Tag Archives: Wally West

Speed Reading: Morrison/Millar, Rebirth Reactions, Signings and More

Mindless Ones takes an extensive look at the Morrison/Millar Flash run, focusing on the excellent Jay Garrick spotlight issue, Flash v.2 #134.

Flash: Rebirth #1 makes up a large chunk of the Weekly Crisis’ Moments of the Week.

4thLetter! asks, “You know what was hilarious?”

Daryl Tay wonders, New Flash or Old Flash? — contrasting the quick sell-out of Flash: Rebirth #1 with Newsarama’s “Who’s your favorite Flash” poll in which visitors overwhelmingly chose Wally West over Barry Allen.

The Four Color Media Monitor is glad to hear that Bart Allen is back.

Comicbook.com has 10 “Are You JOKING” Moments in Comic Books including the April 2008 return of Barry Allen

The Hero Initiative has announced their schedule for Free Comic Book Day (Saturday, May 2). Among other events, former Flash writers Mark Waid and Marc Guggenheim will be appearing at Collector’s Paradise in Winnetka, California from 12:00-3:00.

The first issue of Mark Waid’s Irredeemable sold out in one day, and will get a second printing.

The Weekly Crisis talks about corporate comics, with DC and Marvel as Intellectual Property companies first, and comics companies second.

Once Upon a Geek digs up an old ad for COIE…back when the title was going to be “DC Universe: Crisis on Infinite Earths.”

And totally off-topic, there’s Rorschach Reviews Watchmen.

Review: Flash: Rebirth #1 — “Lightning Strikes Twice”

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Flash: Rebirth #1

Now that I’ve had time to read it through a second time, Geoff Johns & Ethan Van Sciver’s Flash: Rebirth #1 didn’t bowl me over quite as much as it did on the first read-through, but it still won this Wally fan over at least for the duration of the miniseries. Some things bothered me more this time through, and ironically enough, it’s actually pretty slow for a book about speed.

On the other hand, it’s much faster-paced than Flash: The Fastest Man Alive #1 or Flash vol.2 #231, the first issues of the 2006 relaunch with Bart Allen and the 2007 relaunch with Wally West.

The book opens with a scene that starts out looking like a retelling of Barry Allen’s origin, but quickly becomes apparent that it’s taking place in the present day with someone trying to recreate the circumstances of the lightning strike that turned a police scientist into the Flash. After that foreboding opening, it moves onto the main segment of the book: introducing all the characters and the key concept of the speed force.

Oddly enough, everyone is introduced separately: Barry, Wally, Bart, Jay Garrick, and Barry’s wife Iris are all in different places. Jay is preparing for a welcome-back party with the Justice Society, Wally with the Titans, Bart with the Teen Titans, and Iris is setting up for a family dinner, while Barry visits the Flash Museum (a mainstay of the series since the Silver Age) to catch up and runs into Hal Jordan. So they all talk about Barry, and how they relate to him and each other, but you don’t actually see them interacting.

Within this framework, Johns and Van Sciver touch on the nature of Central City and Keystone City, the way they appreciate their native super-heroes, a number of the villains who populate the Twin Cities, and even address the Wally/Barry/Bart debates (Jay is so often left out) that thrive on the internet.

Near the end, Barry suits up, flashes back to a traumatic childhood memory, and the real threat makes its appearance.

Things I Liked

Flash: Rebirth #1 followed the golden rule for a chapter that’s mostly setup: Open with an exciting hook, and finish with an exciting cliffhanger. (Come to think of it, Flash:TFMA #1 and Flash v.2 #231 tried to follow this structure, but didn’t work as well.) By the end of the issue, you know key elements of Barry Allen’s personality, what his powers are, see him in action, and have a sense of the threat he’ll be facing, even if that threat’s identity and nature are still mysterious.

Referencing Barry’s lab accident right at the beginning is a good way to start things off, and the villain introduced is suitably creepy.

