Tag Archives: Rogues

Retro Review: Flash #2

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Sorry this review is so late. Things just kept coming up, and I pushed it further and further back. Then my local comic store didn’t receive their order of The Flash #3 on time (Diamond sent them extra copies of Deadpool Team-Up instead), so I haven’t had a chance to read the new issue…and it occurs to me that this is my last chance to review The Flash #2 before reading issue #3!

So, on to the review!

I’m still enjoying this series a lot more than I did Flash: Rebirth. Francis Manapul’s artwork has a lot to do with that, but also the fact that they’re just telling stories about a guy with super-speed instead of trying so hard to justify why they’re telling stories about this guy with super-speed.

Admittedly not a whole lot happens in this issue, but it continues to move as quickly as the previous chapter did. I expect that when “The Dastardly Death of the Rogues” is finished, pairing it with a collection of Silver-Age stories like Flash vs. The Rogues will provide a great example of the change in comic-book storytelling styles from 1960 to 2010.

The expected confrontation with the Renegades is cut short, leaving the rest of the issue divided between the mystery aspects (presented through Barry Allen’s civilian life) and a visit with Captain Boomerang, providing the Brightest Day connection advertised on the cover. Also: the Flash evacuates, then rebuilds an apartment building at super-speed. Once again, the issue ends on a cliffhanger, only this time it has to do with Barry Allen, rather than the Flash.

Francis Manapul’s artwork continues to stand out, especially in sequences like the apartment evacuation, though there are some places where it seems a bit more static than last issue. Last issue I thought his faces seemed a bit off, but this time I started noticing the way he handles expressions. There are a couple of sequences where he really makes use of changing expressions with similar panel layouts. The last two pages stand out, as does a sequence earlier in which a girl complains that she lost her doll in the building collapse. (His attention to detail holds as well. If you flip back a few pages, there she is…and there’s her doll.)

Okay, spoiler time!

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Batman Bits: Rogues in the Game & New Episodes in July

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Batman: The Brave and the Bold’s Facebook page reports that new episodes return to Cartoon Network in “late July.” Presumably this means that US fans will finally be able to (legally) see “Requiem for a Scarlet Speedster” (featuring three generations of Flashes) and “Siege of Starro,” which have already been shown in Australia and the UK.

In related news, IGN has posted some new screenshots from the upcoming Batman: TBATB video game…including one featuring Captain Cold, Weather Wizard, and Heat Wave! (via The Rogues Kick Ass)


Speed Reading: To the Art

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Some art-related linkblogging…

Yildiray Cinar draws an impressive Reverse Flash (via @SpeedsterSite)

There’s a new Rogue in town…a new Rogues blog, that is: The Rogues Kick Ass (via @liabrown1). So far, it’s mostly comedic scans from published comics. (Context? What context?)

This is Knutz presents: The Rogues as kittens. (via @SpeedsterSite) Hilarious!

The Best Comic Covers looks back on the 9 Best Superman vs Flash Covers.

Various people at DC Comics weigh in on their favorite DC covers. Dan Didio’s is Michael Turner’s Flash #207 (via @SpeedsterSite).

Last week, Once Upon a Geek posted a series of poster galleries, including the JSA, Flash, Green Lantern, Sandman, Crisis on Infinite Earths, and more.

Behind the Scenes

Francis Manapul has been posting a lot of Flash art on Twitter lately: the uncolored art for the Flash #5 cover and five pages from Flash #2.

Val Victory’s review of the Flash: Rebirth hardcover includes scans of Ethan Van Sciver’s discarded designs for Wally West’s new costume.

Lots of places have been posting about Wednesday Comics with the release of the hardcover this week. The Source has some of the extras, including art from Karl Kerschl’s Flash strip.

Comic Strips

OK, none of these strips are Flash-related… but I had to share them anyway.

Comic Critics points out that Gotham City is a bad place to open themed businesses.

Creebobby presents Batman after a bad night on patrol: Bat-Fail.

Flash Hints from C2E2

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DC has been really cagey with Flash news lately, since the new direction is just getting started, but they’ve let a few hints slip at C2E2. Here’s a round-up from Newsarama and CBR’s coverage of the event.

DC Nation was light on Flash information…though Dan Didio joked that “as far as dead meaning dead in the DCU, once we get to Nightwing and Wally West, yes.”

At the Brightest Day panel on Saturday, Geoff Johns answered a fan who was upset that Flash #1 had a “Brightest Day” banner, but didn’t tie into the book:

Johns said, “It was a good issue, wasn’t is?” before explaining that the book would tie in to what happens in “Brightest Day” in some small ways, though “I didn’t want to start Flash #1 with a white power battery. I wanted him to fight the Trickster.” Sattler added “The bannering on the books is about a theme in the DCU…the stories are important to Brightest Day’s central story.”

He told another fan, who was confused about the number of Zooms running around, “If you look at Reverse Flash, I try to do everything in reverse…”

At the DC Universe panel, Ian Sattler answered a question about a Flash Secret Origin story by saying, “Sooner than you think.” Wally West will make an appearance in Justice League.

