Tag Archives: Francis Manapul

Speed Reading: Flash Deaths, Sightings, Pricing and More

Some linkblogging from the past couple of weeks:

Flashy Links

Newsarama interviews Francis Manapul on his work on The Flash.

Comics Bulletin presents the Top 10 Flash Deaths in order of how long they lasted.

A reader at Silver Age Comics discovers that Flash Comics #13 is different on Earth-One.

You’ve probably read about the thief who took Free Comic Book Day a bit too literally and tried to steal a $150 X-Men Omnibus…and was foiled by Spider-Man, two Jedi, and the Flash.

Speaking of FCBD, Chris Samnee has posted a FCBD sketch gallery featuring both Flash and Quicksilver.

Super Heroes

Comics Worth Reading’s Johanna Draper Carlson has some ideas for how to make super-hero comics interesting again

4thLetter’s David Brothers encourages you to focus on the stories, not the canon. Don’t buy something you don’t like just because it’s “important,” and don’t pass up other good stuff because it’s not.

Comics Alliance has a thought-provoking article on the racial implications of running legacies backward.

Grumpy Old Fan ponders the role of secret identities in DC comics from the Silver Age through the present.

Once Upon a Geek also reviews the DC Fandex guide (my review went up on Monday).

Comics in General

Westfield Comics’ KC Carlson explains how to meet artists without being talked about afterward, and offers suggestions for convention behavior.

LIFE has a photo gallery of people reading classic comic books from the Golden Age through the 1980s, including a boy reading Flash Comics in 1949. Nitpick: By 1949, the feature wasn’t about a “college student” with super-speed. Jay Garrick graduated during his origin story. (Link via Xian)

Collected Editions considers an increasingly common problem: the trade you want is out of print.

Multiversity Comics analyzes the impact of the shift from $2.99 comics to $3.99.

Johns, Manapul & Kolins Talk Flash, Blackest Night & Brightest Day

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Friday afternoon linkblogging: a trio of interviews to go along with the Flash #1 relaunch.

Geoff Johns

First, Geoff Johns Prime has the writer answering questions about Brightest Day and The Flash. Some items that stand out:

We don’t want anyone to have to buy a lot of DC books, we want you to. Our job is to tell great stories that can stand alone and also be part of a bigger whole. That’s what the DC Universe is. The Flash is probably one of the most accessible books I have written, but it fits into the bigger tapestry of the DCU.

Johns also explains that these are new stories, written for Barry Allen, not unused Wally West stories. He has a bunch of those that he never got to use since he left the book before he ran out of ideas, but they’ve “been put away for now.” He also confirms that there will definitely be a Flash/Green Lantern crossover at some point — something that should surprise no-one.

Francis Manapul

CBR interviews Francis Manapul about his work on The Flash.

At the beginning, I was digging what Ethan [Van Sciver] was doing with tons of lightning and stuff like that. So, I used some of that at the beginning, but I found more and more that, the deeper I get into the pages, the more I enjoy the multiple images the way Carmine did it. So, I’ve been doing a lot of that. It’s actually been advantageous being able to do the watercolor [effect on] my own work, because the way I would draw the trail of images where he was running from, I’m able to draw on a lighter scale.

He adds: “the goal is that with every issue, you’re going to see the Flash do something completely different, in terms of showing his speed, that you haven’t seen before.”

Scott Kolins

Speedster Site interviews Scott Kolins about Blackest Night, DC Universe: Legacies and The Flash. He talks about designing the Black Lantern Reverse Flash, drawing Wally’s new costume and Barry’s Blue Lantern uniform, and how Blackest Night: The Flash compared to Final Crisis: Rogues’ Revenge.

Kolins was also asked about the Wally West backup stories he and Geoff Johns were going to do:

DC of course recognizes how important Wally is and has been for the Flash fans and the co-feature idea was one of the ways they wanted to make use of him. -But then they had another idea – a possibly better idea. The reader is the ultimate judge, but it’s all done with the best of intentions. I’ve been working long enough to realize that plans change as the company endlessly searches for new and better ideas.

I’m curious about this “possibly better idea” now, and more hopeful about it than I would have been on Tuesday.

Review: Flash #1 — “The Dastardly Death of the Rogues”

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It’s refreshing to be able to read a Flash story that’s just a Flash story. After four months of retrospective on Wally West, three months off, then a year of rearranging the Flash mythos to make Barry Allen the Most Important Flash of All Time(TM), we finally get Geoff Johns and Francis Manapul’s Flash #1 — a story about the Flash vs. Rogues, and about Barry Allen and his day job.