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Co-Features, or How To Make All Flash Fans Happy

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Over the past month, DC has announced a (somewhat) new format for some of its books: the co-feature. It’s essentially the same as the classic lead+backup format, except that the lead story is a full 22 pages.* The upcoming Doom Patrol relaunch will co-feature the Metal Men, and now Booster Gold and Teen Titans will be getting Blue Beetle and Ravager backups. The books will jump to $3.99, but they’ll have more story pages than the standard $2.99 book.

Thinking about this, I realized: This is the perfect way to satisfy all Flash fans! Relaunch the series after Flash: Rebirth as a co-feature book. Make the lead 22-page story focus on Barry Allen. Make the backup story focus on Wally West, or rotate through Wally, Jay and Bart. I’ve been vocal in my displeasure at losing a regular series focusing on Wally, but I would buy this in a hot second with no complaints (unless the stories turned out bad, of course). It also seems more viable in this market than a second Flash book.

So how about you, readers? Does this sound like a good idea?

Edit: Went to post this on ComicBloc and realized that The Speedster posted the same idea a week ago. And I responded in the thread. Clearly I need either more sleep or more coffee.

*It’s not clear how long the backups are, but I’m guessing probably 12 or 16. 16 would make it roughly equivalent to a 40-page book, which is the format that Final Crisis and tie-ins like Rogues Revenge have used.

Speed Reading: Retro Reviews, Doug Hazlewood, TV Shows and More

The Victoria Advocate profiles Doug Hazlewood.

Comics In Crisis presents Flash v.2 #182 (2002), the Captain Cold Rogue Profile story, among the 10 Essential Bronze Age Comic Stories You Should Read. I’d disagree with the Bronze-Age classification (traditionally, the Bronze Age of Comics ran from the 1970s through mid 1980s, with Crisis on Infinite Earths being a good reference point for DC books), but it’s absolutely a must-read.

X-Man reviews Flash vol.2 #1 (1987), noting how different Wally West was at the age of 20 than he is today. That’s actually one of the things Wallys’ long-term fans like most about the character: that we’ve seen him grow and change naturally, rather than simply be given a personality transplant whenever a new writer shows up.

The Quantum Blog talks about TV shows canceled before their time, including the 1990-1991 Flash TV Series. (Hard to believe it’s been almost 20 years. Seriously, Quantum Leap is having a 20th Anniversary convention this month. I feel old…)

The Worlogog celebrates Weird Silver Age Tales of the Flash.

I haven’t had a chance to listen yet, but Raging Bullets Podcast #152 features Flash’s Rogues with listener guest Mike Simms.

Heritage Auctions will be selling a CGC 9.6 copy of Showcase #4, the comic that rebooted the Flash as Barry Allen, launching the Silver Age (via It’s all Just Comics)

A Journal of Zarjaz Things looks at Flash: Emergency Stop, griping that Grant Morrison’s 9-issue run is split across two trades with the second “padded” out with a 3-parter by Mark Millar. IMO, though, Morrison didn’t write a 9-issue Morrison run — he co-wrote 9 issues of a 12-issue Morrison/Millar run. It would have been less responsible for DC to print only the Morrison issues and leave out “The Black Flash,” which has arguably had more lasting impact on the Flash mythos than the other stories in these trades, good as they are. (It is silly that they left out the first two parts of “Three of a Kind,” though.)

Flash: Crisis on Earth-Blog (Alex Ross and George Perez)

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Crisis on Earth-Blog

The landmark Crisis on Infinite Earths, by Marv Wolfman and George Perez, came out in 1985-1986, but it took until 1998 for DC to collect the whole series in one volume. The slipcased hardcover featured a wraparound painted cover by Perez and superstar Alex Ross. (That edition is no longer available, but the paperback edition is based around the same cover.)

The Flashes figured prominently in the story. Jay Garrick and Barry Allen shared the story that introduced the concept of the DC Multiverse, “Flash of Two Worlds” (Flash v.1 #123, 1963). And of course, Crisis on Infinite Earths featured Barry Allen’s death, and Wally West taking up the mantle. So naturally, the Flashes had a prominent spot on the cover, arguably the second most-visible after the pair of Supermen holding the bodies of Wonder Woman and Supergirl. A streak of crimson, yellow and white runs along the lower half of the cover, colliding dead center in a burst of lightning, and finally images of the Flash disintegrate and collapse at the end.