Robinson also said that he’s “very excited about bringing Jesse Quick to the team.”

Finally, at Sunday’s Flash/Green Lantern panel, Geoff Johns declined to answer questions about the current arc or about Flashpoint. He has plans for Wally West and the West Twins. We will “eventually” see the Tornado Twins and John Fox, but there are no plans for Inertia (he’s “really dead”) or Walter West (“but never say never”).

Someone else asked why the resurrected Captain Boomerang is already in jail, “Or is this based on his previous crimes?” Johns said yes. “Is there a legal precedent in the DCU for culpability for crimes you’ve committed before you’re resurrected?” “I’ll have Boomerang complain to the guards.”

The most interesting remark I found in the write-up was this:

“The Rogues always told Wally there was a mutual respect between them and Barry, and that was a lie.”

The funniest, though: Someone asked about Mopee. No one on the panel knew who he was, except Geoff Johns, who sighed and joked that he’ll be in issue #715.

Review: Flash #1 — “The Dastardly Death of the Rogues”

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It’s refreshing to be able to read a Flash story that’s just a Flash story. After four months of retrospective on Wally West, three months off, then a year of rearranging the Flash mythos to make Barry Allen the Most Important Flash of All Time(TM), we finally get Geoff Johns and Francis Manapul’s Flash #1 — a story about the Flash vs. Rogues, and about Barry Allen and his day job.

You don’t need to have read Flash: Rebirth to follow this book. Or Blackest Night. Or, despite the banner across the top, Brightest Day. Actually, you don’t need to have read anything about the Flash to follow this book — and that’s something else that we haven’t seen in a while.

Story

Broadly speaking, the issue can be broken down into three main segments:

  1. Introduce the Flash.
  2. Introduce Barry Allen.
  3. Get the story going.

It moves in a way that the last three “first issues” of a Flash launch didn’t. The opening segment, after the equivalent of a cinematic pan-in, is one long action sequence. The middle segment slows down a bit, but manages to strike a good balance of exposition and characterization. Then the third segment jumps head-first into the mystery.

And the amazing thing? It’s actually fun. I know that’s the kiss of death in comics these days, but it also happens to be what I find myself wanting to read in a super-hero book lately. It has a sense of adventure that The Flash hasn’t really had since the days of Mark Waid’s classic run in the 1990s.

In a lot of ways, this book is 180 degrees away from Flash: Rebirth…and I have to wonder why Geoff Johns couldn’t have started with this approach a year ago, instead of spending 9 issues telling us, “It’s going to be great! Really! Barry is awesome! Can’t you just see how awesome he is?”

Art

Of course, a year ago, one thing would have been missing: Francis Manapul’s art. It’s refreshingly clean after Ethan Van Sciver’s incredibly detailed work on Flash: Rebirth, and while I love Scott Kolins’ pencils on the Rogues, Manapul’s is a better fit for the Flash himself. Rather than focusing on multiple images, speed lines, or lightning, he mixes and matches all of them along with blur effects to show speed.

Manapul also works in a lot of details that stay in the background, but reward a second read: Barry’s and Iris’ chat icons, a bystander taking a photo with a cell phone at a crime scene, the Weather Wizard’s rap sheet slipping out of a file while Captain Frye tells Barry of his latest exploits. Iris has a coffee cup within arm’s reach in every single panel in which you can see her hands, except one. These things are fun to catch, but they don’t take over.

The only problem I have with his art is that his faces sometimes (but not always) seem a bit off. I can’t quite put my finger on why.

Okay, it’s SPOILER TIME!

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Review: Flash Secret Files and Origins 2010

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More precisely, the book is Flash: Secret Files and Origins 2010 #1. (I’m always faintly amused at the tendency of comic book publishers to slap a big “#1” on the front of an obviously one-shot issue.) Like most of DC’s Secret Files books, this is made up of a lead story and a series of profile pages.

Lead Story

“Running to the Past” by Geoff Johns and Scott Kolins was a fairly standard Flash story. It doesn’t really stand out as particularly good or bad, but it serves as an introduction to Barry Allen, his primary motivation (the retconned-in death of his mother), and the sometimes lonely life of a speedster.

There are some nice moments, like the sequence of panels early on in which Barry hits a light switch, pours himself a glass of water, and then the light comes on (though if you think about it, that only makes sense if the water is sped up too).

Oddly, while the whole story is drawn by Scott Kolins, the epilogue featuring the Rogues looks vastly different. It really highlights something I’ve mentioned before, which is how well-suited his art is to the Rogues.

It is a Barry Allen story, first and foremost, though the rest of the “good guy” speedsters show up briefly. I didn’t really expect anything beyond that, but the solicitation text suggested that Wally West and Bart Allen might be more involved, and I’m sure there are people out there for whom that will be a factor in whether they pick up the book. Perhaps DC planned bigger roles or a second story, back when they still planned a series of backup stories featuring Wally and a Kid Flash book featuring Bart, but if so, it didn’t make it to the finished product.

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