about a theme in the DCU…the stories are important to Brightest Day’s central story.”

He told another fan, who was confused about the number of Zooms running around, “If you look at Reverse Flash, I try to do everything in reverse…”

At the DC Universe panel, Ian Sattler answered a question about a Flash Secret Origin story by saying, “Sooner than you think.” Wally West will make an appearance in Justice League.

Robinson also said that he’s “very excited about bringing Jesse Quick to the team.”

Finally, at Sunday’s Flash/Green Lantern panel, Geoff Johns declined to answer questions about the current arc or about Flashpoint. He has plans for Wally West and the West Twins. We will “eventually” see the Tornado Twins and John Fox, but there are no plans for Inertia (he’s “really dead”) or Walter West (“but never say never”).

Someone else asked why the resurrected Captain Boomerang is already in jail, “Or is this based on his previous crimes?” Johns said yes. “Is there a legal precedent in the DCU for culpability for crimes you’ve committed before you’re resurrected?” “I’ll have Boomerang complain to the guards.”

The most interesting remark I found in the write-up was this:

“The Rogues always told Wally there was a mutual respect between them and Barry, and that was a lie.”

The funniest, though: Someone asked about Mopee. No one on the panel knew who he was, except Geoff Johns, who sighed and joked that he’ll be in issue #715.

Missed Opportunity: Hostess Fruit Pie Corps!

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This frivolous complaints about Blackest Night thread is a fun read. My favorite is on page 4, with these two comments.

Greg Owens:

Nekron was not defeated by the use of delicious Hostess Fruit Pies. Complete and utter failure on DC’s part.

ADGood:

Not just fruit pies, but a fruit pie corps. Seven different-colored pies to represent the flavor spectrum.

I can just imagine DC trying to work the low-rent villains and nonsensical plots from those Hostess ads that were all over late 1970s/early 1980s comics into modern continuity…only to make them all darker and edgier.

Convention Weekend: C2E2 & Anaheim

Johns, Manapul & Kolins Talk Flash, Blackest Night & Brightest Day

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Friday afternoon linkblogging: a trio of interviews to go along with the Flash #1 relaunch.

Geoff Johns

First, Geoff Johns Prime has the writer answering questions about Brightest Day and The Flash. Some items that stand out:

We don’t want anyone to have to buy a lot of DC books, we want you to. Our job is to tell great stories that can stand alone and also be part of a bigger whole. That’s what the DC Universe is. The Flash is probably one of the most accessible books I have written, but it fits into the bigger tapestry of the DCU.

Johns also explains that these are new stories, written for Barry Allen, not unused Wally West stories. He has a bunch of those that he never got to use since he left the book before he ran out of ideas, but they’ve “been put away for now.” He also confirms that there will definitely be a Flash/Green Lantern crossover at some point — something that should surprise no-one.

Francis Manapul

CBR interviews Francis Manapul about his work on The Flash.

At the beginning, I was digging what Ethan [Van Sciver] was doing with tons of lightning and stuff like that. So, I used some of that at the beginning, but I found more and more that, the deeper I get into the pages, the more I enjoy the multiple images the way Carmine did it. So, I’ve been doing a lot of that. It’s actually been advantageous being able to do the watercolor [effect on] my own work, because the way I would draw the trail of images where he was running from, I’m able to draw on a lighter scale.

He adds: “the goal is that with every issue, you’re going to see the Flash do something completely different, in terms of showing his speed, that you haven’t seen before.”

Scott Kolins

Speedster Site interviews Scott Kolins about Blackest Night, DC Universe: Legacies and The Flash. He talks about designing the Black Lantern Reverse Flash, drawing Wally’s new costume and Barry’s Blue Lantern uniform, and how Blackest Night: The Flash compared to Final Crisis: Rogues’ Revenge.

Kolins was also asked about the Wally West backup stories he and Geoff Johns were going to do:

DC of course recognizes how important Wally is and has been for the Flash fans and the co-feature idea was one of the ways they wanted to make use of him. -But then they had another idea – a possibly better idea. The reader is the ultimate judge, but it’s all done with the best of intentions. I’ve been working long enough to realize that plans change as the company endlessly searches for new and better ideas.

I’m curious about this “possibly better idea” now, and more hopeful about it than I would have been on Tuesday.

Flash #4 Solicited

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DC’s Brightest Day solicitations for July are up, including…

The Flash #4

On sale JULY 14 • 32 pg, FC, $2.99 US
Written by GEOFF JOHNS • Art and cover by FRANCIS MANAPUL • 1:10 variant cover by SCOTT KOLINS

The original Captain Boomerang returns as BRIGHTEST DAY continues. Meanwhile, Barry must prove his innocence to the Renegades, cops from the 25th century. Discover what connection they have to the Rogues and what travesties have occurred in the future.

Notes: The variant covers continue…but hey, Scott Kolins! I wonder if he’s drawing the Renegades.

Review: Flash #1 — “The Dastardly Death of the Rogues”

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It’s refreshing to be able to read a Flash story that’s just a Flash story. After four months of retrospective on Wally West, three months off, then a year of rearranging the Flash mythos to make Barry Allen the Most Important Flash of All Time(TM), we finally get Geoff Johns and Francis Manapul’s Flash #1 — a story about the Flash vs. Rogues, and about Barry Allen and his day job.

You don’t need to have read Flash: Rebirth to follow this book. Or Blackest Night. Or, despite the banner across the top, Brightest Day. Actually, you don’t need to have read anything about the Flash to follow this book — and that’s something else that we haven’t seen in a while.

Story

Broadly speaking, the issue can be broken down into three main segments:

Introduce the Flash.
Introduce Barry Allen.
Get the story going.

It moves in a way that the last three “first issues” of a Flash launch didn’t. The opening segment, after the equivalent of a cinematic pan-in, is one long action sequence. The middle segment slows down a bit, but manages to strike a good balance of exposition and characterization. Then the third segment jumps head-first into the mystery.

And the amazing thing? It’s actually fun. I know that’s the kiss of death in comics these days, but it also happens to be what I find myself wanting to read in a super-hero book lately. It has a sense of adventure that The Flash hasn’t really had since the days of Mark Waid’s classic run in the 1990s.

In a lot of ways, this book is 180 degrees away from Flash: Rebirth…and I have to wonder why Geoff Johns couldn’t have started with this approach a year ago, instead of spending 9 issues telling us, “It’s going to be great! Really! Barry is awesome! Can’t you just see how awesome he is?”

Art

Of course, a year ago, one thing would have been missing: Francis Manapul’s art. It’s refreshingly clean after Ethan Van Sciver’s incredibly detailed work on Flash: Rebirth, and while I love Scott Kolins’ pencils on the Rogues, Manapul’s is a better fit for the Flash himself. Rather than focusing on multiple images, speed lines, or lightning, he mixes and matches all of them along with blur effects to show speed.

Manapul also works in a lot of details that stay in the background, but reward a second read: Barry’s and Iris’ chat icons, a bystander taking a photo with a cell phone at a crime scene, the Weather Wizard’s rap sheet slipping out of a file while Captain Frye tells Barry of his latest exploits. Iris has a coffee cup within arm’s reach in every single panel in which you can see her hands, except one. These things are fun to catch, but they don’t take over.

The only problem I have with his art is that his faces sometimes (but not always) seem a bit off. I can’t quite put my finger on why.

Okay, it’s SPOILER TIME!

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Speed Force

Tracking the Flash – the Fastest Man Alive