Monthly Archives: August 2008

Flash Sales Leveling Out?

ICv2 has posted July sales estimates. The entire comics market is down, but the Flash numbers are better than expected. Flash #242 sold an estimated 30,325 copies. It’s still down from June, but only by 1.5% — and total comics sales have been declining over the last few months. This is the same data that The Beat uses for their sales commentary, so I can use the numbers from earlier posts.

02/2008: Flash #237     —  37,719 (-  9.0%)
03/2008: Flash #238 — 35,606 (- 5.6%)
04/2008: Flash #239 — 33,741 (- 5.2%)
05/2008: Flash #240 — 31,944 (- 5.3%)
06/2008: Flash #241 — 30,810 (- 3.6%)
07/2008: Flash #242 — 30,325 (- 1.5%)

Meanwhile, Final Crisis: Rogues’ Revenge #1 sold an estimated 62,482 copies — more than twice the numbers on the main Flash title, despite costing more ($3.99 vs. $2.99). Factors at work: Final Crisis, Geoff Johns, Scott Kolins, multiple covers.

I mentioned that the overall market was in decline. ICv2 cites a 3% drop in sales, but I can’t tell whether they mean 3% between June and July 2008, or 3% between July 2007 and July 2008. If the former, then Flash actually dropped less than the overall market. (The 1.5% drop for Flash is in units sold, and the 3% drop overall is for dollar amount — but the price on Flash didn’t change between June and July, so it works out the same.)

70s Flashback: Super-Speed Twinkies

If you read DC or Marvel comics during the late 1970s or early 1980s, or if you’ve read back issues from that era, chances are that you’ve seen the super-hero ads for Hostess cupcakes, Twinkies, etc. These were done as 1-page stories in which a low-rent villain would appear as a menace. Then a super-hero would arrive, and somehow use snack cakes to defeat the villain.

Yep.

There were at least four ads featuring the Flash:

These are all scanned and hosted by Seanbaby, who has a full set of these Hostess ads. (Watch out for NSFW language in the commentary.)

You know, now that I think about it, the subtext of the Flash helping The Destroyer fight off his depression by eating junk food is disturbingly reminiscent of the Golden Age Flash providing “happiness pills” to the Worry Wart.

Sadly, the Destroyer didn’t share the Flash’s hyper-accelerated metabolism.

(Inspired by a recent post at Mike’s Progressive Ruin.)

Flash Comics For November 2008

DC’s solicitations for comics shipping in November are up, and things don’t look terribly good for Wally West’s future. It’s beginning to look like DC wants to clear the deck before starting over with Flash: Rebirth.

The Flash #246

As Queen Bee circles in closer for the kill, everything The Flash holds dear starts slipping away from him. His powers, his wife — what’s next to go?

On sale November 19. Written by Alan Burnett. Art by Carlo Barberi & Drew Geraci. Cover by Brian Stelfreeze.

Notes: Interesting that Paco Diaz has been replaced by Carlo Barberi — who used to draw Impulse. Also, this doesn’t look good for some of the things I want to see after Flash: Rebirth.

Team books and tie-ins after the cut. Continue reading

Convention Behavior

The post on sexual harassment at Comic-Con on Comics Oughta Be Fun has been making the rounds. It’s disturbing, but worth a read. It lists a few examples of women being harassed during the con, then points out that there’s no written policy against harassment, and no clear procedure for reporting it.

In theory, it shouldn’t be necessary to spell out “Don’t stalk or assault people” in the program. We’re talking about behavior that’s already unacceptable and, once you cross a certain line, illegal. Unfortunately some people either lack basic social graces (I’m trying to keep the language family-friendly, here), or think that costumes give them a free pass.

I do think the convention needs a clear reporting procedure. Let people know they can report incidents to security, and follow through.

They also need better coordination between convention staff and security. My wife and I spent an hour and a half dealing with what we thought was the theft of her purse. She stood up at the end of a panel and it was gone. She reported it to security, filled out a missing property report, checked lost and found, canceled her credit card…and in the end it turned out that the room’s staff had removed it from under her seat during the previous panel break, thinking someone else had left it behind, and put it at the back of the room. But they hadn’t said anything to security about it, and security didn’t ask them.

(Found via several blogs.)

Flash Comics Make $553,583 in Auction

ComicsPriceGuide reports on a recent auction of comic books and original art at Heritage Auctions, which realized nearly $4 million.

“Also offered in this auction were the Mile High copies of Flash Comics #2-24 and #60,” Jaster said, “some of the most hotly desired books from the Gold Age of Comics. We offered the remainder of the run in a previous auction, and were proud to bring these beauties to the collecting public. Residing at the very top of the CGC Census, these exceptional books inspired spirited bidding. All told, the impressive run offered in this auction brought a whopping $553,583.”

A brief explanation: The Mile High Collection was a huge lot of comics going back to the 1940s, collected over decades by Edgar Church. His heirs sold the whole lot in 1977 to Chuck Rozanski of Mile High Comics. Because there were so many, and because Church had kept them in virtually pristine condition, the find had a huge impact on the Golden-Age collectors’ market.

As for the books in this auction, Flash Comics #2–24 cover the earliest years of the series, from 1940–1941. The Flash and Hawkman stories are included in The Golden Age Flash Archives Vol. 1–2 and The Golden Age Hawkman Archives (just one volume). I don’t know of anything special about the contents of Flash Comics #60, so its appeal is probably just the fact that there are so few high-grade copies in existence.

Salute to 1990s Comics

Comics of the 1990s have gotten a bad rap. A lot of people look at them and see only the holofoil cover gimmicks, interminable summer crossovers (which are back), everyone trying to ape the Image style with humongous shoulder pads and spikes, mullets, Spider-Clones, Electric Superman, Emerald Twilight, and “kewl” revamps.

But there were also a lot of very good comics being published at the time, and everyone was trying new things. Sure, some of them didn’t work (like Bloodlines or Fate), but some of them did (like Starman). This list is going to be heavily DC, since that’s what I was reading at the time, but this is the decade that brought us: Continue reading