Tag Archives: Barry Allen

Speed Reading: Breathing in Space, the Blur, Casting, EVS vs. Carmine Infantino & More

Batman can breathe in space, but the Flash can't.Comics Alliance has a couple of Flashy items: First, a page from the Shortpacked! coloring book: Batman Can Breathe In Space, But Not The Flash.

Second: they look back at a pair of Baby Ruth commercials from the 1990s, featuring Hawkman and an obvious Flash stand-in called the Blur. They have a video clip of the Blur commercial. Fun fact: The Blur was played by Tim Thomerson, who played Barry Allen’s brother Jay in the pilot episode of the 1990 Flash TV show.

Speaking of the Flash TV series, it makes Comic Book Movie’s list of Top Ten Most Accurate Live Action Superhero Costumes

The Secret of Wednesday’s Haul contrasts Ethan Van Sciver and Carmine Infantino in their approaches to conveying speed.

noscans_daily has a Flash Appreciation Post focusing on the character from the animated Justice League and Justice League Unlimited TV series.

A Trout in the Milk reviews Wednesday Comics and asks the question: “What have we learned?”

InTylerWeTrust82 casts Superman and the Flash, with some interesting choices for the heroes, their supporting casts, and selected villains.

What Were They Thinking? has an example of Golden Age Flashdickery. Jay Garrick was a bit of a prankster in those days…

Review: Flash: Rebirth #5 — “Mother, May I”

Flash: Rebirth #5

Flash: Rebirth is closing in on its conclusion. Mysteries are revealed, heroes battle villains — well, a villain anyway — and change is in the wind for more than one speedster. The sense of urgency that started building in issue is present in full force here, as Geoff Johns and Ethan Van Sciver build the story to one last cliffhanger before the end.

Let’s get one thing out of the way first: Wally West’s new costume debuts in this issue. If you’ve read it already, or don’t mind being spoiled — or want to be spoiled — you can read my comments and see a scan in my previous post. The change itself is a little forced, but works well enough — and, interestingly enough, isn’t played up at all by the characters themselves.

So: Barry Allen solves his cold case, Jay Garrick demonstrates that super-speed is more than just running, the West Twins reach a turning point, Liberty Belle makes an impression, and Professor Zoom proves himself petty and vindictive as well as vicious.

Purpose

A lot happens in this issue, but I can’t help but feel that it ultimately doesn’t matter. The plot of Flash: Rebirth is secondary to the book’s real purpose:

  1. Rearranging characters to put them in the roles that DC wants for 2010.
  2. Restructuring the Flash mythology.

Along the way, it does a lot of what one of my friends in Star Wars fandom calls “spackling:” patching over rough spots or outright holes in continuity. Last issue we got an explanation of why Barry never learned about the Speed Force in the form of a completely new interpretation of how it works. This issue we get an explanation for why Barry’s flashback has his parents in Central City instead of Fallville. We get yet another layer on why Jay and Joan Garrick look 50 instead of 90, and a new explanation for why Jai and Iris/Irey West don’t have super-speed. We even get an explanation for “hot Iris.”

In that way, Flash: Rebirth is a lot like World War III, which existed solely to explain what had changed between Infinite Crisis and the “One Year Later” books. That this miniseries is the best Flash story since 2005 has less to do with it being a good story than it does with the fact that the comics from 2006 through 2008 were incredibly haphazard.

Well, I’ve reached the point where I can’t say anything more without giving anything away, so if you don’t want any spoilers, stop reading now! Continue reading

Review: Brave and the Bold #28 (Blackhawk and the Flash)

Brave and the Bold #28

Brave and the Bold #28, “Firing Line,” by J. Michael Straczynski and Jesus Saiz occupies an unusual niche for the Flash. While Barry Allen has been back for a year and a half, this marks his first real solo adventure in an ordinary comic book format since his return. Flash: Rebirth is very much a transition, more setup than story, and while Barry certainly has the spotlight in that book, he shares the stage with a host of other speedsters. Wednesday Comics came close, but was very much caught up in exploring the alternate format.

Calling a team-up story a solo adventure might be pushing it, but this does read much more as a Flash story than a Blackhawk story. It’s told from the Flash’s point of view, the key dilemma is a decision the Flash has to make, most of the Blackhawks are indistinguishable from each other, and a group known for air combat spends the entire issue grounded.

Dilemma

At its heart, the story uses the clash between two classic comic book genres to ask the question: “When is it acceptable to kill?” The Flash — perhaps the example of the Silver Age superhero: slightly goofy, with crazy science adventures and a code against killing — is dropped into the middle of a war, unable to leave until an injury heals. And not just any war: World War II.

On that level, it works. The Flash’s idealism and the Blackhawks’ determination contrast well, until he finds a way to align them. Jesus Saiz’ artwork feels a bit stiff and static during the Silver Age-style framing sequence, but is well-suited to the war story that takes up the bulk of the issue. The coloring also highlights the contrast between the Flash’s bright red costume, the Blackhawks’ dark blue, and everything else in muted grays and browns.

It also manages to avoid the stilted dialog that occasionally crops up in JMS’ writing. Every once in a while I’ll be reading something and a line will leap out as either very awkward, or a quote from Babylon 5. That didn’t happen even once here.

So what doesn’t work?

Continue reading

Speed Reading: Iconic Covers, Crisis Preview, Evil, Maps & More

Comics Should Be Good wraps up the month of iconic covers with the Top 5 Most Iconic Barry Allen Covers.

Ain’t It Cool News has a preview of Justice League: Crisis on Two Earths, the next direct-to-home video DC animated film. It’s based on a number of Earth-2/Earth-3 stories in which the Justice League goes up against their evil counterparts from another world, the Crime Syndicate. There’s a few frames of the evil Johnny Quick in the preview, sporting an entirely new costume. (Thanks to Jesse for the link.)

Speaking of evil, the “Mark Waid Was Evil” teaser turns out to be for a new series, Incorruptible, intended as the flip side to Irredeemable. This series follows a super-villain who decides to become a hero in response to the Plutonian’s fall to the dark side.

Newsarama evaluates Wednesday Comics, giving the Flash strip a B+.

Avatar Press has started a collaborative map of comic shops around the world. You can help by adding the local store where you buy your comics.

Over at my other blog, I made an amusing discovery about Wizard World Los Angeles, the Long Beach Comic-Con, and two convention centers.

Dead Flash Covers

Looking back at the cover for Flash: The Fastest Man Alive #13, it wasn’t promising for Bart Allen, especially with the Flashes’ history of death. We know now that it ended badly for him (though he got better).

Crisis on Infinite Earths #8Countdown: Flash: The Fastest Man...Flash: The Fastest Man Alive #13

Of course, there’s also a history of Flashes (and supporting cast) appearing dead on the cover, but still making it through. More than 25 examples of dead Flash covers appear below. Continue reading