Some recent sightings of Flash history around the web.
4thletter!’s 4×4 Elements series looks at what made “Blitz” work.
Two more Flash moments appear in Comics Should Be Good’s list of 75 Memorable Moments in DC History: Barry Allen’s sacrifice in Crisis on Infinite Earths and the first Superman/Flash race.
Bleeding Cool noticed a similarity between the universe-changing conclusion of Spider-Man’s “One More Day” and a story point in Flash’s “Hell to Pay,” and asked, “Where was the outrage when Wally West did the same thing?” Hmm, on one hand you have someone who makes a deal with the devil to retcon away 15 20 years of stories and create a new status quo that has lasted three years so far. On the other hand, you have someone who makes a deal with the devil for the sake of a story, and he finds a way to beat the Devil at his own game the next issue. Yeah, they’re totally the same.
Random Happenstance’s series on 1999’s JLApe event continues with a summary of the Flash installment, featuring Max Monkey and Chimpulse.
The Hooded Utilitarian, after reading Flash: Rebirth, decides to go back and read some Silver-Age Flash starting with Showcase #4.


Francis Manapul’s artwork continues to be the highlight of this book. The Flash stands or falls (runs or stumbles?) on pacing and the reader’s perception of speed, and Manapul delivers. This time around, the stand-out panels are splash pages in an effort to rescue pilots from a damaged helicopter. (One nice easter egg: in the background of that double-page spread, we see the bridge that Wally West rebuilt back in “Crossfire.”)
The original 


