Category Archives: Flash History

Digital Comics, Wally West, and the Forgotten Gold & Bronze Flash Archives

I hope today’s release of Flash vol.2 #2-6 on ComiXology signals the beginning of a complete digital release of the Wally West Flash series. This brings the total to 63 issues scattered around the 249-issue series (including and ,000,000, both already available), mostly from the Waid and Johns runs, but there are still a lot of gaps…and most of the material is out of print.

»Flash comics at ComiXology.

The Mike Baron (#1-14) and William Messner-Loebs (#15-61) runs on The Flash have never been reprinted in trade paperback, and only the highlights of the extensive Mark Waid/Brian Augustyn run (#62-162, minus a year off for Morrison/Millar) have been collected. A lot of that is due to the changing market during the 1990s. When Waid started, collected editions were rare. Vertigo was seeing some success, but the idea that people would shell out for a whole series in graphic novel form hadn’t yet sunk in. (These were the days when studios weren’t sure there was a market for complete TV seasons on home video, either.) By the time Geoff Johns took over the title, DC was collecting full runs of a few high-profile series, but not all, or even most of their books.

Now, of course, everyone expects most comic books will be collected, and waiting for the trade is actually a workable strategy. But it’s not often that DC Comics goes back to fill in the gaps in their library — at least, not in print.

Gold and Bronze

With any luck, digital releases will also be the way we’ll finally get the Bronze Age and the Golden Age re-released. I’ve grumbled on a number of occasions that DC seems to keep reprinting the same early years of the Silver Age every time they come up with a new format, and never seem to get past the early/mid-1960s on Barry Allen’s series. (Even the upcoming Flash Archives vol.6 brings that series up to…1964.)

I’d really like to see more Golden Age Flash Archives. DC has only gotten as far as issue out of 104, and the first super-villain (The Shade, as it turns out) doesn’t appear until #33…but these volumes seem to come out so rarely that I expect to die of old age before DC finishes collecting the series. In print, anyway. This is one of the reasons I went forward with my effort to hunt down the original comics, or at least as many of the key issues as I could find in my price range. Continue reading

Early Flash (and Jim Membership)

Excerpted from an essay originally posted at K-Squared Ramblings in 2005.

Golden Age Flash Archives vol.1Most comic book character indexes aren’t really interested in the supporting cast, or even one-off villains. If I want to find a major villain like the Fiddler, chances are I can find a complete list somewhere online. But if I want to know which issues featured Jay’s old college buddies, I’m on my own.

Speaking of Jay’s old college buddies, he runs into five of them during the issues featured in The Golden Age Flash Archives, Vol. 1….and four of them are named Jim. There’s Jimmie Dolan, Jim Evans, Jim Carter, and Jim Dane. (Interestingly, the fifth friend is named Wally.) Jim Carter and Jim Dane are both in silver mining. Jimmie Dolan and Jim Evans both know that Jay is the Flash, but Jim Carter and Jim Dane don’t. I suspect that Carter and Dane are the same guy, but the writer didn’t remember the name he used before and didn’t feel like looking it up. (Comics were episodic back then, and you didn’t have continuity police among the readers ready to pounce on every coloring error.)

Also interesting: In the 17 issues collected in that book, no super-villains appear. The villains are all gangsters, kidnappers, corrupt politicians, crime bosses, etc. Even the story with the giant lizards has gangsters creating them. Skimming one list, the first recognizable villain to show up is the Shade—in issue #33! For the first three years (or at least the first year and a half), most of the Flash’s enemies wore ordinary business suits!

Note: Since I originally wrote this, I have tracked down a number of Golden Age stories. You can read a follow-up in Completing the Set: Tracing the Origins of the Shade.

Barry Allen: Player

One of many pieces of Flash news from Comic-Con that just didn’t sit right with me was the news that Barry Allen and Iris West were being retroactively split up for the New 52, and that Barry would be “playing the field.”

Really? This is the guy who, after Iris’ untimely death, when he finally forced himself to move out of the house where he lived with his late wife and try to get on with his life, promptly fell for the new girl next door. The idea of him dating someone else isn’t preposterous, but a player? That seems a little far-fe—

Oh, wait. Never mind.

(Seriously, though, this is one of the things that bugs me, because in my opinion, the Barry/Iris relationship should be central to the character(s). It might bother me less if DC wasn’t undoing the Lois/Clark marriage at the same time. I still haven’t decided whether to actually put together a post listing all the announced elements I do and don’t like and why.)