You don’t need to have read Flash: Rebirth to follow this book. Or Blackest Night. Or, despite the banner across the top, Brightest Day. Actually, you don’t need to have read anything about the Flash to follow this book — and that’s something else that we haven’t seen in a while.

Story

Broadly speaking, the issue can be broken down into three main segments:

Introduce the Flash.
Introduce Barry Allen.
Get the story going.

It moves in a way that the last three “first issues” of a Flash launch didn’t. The opening segment, after the equivalent of a cinematic pan-in, is one long action sequence. The middle segment slows down a bit, but manages to strike a good balance of exposition and characterization. Then the third segment jumps head-first into the mystery.

And the amazing thing? It’s actually fun. I know that’s the kiss of death in comics these days, but it also happens to be what I find myself wanting to read in a super-hero book lately. It has a sense of adventure that The Flash hasn’t really had since the days of Mark Waid’s classic run in the 1990s.

In a lot of ways, this book is 180 degrees away from Flash: Rebirth…and I have to wonder why Geoff Johns couldn’t have started with this approach a year ago, instead of spending 9 issues telling us, “It’s going to be great! Really! Barry is awesome! Can’t you just see how awesome he is?”

Art

Of course, a year ago, one thing would have been missing: Francis Manapul’s art. It’s refreshingly clean after Ethan Van Sciver’s incredibly detailed work on Flash: Rebirth, and while I love Scott Kolins’ pencils on the Rogues, Manapul’s is a better fit for the Flash himself. Rather than focusing on multiple images, speed lines, or lightning, he mixes and matches all of them along with blur effects to show speed.

Manapul also works in a lot of details that stay in the background, but reward a second read: Barry’s and Iris’ chat icons, a bystander taking a photo with a cell phone at a crime scene, the Weather Wizard’s rap sheet slipping out of a file while Captain Frye tells Barry of his latest exploits. Iris has a coffee cup within arm’s reach in every single panel in which you can see her hands, except one. These things are fun to catch, but they don’t take over.

The only problem I have with his art is that his faces sometimes (but not always) seem a bit off. I can’t quite put my finger on why.

Okay, it’s SPOILER TIME!

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Review: Flash Secret Files and Origins 2010

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More precisely, the book is Flash: Secret Files and Origins 2010 #1. (I’m always faintly amused at the tendency of comic book publishers to slap a big “#1” on the front of an obviously one-shot issue.) Like most of DC’s Secret Files books, this is made up of a lead story and a series of profile pages.

Lead Story

“Running to the Past” by Geoff Johns and Scott Kolins was a fairly standard Flash story. It doesn’t really stand out as particularly good or bad, but it serves as an introduction to Barry Allen, his primary motivation (the retconned-in death of his mother), and the sometimes lonely life of a speedster.

There are some nice moments, like the sequence of panels early on in which Barry hits a light switch, pours himself a glass of water, and then the light comes on (though if you think about it, that only makes sense if the water is sped up too).

Oddly, while the whole story is drawn by Scott Kolins, the epilogue featuring the Rogues looks vastly different. It really highlights something I’ve mentioned before, which is how well-suited his art is to the Rogues.

It is a Barry Allen story, first and foremost, though the rest of the “good guy” speedsters show up briefly. I didn’t really expect anything beyond that, but the solicitation text suggested that Wally West and Bart Allen might be more involved, and I’m sure there are people out there for whom that will be a factor in whether they pick up the book. Perhaps DC planned bigger roles or a second story, back when they still planned a series of backup stories featuring Wally and a Kid Flash book featuring Bart, but if so, it didn’t make it to the finished product.

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Speed Reading: Manapul Nomination, Batman vs. Shark, Elementary Heroes & More

Fan Art

You’ve probably seen that image of Batman fighting a shark with a lightsaber by now, right? ComicMix has identified the artist as Andrew Zubko.

Comics All Too Real specializes in merging the fictional and real worlds, including: The Flash by Adobe. They’ve also got a great Flash birthday cake.

Zero Lives draws *ahem* Elementary Heroes. This one’s for the chemistry geeks. And Mr. Element, of course! (via Comics Alliance)

DC Trivia Contest: Win a Signed Flash #1 through Twitter

Speed Force

Tracking the Flash – the Fastest Man Alive