The Run-Down

Read on for an in-depth examination of the scarlet speedsters on this cover. Continue reading →

Mo’s Flash Volume 2 Reviews: Review Three

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Flash #5, October 1987

Story overview:
The issue starts out in Syracuse, New York and Tina McGee is telling Jerry, her husband, that they are getting a divorce. Jerry doesn’t like this and takes it out on Tina. Jerry abuses Tina and runs off to Volton Labs, division 8, where he works. He injects himself with a steroid which we learn is making him angry and abusive. It’s his 29th injection of steroid B-Q19 and he says that he is “now ready to proceed with stage three of Project Ubermensch. The story now cuts to Long Island where Flash is putting together a TV set with full surround sound stereo. He gets a call from Tina and she tells him what has happened between her and Jerry. Note that both her and Flash don’t know about Project Ubermensch. Flash runs to Tina and on his way explains how he met her and all that jazz from issues #3 and #4. He gets to her at a fine dining spot called the Blue Swan where Flash has 2 meals. Tina explains to Flash that Jerry has been taking steroids (she doesn’t know what they do) and that they make Jerry paranoid, dangerous, and crazy. She says that Jerry can find her in the city and she wants to leave, but is afraid he’ll follow them out. Wally runs her to his place and shows her around. While this is happening, Jerry puts on a suit and we learn that the steroid gave him super speed and he is pretty damn strong. He acts completely paranoid and starts his hunt for Tina and Wally. Note that Wally’s secret identity isn’t so secret. Cut back to Long Island where Wally’s father is at the door. He explains to Wally that he and Wally’s mother were experiencing some difficulties and they used up the $500,000 that Wally gave them when he won the lotto. Tina shows Wally an editorial in the newspaper that cancels his town’s liability service since he moved in. Tina and Wally go to a very nice place to eat (he has two filet mignons and a lobster), Wally’s Pops stay in Wally’s house sleeping. In the restaurant Wally spots the president of the city council who wrote the editorial in the newspaper. They have quite the heated discussion about the editorial and all. Once home, Wally and Tina go to sleep in their respective rooms. Tina comes into Wally’s room saying that she only feels safe in his arms and some more lovey dovey jibber-jabber. They hear a few CRASH-BOOM-THUMPS and the house’s alarm system rings. A fist comes through the wall of the room Wally and Tina are in and it turns out to be crazy Jerry McGee—all steroided up; fast and strong. Flash lays a few punches on him when Jerry runs off with Tina. Angry, crazy, and blind Jerry with Tina in his arms makes a ‘SPLANG-WHUMP’ into none other than a Texaco Fuel Depot. And BOOM!

Review:
It amazes me how much story they fit in comics back then. At quite a few points in the story, I could see the issue ending right then and there, and it didn’t! I’m guessing this is because I’m used to today’s shorter storied comics. This issue really stresses Jerry’s psycho – craziness. It has him beating up complete strangers for looking at him in his ridiculous yellow and purple suit. I mean if you saw a random person in an outlandish yellow/ purple suit, who wouldn’t look? Jerry’s paranoia is almost to the point of no return. Things I noticed throughout the issue:
•No offense to Jackson Guice, but the anatomy in this issue is really well, an issue (I know, I had to).
•Flash’s symbol is a lot higher up on his chest throughout the issue, even noticeably on the cover.
•No offense to any colourists from 1987, but to me it looks like colourists had a heck of a easier job than they do today.
•Lots of BAM-POW-THUD-CRASH-WHACK-POP’s in this issue.
•This is more of a general Flash Vol. 2 so far thing I noticed—there’s a lot of jumping out of/being thrown out windows.
Overall, I really like how this story is going and it’s definitely believable.

Rating:
Writing: Five out of five stars. Believable, and fun.
Art: Four out of five stars. Anatomy really annoyed me at some parts.

Favorite Quote:
“But, dad! I thought that money would help you and mom!” “Well I suppose it did for a while…. But now that it’s gone…” “But DAD! That was $500,000!” –Wally West, Rudolph West, page 15.

As usual, more after the break!