Why the Flash is the Most Important Character of the DC Universe

Today’s guest post is by Shaun Rosado of Shauncastic!

A Sound of Thunder

The sound of thunder, a crack of lightning and in a flash everything is different. No, I’m not talking about Flashpoint; DC Comics’ current take on a “Flash-centric” Event. I’m talking about the Flash as a character and the profound difference he’s made in comics. Ever since I was a child, I always felt a deep connection to the Flash. Perhaps it was the sense of the character’s long history, reaching all the way back to World War 2 with Jay Garrick as the original Flash. Perhaps it was the idea that when I was at my most impressionable the Flash TV show had just begun and would capture my imagination. Or perhaps it’s because the Flash is the most important character of the DC Universe.

Yeah. You read that right. I typed it. The Flash is the THE most important character of the DC Universe.

Of course, I don’t expect to get away with saying something like this without a little backup.

So let’s take a moment and just go over the finer points of my argument. When the Flash began way back in the 40s, he was a character that was given his own book nearly as soon as he was established. In January 1940, Flash Comics began as a variety comic that would feature new characters and give them a chance to flourish. Some of the most famous of these characters would be Johnny Thunder, Hawkman, Hawkgirl and Black Canary. This began an eerie precedence of the Flash establishing ideas and characters that would last and break out of his book time and time again. The book ran nearly the entire span of the Golden age, ending just a few months shy of the “official” end date.

But this is not a sprint and the above argument certainly does not win the Flash the title of Greatest Character Ever. This is a marathon…and as we all know, the Flash is the Fastest Man Alive. Continue reading

What’s Missing from Showcase Presents: the Trial of the Flash?

Astute readers have no doubt noticed that Showcase Presents: The Trial of the Flash, in stores today, does not cover a continuous string of issues from #323 through #350. It starts with the desperate race around the world in which the Flash kills Professor Zoom, and it ends with fallout from the Flash’s trial, but along the way it skips Flash #328 and #337-339.

What’s in those issues?

The Flash #328 is a reprint issue, with a couple of pages of framing sequence added. The reprint in question is Flash #163, the wedding of Barry Allen and Iris West, which was also interrupted by Professor Zoom. In the original run, it served as a reminder of just how long the rivalry had run between Barry Allen and Eobard Thawne, and how personal it was. It’s an obvious choice to cut.

In The Flash #337-339, the Pied Piper has a nervous breakdown, and the Rogues, blaming the Flash, trick a super-strong but mentally deficient man (who becomes Big Sir) into attacking the Flash in hopes that he’ll kill him. It’s an odd choice considering that the ongoing subplots continue throughout the three issues, including:

  • Preparations for the trial.
  • The missing persons case for Barry Allen.
  • The mystery of why the Flash’s lawyer hates him.

One of the jurors has a strange encounter, which becomes a major plot point near the end of the storyline, and #339 ends in the middle of a battle, which picks right up in #340, and leads into another key plot point: Big Sir beats Barry so badly that he needs facial reconstruction surgery.

Presumably the issues were cut for page count, but I do have to wonder why DC chose these three issues.

The Power of the Flash Legacy

Once there were 3 Flashes...Then there were 2...Then there was 1...Finally...there was NONE!

I understand DC’s decision to pick a single Flash. They want to make a fresh start (sort of — more about that in part 2). They don’t want incoming readers to be intimidated by 70 years of history. And they want a world in which super-heroes have only been around for a few years. But there’s value in the legacy concept, and I’d argue that it’s helped The Flash and its readership.

Crisis Management

We Flash fans have been extremely lucky. From 1940 to 2005 we’ve had three great versions of the character. We’ve had solid, long-running creative teams. Gardner Fox wrote most of the Golden Age and half the Silver Age. John Broome wrote the rest of it, with Robert Kanigher straddling the two eras. Cary Bates authored the entire Bronze Age, and I’d wager that nearly everyone reading this has experienced the incredible Flash runs by Mark Waid and Geoff Johns in the 1990s and early 2000s. We’ve had amazing artists like Joe Kubert, Carmine Infantino, and Mike Wieringo, and more recently Francis Manapul.

And unlike fans of Superman or Wonder Woman, we’ve never had to deal with DC outright erasing the stories we know and love. Because Barry Allen and Jay Garrick were different characters, DC was able to build a shared history in Crisis on Infinite Earths, and because they had promoted Wally West to the lead spot, they could start at the beginning of a hero’s (solo) career, again without wiping out what had gone before. Continue reading